Downloaded from YTS.MX
["I’ll Believe In Anything" by Wolf Parade plays]
Official YIFY movies site: YTS.MX
[♪]
[woman laughing] Where are we going?
[♪]
- Ready? - Yeah.
Now you can look.
♪ I need sunshine... ♪
[gasping]
♪ Give me your eyes... ♪
- Wow! - ♪ I need sunshine ♪
♪ Your blood, your bones... ♪
- It’s for you. It’s for the baby.
Thank you.
[♪]
Hi.
♪ We’ve both been very brave ♪
♪ Walk around with both legs ♪
♪ Fight the scary day ♪
♪ We both pull the tricks out of our sleeves ♪
♪ But I’ll believe in anything ♪
[baby laughing]
♪ And you’ll believe in anything ♪
♪ If I could get the fire out from the water ♪
♪ I’d share a life and you’d share a life ♪
♪ If I could take the fire out from the water ♪
♪ I’d share a life and you’d share a life ♪
♪ If I could take the fire out from the water... ♪
Hi!
♪ ...I’d take you where nobody knows you ♪
[laughing]
[♪]
[family chatting fondly]
♪ I said nobody knows you ♪
♪ And nobody gives a damn either way ♪
Okay.
[♪]
[camera beeps on]
First Space-tions, scene nine, take four.
Frick, Roger.
We’re already chasing light here!
Come on,
I know you’ve got performance anxiety,
but you’re gonna be okay.
And... action!
[in low voice] Report! Report!
Talk to me. What’s happening?
[in higher voice] I’d guess an anti-gravity charge
from the boarding unit, sir.
[in fast voice] 15 colonial ships, sir!
[in high voice] They’re just holding position
outside the kill zone.
[in regular voice] Captain,
the firing control for the main cannon,
it’s hit, it’s offline.
Form our defense perimeter.
Something isn’t right.
The fleet’s only supposed to have a few ships.
This one has over...
Beep-beep-beep-beep...
This one has over 50!
This is Admiral Klattsassin.
The prime minister, he’s gone too far this time.
Negative, Admiral.
Stand down.
We have to get the tsung’in off that ship, sir.
[in high voice] I can’t live without it!
[in regular voice] Captain, what should we do?
It’s time. We need him.
We need Tyler.
Get...
me...
a...
weapon...
Cut!
Thanks, guys.
Thanks, Sharon. Beautiful lady.
You too, Rog. You’re handsome.
Uh, I don’t know what you look like, so, uh...
Yeah, you’re handsome, anyways.
[♪]
♪ Can I come back to your house? ♪
♪ We can go play outside ♪
♪ Ride our bikes to the dugout ♪
♪ We can stay up all night ♪
[♪]
♪ Can I come back to your house? ♪
♪ We can go play outside ♪
♪ Ride our bikes to the dugout ♪
♪ We can stay up all night ♪
[♪]
♪ Run and hide ♪
[♪]
[knocking]
Hiya, Matty.
Thanks for lending me your toaster
for my latest film.
It’s, uh... it’s got, it’s got everything.
It’s got a mix between tragedy, drama, horror,
comedy, and stuff like that,
and, uh, it’s in space!
So thanks.
[♪]
♪ There’s no time to get sleepy ♪
♪ Come on, open your eyes ♪
Hey, guys, come to my newest and latest film.
It’s called "First Space-tions."
Yeah, we’ve got aliens, there’s stuff that’s cool.
I play this one character, I go-- [imitating gunfire]
Kill lots of aliens,
and yeah, see you then.
[knocking on door]
Hiya, Beggy.
This gave the film exactly what it needed.
Okay...
What is it?
What is this?
Heya, Haya.
I want to thank you
for your contribution to the film.
This isn’t mine.
It isn’t?
Where’s my toaster?
[♪]
[sighing]
[camera beeps on]
Oh, that’s a good question.
Um, well, of course, we...
of course, we’ve planned for Sundance,
and we had a lengthy back-and-forth
with the jury of Cannes,
and, well, it felt right.
It felt right to premiere my latest work
right here in the rez,
and I think they’ll like it.
They’ll like it, and they’ll be proud,
and they’ll see something that I created,
and maybe they’ll be happy,
I’ll be happy,
we’ll all be happy, and...
Dad...
he’ll finally know that I’m here.
[camera beeps off]
Hey, Dad.
Tyler.
Oh, you’re going to work in the woods?
Yep.
When are you back?
Can’t say.
Well, I finished another movie,
and, uh...
me and, uh, Sammy helped me organize
another screening for it.
I can’t make it.
I’ll be working then.
Well, if you came, you’d get a VIP pass.
Make sure you go stay with Etsu.
She needs help fishing.
I’ll come pick you up when I get back.
[front door opens and closes]
[♪]
[unlacing]
[undoing velcro straps]
[sighing]
[camera beeps on]
[birds chirping]
[imitating elder narrator] And here we have
the beautiful bird.
Don’t know what the hell they’re called,
but we’re gonna eat one.
The hunter lays its trap for its prey...
[stumbling]
...and as you can see,
the predator has failed,
and he will starve for the winter and die.
[camera beeps on]
This is my movie-screening place.
It’s not much, but it’s great.
Has what you need.
This is a...
this is a place where magic happens.
[♪]
♪ It’s time for the weekend ♪
♪ In the sunlight ♪
[♪]
♪ You make a lot of noise ♪
♪ When you’re feeling tongue-tied ♪
[♪]
♪ Let the kids play... ♪
Sammy! Etsu!
Hey, Tyler,
are you excited or what?
I’m actually kind of nervous, Sammy.
- There’s nothing to be nervous about.
When is this thing going to start?
Oh!
All right, everybody, settle down.
We’re showing the film.
Everybody try Isobel’s nuwish.
The bestest Indian ice cream this side of Chilcotin.
It’s Isobel’s ice cream.
Oh, bingo at John Louie’s tonight,
and if anybody wanna bingo, you can leave now.
Get outta here!
Get out!
I want to introduce a young man,
Tyler.
Tyler, Tyler, Tyler, Tyler, Tyler.
Uh, hi.
I’d like to show you a movie that I made,
and, uh, I hope you like it.
Run the film.
[♪]
[Tyler on film humming dramatic opening theme]
♪ Dun-dun-dun-da- dun-dun-dun... ♪
♪ Dun-dun-dun-dun... ♪
Report! Report!
Talk to me. What’s happening?
I guess there was a boar...
one of the boarding units, sir!
[snoring]
The fire control for the main cannon, it’s hit!
It’s offline.
Captain, what should we do?
It’s time. We need him. We need Tyler.
[man snoring]
Get...
me...
a...
weapon.
[Tyler humming dramatic closing credits music]
[♪]
[scattered applause]
Uh, seche’enalyagh for coming.
Uh, I’d like to answer your questions now.
[closing credits hummed by Tyler continues]
Uh... anybody?
First Space-tions II...
coming to a rez near you.
I shouldn’t have scheduled it the same night as bingo night.
I liked it.
Seche’enalyagh, Etsu.
Okay, I’m going to go do some thinking now.
[♪]
[video static crackles]
Oh! Shi--
[gasping]
Dad?
[faint applause]
Hey, you there in the back.
Well, good question, good question.
Well, first of all,
I’d like to thank everybody
for their kind comments about the film,
and to answer your question,
yes, it was truly an accident.
In the industry, we call that a happy accident.
Only if that happened in real life, am I right?
Yes, could we get a mic there, please?
Thanks.
Mm-hmm?
Yeah. Uh-huh.
Well, good observation.
You’re right.
It was a symbol of her relationship to him,
and, uh, yeah, good catch.
Thanks.
[low foreboding rumbling]
[rumbling grows]
[screaming]
[video static crackles]
[scream cuts off]
[trucks rumbling]
Where’s Smitty?
Oh, he’s not here.
He’s taking time off.
Sherry had her kid.
I knew that.
Yeah, I’ll talk to you in a bit.
All right, you betcha.
[fire smouldering]
[screaming echoes]
[gasping]
[groaning in anguish]
[kissing]
It wasn’t your fault.
Hey!
What are you doing sitting around?
Huh?
I said, what are you doing sitting around?
I’m just thinking, Sammy.
- I think you’re wasting your time.
I think I found Dewey’s old gun.
What?
I said, I found Dewey’s old gun--
[shot blasts]
[Sammy] Put the gun right up here.
Right on the shoulder,
and straighten this one up like that,
and look through this scope
like winking at a woman, okay?
One eye shut.
[shot blasts]
You see my gun?
Straight.
Put the X right at ’em.
[shot blasts]
Pow!
That’s how you shoot a white man.
[giggling]
[laughing]
What’s the next blockduster film...
bud?
I don’t know.
I don’t think anybody wants to watch ’em.
Huh?
I saw a guy pissing in the back, Sammy.
Probably a dog.
- There’s like another reason why they go there.
It’s like... they feel sorry for me.
I don’t know, I could be crazy.
It keeps you busy.
It’s better than what keep me busy.
True dat, Sammy.
True dat.
Plus, keeping busy’s the smart thing to do.
Keep you from thinking too much.
[engine running]
Thanks for letting me drive, Sammy!
Any time.
Did I forget my camera?
What?
My camera.
What?
My camera!
Oh, the camera!
Oh, Tyler...
Yeah?
Are you going to make Western?
Maybe.
If you’re going to do it, I want to star in it.
Because you know what?
I want to shoot a white man.
[giggling]
[Tyler] I’ll think about it.
[camera beeps on]
[birds chirping]
Looks like they’re making some gravitational force machine
over there.
Ah!
That trampoline’s a beast!
Oh, that might be a new movie prop.
I could use it for, like...
I could use it as a gravitational device,
so, like, when a guy jumps on top of it,
he goes to another part of the spaceship.
[♪]
[camera beeps on]
Whoa, yeah.
Yay. Done.
[camera beeps on]
Found something.
Yeah, it’s...
I found this in Dad’s drawer.
Why would he have this?
It’d be so cool if he was into making movies.
That’d be beast, but...
I saw some kids with their dads and moms the other day,
and, well...
it kind of...
kind of made me think if I had a dad and mom
who’d look after me like that, well...
[sighing]
I guess sometimes...
sometimes I think...
I think it’s my fault.
What is that?
Holy!
[speaking in language]
Huh?
What are you doing here?
This is my... this is my spot.
Huh, that’s funny.
This happens to be my favourite spot too.
Well, I’ve been here for years.
I’ve never seen you up here.
Whatcha filming?
Personal interview.
"Personal interview"?
Do anything else?
Uh...
I make movies.
I just finished this movie called "First Space-tions."
It’s from a new video game I like,
but from a sequel,
and, uh, well, it’s not exactly like it,
but, uh, because I don’t have the rights,
and I don’t want to be sued.
That’s pretty beast.
Really?
Yeah.
That’s a cool camera, too.
Thanks.
It’s pretty old, it’s pretty beat up, but...
it has--
[together] a sweet zoom lens.
[chuckles] You know your stuff.
Yeah, um...
I just finished a movie down there at the rink.
Everybody loves ’em.
Wow. Really?
Yeah.
You know, I’d be down to see those.
I have to clear some of the music rights,
but my people can call your people.
[Zippo lighter clicking]
I’m Aaron, by the way.
I’m Tyler, very good sir.
[chuckling]
[clicking open]
[Tyler] Is that yours?
Yeah.
You smoke?
[clicking lighter]
Nah.
Wh-where are you from?
Is this, uh...
[Tyler] Oh, that’s mine, sorry.
It’s very personal.
Sorry, I gotta go.
I think you might need to work on your Chilcotin
a little bit.
[beep, tape rewinding]
[video begins playing]
[woman, laughing] Where are we going?
Mom?
[Gord] Just this little spot I found.
It’s beautiful.
I know you’re going to love it.
[laughing happily]
It’s where the rivers meet.
It’s so perfect.
Dad?
[woman] This is our spot?
It’s for the baby.
Oh, thank you.
Aw...
Oh, he’s kicking.
[Gord laughing happily]
He’s moving a lot.
Hey...
Hi!
[baby cooing]
[Gord chuckling fondly]
Can you see the lens?
Lookit there.
Hi. Hi.
[chuckling]
[camera beeps off]
[camera beeps on]
Hi, Mom.
Wow, it’s like the first time I ever said that,
and I know I’m not actually saying it,
and you’re actually not hearing it,
but I just wanted to say it because...
I saw you.
I saw you alive,
and it just felt...
it felt different.
Nobody...
nobody will tell me about you,
and, like...
I don’t know how to think about you.
Why am I talking to a camera and not you?
Did I...
did I do something wrong?
Why... why did you...
why did Dad... why...
Aah, this is so stupid.
Aah, God.
[video static crackling]
[lighter clicking]
[Tyler] You want to film something?
[♪]
Let’s do some scrunning!
[♪]
Peek-a-boo.
[♪]
[Tyler] Like, when I finish a movie, it’s like...
it’s like it only exists because I did it.
I made it.
Man, that’s cool.
Like, really?
Yeah.
With your camera, it keeps the past alive.
You know?
Shit, it even changes the past.
How it’s remembered.
People who are dead can still be seen.
You can remember how they look,
how they laugh,
how they move.
It’s wild.
They really can live forever in your camera.
Wow.
I never thought of it like that before.
I know.
Where are you from?
Same as you, man.
What about your family?
Your Aba, your Inkwel,
your Etsi, Etsu--
Sorry.
I gotta go.
See ya, bruh.
[river rushing, birdsong]
[wind chimes jingling faintly]
[♪]
[Tyler] Etsu!
Etsu, sorry I’m late!
I’ll be down there in a second!
[Etsu] The fishing gillnet go like this.
Like this...
You move it up.
Keep bringing it back up.
[video static crackles]
[static crackling]
[♪]
[Etsu] You go like this...
[Etsu humming softly]
[singing softly]
[♪]
Okay, I’ll show you the... the salt.
Just go like this.
Okay, watch it dig in.
Go like this.
Hold it like that.
[Tyler chuckles] Okay.
What was Inkwel like?
[drumming]
[singing softly]
[drumming stops]
[footsteps retreat]
This is the way how we do that,
and, uh, put this together.
Right across here.
So we can link...
make it link together,
that side and this side,
to make a baby basket.
Sammy, did you make baskets with Inkwel?
[sighing heavily] Yeah,
but...
Yeah.
Uh, let’s get back.
Okay.
That’s how we do that this way.
[Aaron] How about your dad?
Does he ever come?
Well, that sucks.
[sighs heavily]
Do you, uh...
do you want this pain to continue?
Think about it.
You’re all that’s left of the family,
and you’ve only felt pain.
That’s not what family should be, man.
Do you think it’s gonna...
do you think it’s just gonna magically disappear?
No, it’s gonna keep going.
It’s gonna keep going for generations and generations,
until someone does something about it.
You know, you...
you can do something about it.
Do something frickin’ brave with your life.
Hey, I thought you were going to pick me up
when you got back.
[sighing]
I just got back this morning.
There was a big firebreak.
How about you hand me that half-inch over there?
Uh, when I was at Etsu’s yesterday...
Come around here.
Hold this light for me.
- And, uh... - Right here.
...and loosen that, oh, yeah.
I--
Hold steady, and pass me those pliers.
Those ones, yup.
And, like, I asked her something,
and I was wondering if I could ask you--
[thuds and groans]
Listen.
If you’re not going to help me,
I’d rather do this alone.
[tools clattering]
[truck approaching]
[Sammy] Hey, Tyler!
We’ll go to the gun range tomorrow?
Nah.
Thanks, Sammy. I’m good.
Hey, Gordon!
Sammy, stay out of this.
Stay out.
[camera beeps on]
I’m going to jump in.
Well, that was anti-climactic.
[camera beeps on]
Hey, anybody here?
Anybody?
I’m walking away.
[camera beeps on]
Hey, puppy.
Hey, puppy, you wanna be in my movie?
Come on.
I’ll pay you 15 bits of kibble.
[camera beeps on]
Hey, Mom,
back again.
Later than usual.
Uh, remember that kid I told you about?
Aaron?
Yeah, I’ve gotten a lot closer with him,
and yeah,
we’ve been doing lots of stuff together, and...
but he’s into other things.
They’re not good things,
but I do agree with him about certain things,
certain things about my life,
and, yeah...
He makes me think
I should be doing something more or something, and...
what if he’s...
what if he’s right, you know?
Dad is still the same.
You’re still not here, and...
but...
I love doing this.
I really do.
It’s like I can keep people alive.
It’s...
it’s so wild.
I can...
[beeps camera off]
[♪]
[yawning]
[video static crackling]
[voices talking outside]
[laughing]
Get outta here.
[laughing]
[Tyler] Hey, s’up, Sammy?
[Sammy] I’ve got a surprise for you.
Oh yeah?
I talked to the school.
I got another screening in the theatre.
Thanks, Sammy.
You betcha.
It’s in the gym.
We’re gonna set up all the chairs and all.
We’ll make it like a real thing.
[Tyler] A real theatre...
You hear that, Dad?
Do you think you’ll be able to make it?
[sighing]
I-I don’t know.
I’ll be away, I think, on the fire line.
Good thing your Aba does what he does.
He’s protecting a lot of people.
Yeah.
[Tyler] I guess you don’t care.
[sighing] Okay. I can try.
For real?
You’ve got a VIP coming.
Oh, okay.
You’ve got another movie, don’t you?
- Yeah, I think I’ve got a couple.
Thanks, Sammy!
See you there, Dad!
Hey.
S’up?
I never told you where I lived.
Yeah, you did.
Did Sammy just say you got a new screening?
Oh, yeah, he did.
I think my dad’s coming.
Beast!
What’s the movie?
Oh, well, it’s next week.
I don’t have much time to write anything new.
Guess I might have to create something new
out of these guys again,
and, um, I could probably do a sequel,
maybe even a prequel.
We might have some new people watching.
That might not be a good idea--
What about this?
Uh, that’s, uh...
that’s kind of personal.
It’s kind of like my diary.
Oh, I know.
I should just stick with what I’m good at.
Yeah...
No.
[Tyler] What do you mean, no?
This... this is...
Man, it’s trash.
What?
Tyler...
this is incredible.
But it’s not even a movie.
It’s just something I cut up last night.
It’s just...
There we go.
Listen, man.
This right here?
What you have in your computer
is something special.
None of this...
none of this shit.
You want to make something people will remember,
something people will tell others about?
Something that’ll stay alive after we’re gone?
You need to give them something...
from here.
Come on.
You can do this.
We can do this.
[inhaling deeply]
[exhaling slowly]
[♪]
"A new film by Tyler M, with real people.
Next Friday, 7:00 p.m., in a real theatre."
Close enough.
[♪]
♪ Hey! ♪
[♪]
Come to my new film, man, it’s about a real person.
I mean, it’s about my family, and how it relates to me.
It’s gonna be... it’s gonna be cool.
Lots of people are gonna be there.
See you there.
[♪]
[Aaron rapping] Tyler...
Tyler, you’re flying
’Cause you know time is desired
Don’t wanna burn in a fire!
[laughing]
[♪]
Young grasshopper!
[♪]
Hey, tell Sherry congratulations.
I will.
So, Tyler, could you tell me a little bit more
about your new film?
Well, what makes this film different
is that I’m using real people.
No more of these damn cardboards.
It’s pure little-kid poop. Pure poop.
[truck approaching]
Hey, Gordon.
What have you told him?
I didn’t say anything.
What the hell is this about?
I wanted him to make a Western.
This is not funny, Sammy.
What have you told him?
I’m just taking him out.
I’m doing the things you should be doing.
You don’t know what it’s like.
I was there!
We were all there!
You’re his Aba.
You should protect him.
You should tell him.
I can’t even look at him.
He looks just like her.
[Etsu] Hey!
Shame on you guys.
[truck door slamming]
Okay, boys, safety first.
We’re gonna wanna maintain eye contact.
We’re not too worried about the weather today,
but be worried about the hoses, like, running through,
don’t wanna damage them.
Um, watch your footing...
[voice fades]
[♪]
["Choir" by Perfume Genius plays]
[♪]
[woman’s voice speaks] I can’t dream.
Something keeps me
Locked
and bodied
pawing at the edge...
[woman sighing]
[♪]
It’s weird here.
Choirs threaten...
♪ In voices ♪
♪ I only feel ♪
♪ Something tightens ♪
♪ If I don’t hold still ♪
♪ What if I promise ♪
♪ To keep it quiet ♪
[♪]
[fire crackling]
[all other sounds fade]
Gord, you all right, bud?
You okay?
[gasping] Yeah.
- Wanna get a pillow for his head?
- Can you grab some water? - I’m okay, I’m okay.
- You good? - I’m okay...
I’m okay.
Gord, jump in the truck?
[Gord] I’m gonna walk.
Okay.
[Aaron] Finish the sound?
[Tyler] Yeah, I exported it this morning.
[Aaron] Wow, man.
I can’t believe we did it.
[Tyler] I don’t know.
[Aaron] What’s up, man?
[Tyler] I don’t know, it’s...
I can’t even tell you if it’s good or not.
That’s because you’ve been staring at it too long.
Nah, it’s not because of that.
I just...
I just really don’t know how it’s going to play out, man.
I wanted you to give them something real.
Yeah.
Well, if they don’t like it,
then I guess they don’t like me.
Well, at least you’ll know your answer.
What?
If this screening goes bad...
are you gonna be able to handle the pain?
I’m sure it’ll be fine, though, man.
[lighter clicking]
[Tyler] I hope so.
I couldn’t have done it without you.
[Aaron] I know.
[lighter clicking]
Where are we going?
[loon calling]
[Tyler] I saw this figure in the water,
and I was kind of scared to come back here again,
and yeah...
and since we’re kind of close,
I thought you could...
I could show it to you.
[Tyler] What’s up?
I can’t.
Come on, let’s go.
She’s here.
[Gord] Hey!
Don’t go near that water!
Get away from that water!
We’re leaving! Come on!
I don’t want you going there.
You hear me?
Why not? It’s just a pond.
Tyler, you listen to me.
Don’t you ever go there again, okay?
Why are you acting so weird?
How are you gonna know if I go there again, huh?
What?
Because you’re never around.
You’re gonna have to, like, put a tracker on me.
Tyler, I don’t want you to go there--
I don’t care what you want!
You’re never here!
You’re always working.
What are you doing tomorrow?
[together] Working.
Do you even know what’s happening tomorrow?
It’s my screening, Dad.
[sighing]
Tyler, listen.
No, you listen!
Etsu and Sammy, they raised me.
They’re the ones who nagged me to do my homework,
made me eat my vegetables,
made me take my vitamins.
They’re the ones
who’re supporting me with my filming.
Do you even see me?
I’m right here, Dad. I’m right here!
If I died tomorrow, you wouldn’t even know.
You wouldn’t even care.
Did Mom even love me?
Was it my fault?
Was it my fault she left?
[exhaling]
[stomping footsteps approaching]
[muffled shout]
[slamming door]
[smashing]
[Aaron] You ever get sick of this place?
[Tyler] I don’t know.
I’ve lived here my whole life.
That’s what I’m talking about.
What?
Your whole life.
Don’t you ever get sick of it?
Don’t you want to do something with it?
[Tyler] Aren’t I?
I’m making movies and...
lots of people show up to them.
Oh, yeah?
How many people showed up to your last screening, then?
Three.
Listen, man.
What if your life ended today?
Just ended.
What would you have wished you’d done?
Like, a real cool movie, I guess.
I don’t know.
Think. I want to know.
I want to know what you’re afraid of.
Give me your fear.
I can’t help but think
that they all know something that I don’t.
Makes me feel so alone.
I can help you.
How?
I can make you a promise.
I can promise
that if your world falls apart...
we can leave it together.
[distant thunder]
Is it raining?
Sorry, man, I gotta go.
I don’t want to get the camera too wet.
[thunder rumbling]
[truck approaching]
[woman laughs] Where are we going?
[Gord, remembering] You have to close your eyes a little.
I know you’re going to love it.
We’re going to make this our spot.
[woman] Oh, that’s so sweet.
- [Gord] I got you, I got you. - [woman laughing]
Ready?
Yeah.
Now you can look.
[river rushing]
[wind chime jingling]
[kissing]
He’s going to need you now.
[kissing]
[gasping]
[starting engine]
[♪]
♪ The weight upon your shoulders ♪
♪ You’re letting go... ♪
Hey, everyone.
First of all, seche’enalyagh for coming out tonight.
I really appreciate all of your support,
going back to my old movies.
I know I borrow a lot,
and I broke a lot, but...
I really am sorry for that toaster.
I really am.
The point is,
I hope that you all enjoy this one the most.
It’s the most personal.
It’s the most important film I’ve done,
and it really is a film
that I think couldn’t have existed without me,
and I don’t think I could have existed without it.
Without further ado,
I present to you "My Mother and Me."
[beeps camera on]
Hi, Mom.
Wow, it’s like the first time I ever said that.
I saw you.
I don’t know why.
It just felt...
it felt different.
Seeing us all together.
The three of us,
but...
nobody will tell me about you.
[audience murmuring]
Dad is still the same.
You’re still not here, and...
Did I...
Did I do something?
Did I do something wrong?
Where are you going?
What’s going on?
This is my mom!
This is my mom and me!
That’s not you.
That’s your brother.
[rattle snap echoes]
[rattle snap]
[slow drum beat]
[drum beat]
[distant animal cries]
[drum beat]
[Tyler muttering]
[drum beat]
[Tyler muttering in distress]
[drum beating light and quick]
[breathing hard]
[drumming and rattling intensifies]
[drum beat stops]
[Tyler screams in frustration]
I can’t take it!
[sobbing]
I can’t take it.
You ready?
[water trickling]
[video static crackles]
[gunshot]
[footsteps running away]
Tyler!
Get back here!
Don’t go after her!
[Tyler] Inkwel, where are you going?
Mom!
[static crackling]
Mom, where are you going?
[static crackling]
Mom!
[static crackling]
[voices slow and distorted]
[warm laughter]
[static crackling]
["Stop Coming To My House" by Mogwai plays]
[parents laughing and cooing]
Dad?
Mom?
[video static crackling]
[truck driving up]
Mom! Dad! There’s a fire!
There’s a fire!
Stay here.
[video static crackling]
[screaming silently]
[screaming through static]
[static fractures]
[sobbing] The crib...
[screaming in anguish]
Look at how handsome he is.
Hi.
Yeah, there we go... yeah!
Elhixidlin.
Where the rivers meet.
You need to see this.
[laughing]
[static crackling]
Trish?
You need to stop doing this.
I’m not going to take this anymore.
You hear me?
You can’t do this anymore.
We have Tyler.
It’s our second chance.
Enough.
Enough!
This is probably what got him killed in the first place.
He died...
because you didn’t save him.
[♪]
[footsteps splashing]
I got him!
I got... I got him.
[grunting, breathing hard]
[exhaling, counting]
[spluttering]
[spitting and coughing]
Hey, Son.
It’s me.
It’s me...
Easy...
There, Son.
I’ve gotta get you a blanket, okay?
- Mm-hmm.
Out of the truck.
Okay?
I promise I’ll be back.
Okay?
Okay.
Just breathe.
[breathing deliberately]
Okay?
Why’d you run?
Aaron, listen...
Dad saved me.
Why didn’t he save me?
He tried to, Aaron.
And Mom?
She tried too.
I saw it.
No.
Aaron, listen.
You’re not real.
No.
[video static crackling]
Mom.
I just wanted a chance.
Aaron...
It doesn’t mean you can take your brother’s.
Your spirit must move on.
[♪]
I thought I could save you.
Tyler...
I’m so proud...
of who you are.
You deserve to know what happened.
It’s okay, Mom.
I see.
I see it now.
It wasn’t anyone’s fault.
I understand.
I love you, Mom.
[running footsteps approaching]
[breathing hard] Hi.
Here.
Here you go.
You ready?
Let’s go right to the truck.
Careful.
[animal sounds]
[♪]
I have a claim in this spot.
You’re gonna have to move on.
This is Sammy’s spot.
I don’t think so.
You’d better get moving.
[♪]
[cap guns clicking]
[groaning in pain]
[♪]
90, take two.
Mark it.
Let’s do it again.
Goddammit, let’s do it again.
No, it’s okay, Sammy.
We’ll do some reshoots if we need to, okay?
So...
see you next time,
and, uh, that’s a wrap.
Let’s go!
- Copy that! That’s a wrap!
That’s a cut, guys.
That was great, Son.
- That was perfect. - Yeah.
What was that master shot that you were doing?
Oh, it was, like, a...
I framed it pretty good, didn’t I?
Yeah, I liked it.
Whatever you were doing, it looked natural.
I think, you know,
maybe we should get a crew shot, okay?
You want to get a crew shot?
Yeah, I think that’d be good.
Hey, everybody!
Everybody, come into the crew shot picture.
I’m going to take a picture of you guys.
- Okay, guys, let’s get a crew shot photo right here!
- You get in front, Son. - Thanks, Dad.
Bring it in, bring it in!
Okay.
Okay, guys. Yeah.
Awesome. This looks great, guys.
[Sammy muttering] Give me money.
Give me your money.
I want to go gambling.
[chuckling]
Yeah! Perfect.
Okay, here we go, guys.
["I’ll Believe In Anything" by Wolf Parade plays]
[♪]
[all laughing]
[♪]
♪ Give me your eyes I need sunshine ♪
♪ Give me your eyes ♪
♪ I need sunshine ♪
♪ Your blood, your bones ♪
♪ Your voice, and your ghost ♪
[♪]
♪ We’ve both been very brave ♪
♪ Walk around with both legs ♪
♪ Fight the scary day ♪
♪ We both pull the tricks out of our sleeves ♪
♪ But I’ll believe in anything ♪
♪ And you’ll believe in anything ♪
♪ I said I’ll believe in anything ♪
♪ And you’ll believe in anything ♪
[♪]
♪ If I could get the fire out from the wire ♪
♪ I’d share a life and you’d share a life ♪
♪ If I could take the fire out from the wire ♪
♪ I’d share a life and you’d share a life ♪
♪ If I could get the fire out from the wire ♪
♪ I’d take you where nobody knows you ♪
♪ And nobody gives a damn ♪
♪ I said nobody knows you ♪
♪ And nobody gives a damn ♪
[♪]
♪ And I could take another hit for you ♪
♪ And I could take away your trips from you ♪
♪ And I could take away the salt from your eyes ♪
♪ Take away the skin and salt in you ♪
♪ And I could give you my apologies ♪
♪ By handing over my neologies ♪
♪ And I could take away your shaky knees ♪
♪ And I could give you all the olive trees ♪
♪ And look at the trees and look at my face ♪
♪ And look at a place far away from here ♪
[♪]
♪ So give me your eyes ♪
♪ I need sunshine ♪
♪ Give me your eyes ♪
♪ I need sunshine ♪
♪ Your blood, your bones ♪
♪ Your voice, and your ghost ♪
[♪]
♪ We’ve both been very brave ♪
♪ Walk around with both legs ♪
♪ Fight the, the scary day ♪
♪ We both pulled the tricks out of our sleeves ♪
♪ But I’ll believe in anything ♪
♪ And you’ll believe in anything ♪
[♪]
♪ If I could take the fire out from the wire ♪
♪ I’d share a life and you’d share a life ♪
♪ If I could take the fire out from the wire ♪
♪ I’d share a life and you’d share a life ♪
♪ If I could take the fire out from the wire ♪
♪ I’d take you where nobody knows you ♪
♪ And nobody gives a damn ♪
♪ I said nobody knows you ♪
♪ And nobody gives a damn ♪
♪ I said nobody knows you ♪
♪ And nobody gives a damn either way ♪
♪ About your blood ♪
♪ Your bones ♪
♪ Your voice ♪
♪ And your ghost ♪
♪ Because nobody knows you ♪
♪ And nobody gives a damn either way ♪
♪ You know I’ll believe in anything ♪
♪ And you’ll believe in anything ♪
♪ Because nobody knows you ♪
♪ And nobody gives a damn either way ♪
Oh, there’s a bingo at John Louie’s.
So, and then say,
"If anybody wants to go to bingo,
you can leave now."
And if anybody wanna bingo, you can leave now.
- Then say, "Get out of here!"
Get outta here!