1 00:00:00,880 --> 00:00:03,040 ["I can't stand it" by Blossoms] 2 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.MX 3 00:00:03,920 --> 00:00:04,880 Hiya. 4 00:00:05,440 --> 00:00:07,640 I'm only a drummer, don't normally get this shit [laughs]. 5 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.MX 6 00:00:10,880 --> 00:00:11,840 Thanks. 7 00:00:14,760 --> 00:00:15,720 How is everyone? 8 00:00:16,200 --> 00:00:17,640 Do we speak to you or the camera? 9 00:00:19,720 --> 00:00:21,600 Is there anything I should be worried about? 10 00:00:21,720 --> 00:00:23,920 Do you know what, I got a really bad rash from that costume. 11 00:00:24,000 --> 00:00:25,240 -Did you? -Chuckles. 12 00:00:27,880 --> 00:00:29,680 Might be a bit medieval if I do my full, full name. 13 00:00:30,240 --> 00:00:31,320 Joseph John Donovan. 14 00:00:31,400 --> 00:00:33,000 Charles Anthony Salt. 15 00:00:33,080 --> 00:00:34,000 Joe for short. 16 00:00:34,920 --> 00:00:36,200 I'm Myles and I play keyboard. 17 00:00:36,280 --> 00:00:37,120 Is that how you say it? 18 00:00:37,800 --> 00:00:38,960 I'm Josh Dewhurst. 19 00:00:40,240 --> 00:00:41,280 Tom Ogden. 20 00:00:42,080 --> 00:00:44,280 My name's Myles and I play the keyboards in Blossoms. 21 00:00:44,920 --> 00:00:47,960 -Drummer. -Bass guitar, back end vocals. 22 00:00:48,040 --> 00:00:50,000 And I play the lead guitar in Blossoms. 23 00:00:50,080 --> 00:00:52,920 I'm gonna say it, never said it before. Singer-songwriter in Blossoms. 24 00:00:54,680 --> 00:00:55,800 -[clapperboard snaps] -Cut. 25 00:00:55,880 --> 00:00:58,800 [soft piano music] 26 00:01:01,040 --> 00:01:04,239 Me and Joe became friends on a school trip to Alton Towers. 27 00:01:04,959 --> 00:01:07,920 Not very rock and roll, but we got to go on the trip for having 100% attendance. 28 00:01:08,000 --> 00:01:09,840 That's how it all started. 29 00:01:12,800 --> 00:01:14,920 Weirdly enough, I knew everyone before 30 00:01:15,000 --> 00:01:17,120 we was in the band. I knew Tom from school. 31 00:01:17,200 --> 00:01:18,800 What are your names, where are you from? 32 00:01:18,880 --> 00:01:20,720 Just from Stockport, round there. 33 00:01:20,800 --> 00:01:22,160 -Name. -What are your names? 34 00:01:22,240 --> 00:01:23,200 Oh, Joe. 35 00:01:23,280 --> 00:01:24,560 -Diva. -Tom. 36 00:01:24,640 --> 00:01:26,240 ["Nobody Guy" by The Mastersound] 37 00:01:26,320 --> 00:01:27,880 Basically, I was in a band with Joe... 38 00:01:28,920 --> 00:01:31,800 and we all kind of new each other from knocking around Stockport. 39 00:01:31,880 --> 00:01:34,200 Tom was in another band called Save The Mastersound. 40 00:01:34,280 --> 00:01:36,600 ♪ See there's a nobody guy who never liked to cry ♪ 41 00:01:36,680 --> 00:01:38,560 ♪ Sings himself to sleep at night ♪ 42 00:01:38,640 --> 00:01:41,600 ♪ Saying Lord tell me why ♪ 43 00:01:41,680 --> 00:01:45,039 Then Tom put Josh's old band on a bill with him once. 44 00:01:45,120 --> 00:01:48,200 We used to do Arctic Monkeys covers and Strokes covers and stuff like that. 45 00:01:48,280 --> 00:01:49,759 They did this Arctic Monkeys cover 46 00:01:49,840 --> 00:01:52,400 and he absolutely nailed the sounds of it. 47 00:01:52,479 --> 00:01:54,160 So we were like, "We need to get Josh in." 48 00:01:54,240 --> 00:01:56,920 I got a Facebook message from Joe. 49 00:01:57,000 --> 00:01:58,600 I think I said something dead cringey like, 50 00:01:58,680 --> 00:02:00,800 we should jam the 12 bar blues sometime. 51 00:02:00,880 --> 00:02:02,320 Just makes you feel sick saying it. 52 00:02:02,400 --> 00:02:05,840 Still to this day, Blossoms is obviously 12 bar blues. 53 00:02:07,800 --> 00:02:09,039 I was thinking, "Christ, 54 00:02:09,120 --> 00:02:11,800 this is quite a big opportunity now." Especially when you're a kid 55 00:02:11,880 --> 00:02:14,120 and you've got these older guys who you look up to. 56 00:02:14,200 --> 00:02:17,000 And they're saying, "Come and hang out with us and make some music." 57 00:02:17,560 --> 00:02:19,480 We started jamming in the scaffolding yard. 58 00:02:19,560 --> 00:02:21,960 Charlie had this room where we could just leave the gear, 59 00:02:22,040 --> 00:02:25,200 it was free and we could just go to, like, whatever time we wanted. 60 00:02:25,760 --> 00:02:28,720 It was mint. So I was like, maybe we can do something here. 61 00:02:30,160 --> 00:02:31,960 Got offered a gig at Night and Day. 62 00:02:32,520 --> 00:02:34,120 I think we got 36 people in. 63 00:02:34,200 --> 00:02:37,079 And at that time, even if you didn't get paid, if you got more than 30 people in, 64 00:02:37,160 --> 00:02:39,920 you got one pound per person who came in. So we got 36 quid. 65 00:02:40,480 --> 00:02:42,560 But Charlie parked the van outside Night and Day 66 00:02:42,640 --> 00:02:44,840 and got a 35 pound ticket fine. 67 00:02:46,280 --> 00:02:49,400 So started off with a quid profit, which is good. 68 00:02:49,880 --> 00:02:52,079 The August of that year, Myles joined. 69 00:02:52,160 --> 00:02:54,800 I moved into a flat above a curry house in Stockport. 70 00:02:54,880 --> 00:02:57,079 And we used to have loads of parties there. 71 00:02:57,160 --> 00:03:00,200 Which I was excluded from because 72 00:03:00,280 --> 00:03:01,520 I don't do fun. 73 00:03:01,600 --> 00:03:03,320 [upbeat music] 74 00:03:03,400 --> 00:03:05,080 MYLES' OLD FLAT 75 00:03:05,640 --> 00:03:08,120 Tom and Joe came to one of the parties once. 76 00:03:08,200 --> 00:03:09,840 They were looking for a keyboard player. 77 00:03:09,920 --> 00:03:12,120 Myles had overheard Tom saying, "Yeah, we're looking out, 78 00:03:12,200 --> 00:03:13,640 we're looking for some keyboard parts 79 00:03:13,720 --> 00:03:15,120 to pad out the band's sound." 80 00:03:15,200 --> 00:03:17,040 And he was like, "I can play keys." 81 00:03:17,120 --> 00:03:19,640 And he held up his hand with a cast on it 'cause he broke his wrist. 82 00:03:20,200 --> 00:03:22,160 -I'll play the keys. -I can play the keyboards. 83 00:03:22,240 --> 00:03:24,480 -Couldn't play keyboards. -After running away from police 84 00:03:24,560 --> 00:03:26,000 from pissing up a wall in Manchester. 85 00:03:26,600 --> 00:03:28,320 In that kind of moment where they were like, 86 00:03:28,400 --> 00:03:31,280 "We're looking for a keyboard player." I just jumped straight on it. 87 00:03:32,360 --> 00:03:35,600 I think the first song that we all kind of contributed to, 88 00:03:35,680 --> 00:03:37,280 which we still play now, is "Blow." 89 00:03:38,079 --> 00:03:41,360 And I started playing this keyboard part and basically ripped off The Doors. 90 00:03:41,440 --> 00:03:43,560 I remember after they were like, "That's fucking mint. 91 00:03:43,640 --> 00:03:45,720 That's what we need." And I was like, "Yeah, mint." 92 00:03:46,240 --> 00:03:47,320 And I peaked there. 93 00:03:47,880 --> 00:03:51,240 He learnt the tunes in an afternoon with Tom. 94 00:03:51,320 --> 00:03:55,000 But I think then we concreted the Blossom sound 95 00:03:55,079 --> 00:03:57,480 with Myles as the fifth member, do you know what I mean? 96 00:03:57,560 --> 00:04:00,360 Literally from there, we knew that it was a lot different. 97 00:04:00,440 --> 00:04:03,440 Automatically, I don't know, it was weird, something just clicked. 98 00:04:03,520 --> 00:04:05,640 Ladies and gentlemen, Blossoms. 99 00:04:05,720 --> 00:04:07,960 [audience cheering] 100 00:04:08,560 --> 00:04:10,240 I think we always had our own identity 101 00:04:10,320 --> 00:04:11,600 from a really early point. 102 00:04:12,080 --> 00:04:14,240 Because we'd all been in other bands before Blossoms, 103 00:04:14,320 --> 00:04:16,200 we knew we wanted to do things differently. 104 00:04:16,279 --> 00:04:17,920 "Right, we're going to do our own gigs. 105 00:04:18,000 --> 00:04:20,880 We're going to put it up and create a bit of mystery around the band." 106 00:04:20,959 --> 00:04:23,920 All wore the same thing and made the videos. 107 00:04:24,000 --> 00:04:28,080 ♪ Your mystic lips tell me this ♪ 108 00:04:28,160 --> 00:04:31,040 ♪ Throw me another lead ♪ 109 00:04:31,120 --> 00:04:37,720 ♪ Cause I can't tell the underspell in your eyes ♪ 110 00:04:38,760 --> 00:04:42,280 ♪ So come and show me what you want ♪ 111 00:04:42,360 --> 00:04:44,320 [Tom] We did do a lot of gigs to no one. 112 00:04:44,400 --> 00:04:46,680 It never felt disheartening in Blossoms, 113 00:04:46,760 --> 00:04:48,280 it just spurned us on to want to do more. 114 00:04:49,000 --> 00:04:51,000 [narrator] And that's exactly what they did. 115 00:04:51,080 --> 00:04:52,360 Is anyone here from Stockport? 116 00:04:52,440 --> 00:04:53,480 [audience cheering] 117 00:04:54,440 --> 00:04:56,720 [narrator] Taking their name from a local pub, 118 00:04:56,800 --> 00:04:59,880 the lads embarked on a relentless touring schedule. 119 00:04:59,960 --> 00:05:01,440 ["At Most A Kiss" by Blossoms] 120 00:05:01,520 --> 00:05:04,520 Blossoms went from playing to a few family and friends... 121 00:05:05,880 --> 00:05:09,600 to topping the U.K. charts with their self-titled debut album. 122 00:05:09,680 --> 00:05:11,560 ["Charlemagne" by Blossoms] 123 00:05:11,640 --> 00:05:15,680 ♪ ...so if you go I will know ♪ 124 00:05:15,760 --> 00:05:18,800 From there, their career went from strength to strength, 125 00:05:18,880 --> 00:05:20,720 supporting their boyhood heroes 126 00:05:20,800 --> 00:05:23,480 and playing on the Pyramid Stage at Glastonbury. 127 00:05:23,560 --> 00:05:26,760 They created their own brand of synth guitar pop. 128 00:05:28,400 --> 00:05:32,600 Non-stop writing combined with their infectious personalities, earned them fans 129 00:05:32,680 --> 00:05:34,159 all over the world. 130 00:05:35,680 --> 00:05:37,280 From Woods Moor to Washington, 131 00:05:37,360 --> 00:05:38,720 Stepping Hill to Shanghai, 132 00:05:38,800 --> 00:05:41,320 they've put their beloved hometown on the map. 133 00:05:42,040 --> 00:05:43,840 ["The Keeper" by Blossoms] 134 00:05:43,920 --> 00:05:47,560 Now with over 100 million plays on Spotify 135 00:05:47,640 --> 00:05:49,080 and two chart-topping albums, 136 00:05:49,159 --> 00:05:51,720 Blossoms are coming back to Stockport 137 00:05:51,800 --> 00:05:53,440 for their biggest gig yet. 138 00:05:55,440 --> 00:05:57,800 ♪ Let's spend this life as one ♪ 139 00:05:57,880 --> 00:05:59,760 All with the aim of giving something back 140 00:05:59,840 --> 00:06:01,200 to the town they adore. 141 00:06:01,280 --> 00:06:03,080 [audience cheering] 142 00:06:12,840 --> 00:06:16,360 ["At Most A Kiss" by Blossoms] 143 00:06:30,520 --> 00:06:32,400 ♪ I wrote to fear ♪ 144 00:06:32,480 --> 00:06:34,400 ♪ It disappeared ♪ 145 00:06:34,480 --> 00:06:38,200 ♪ At most a kiss this time ♪ 146 00:06:38,280 --> 00:06:39,920 ♪ I'll be your boy ♪ 147 00:06:40,000 --> 00:06:42,159 ♪ I'll pocket the earth ♪ 148 00:06:42,240 --> 00:06:45,360 ♪ Into the abyss we'll climb ♪ 149 00:06:45,440 --> 00:06:49,480 ♪ At most a kiss this time ♪ 150 00:06:49,560 --> 00:06:51,520 ♪ Is it on ♪ 151 00:06:51,600 --> 00:06:55,640 ♪ Someone said that you'd left town ♪ 152 00:06:55,720 --> 00:06:59,720 ♪ But I've been holding on too long ♪ 153 00:06:59,800 --> 00:07:02,720 ♪ Someone said that boy she's gone ♪ 154 00:07:02,800 --> 00:07:04,680 ♪ If it's on then I'm yours ♪ 155 00:07:04,760 --> 00:07:08,040 ♪ So let me know ♪ 156 00:07:08,120 --> 00:07:09,680 ♪ She wedded her man ♪ 157 00:07:09,760 --> 00:07:11,400 ♪ Let's elope to Japan ♪ 158 00:07:11,480 --> 00:07:14,840 ♪ Between the rosemary wilds we will hide ♪ 159 00:07:14,920 --> 00:07:17,200 ♪ I thought that I was your boy ♪ 160 00:07:17,280 --> 00:07:19,160 ♪ The earth's on hold ♪ 161 00:07:19,240 --> 00:07:22,720 ♪ I'll pocket a stone I will find ♪ 162 00:07:22,800 --> 00:07:27,000 ♪ At most a kiss this time ♪ 163 00:07:27,080 --> 00:07:29,520 ♪ Is it on ♪ 164 00:07:29,600 --> 00:07:32,720 ♪ Someone said that you'd left town ♪ 165 00:07:32,800 --> 00:07:36,800 ♪ But I've been holding on too long ♪ 166 00:07:36,880 --> 00:07:40,080 ♪ Someone said that boy, she's gone ♪ 167 00:07:40,159 --> 00:07:41,840 ♪ If it's on then I'm yours ♪ 168 00:07:41,920 --> 00:07:43,360 ♪ So let me know ♪ 169 00:07:50,600 --> 00:07:54,560 ♪ I was thinking you were always mine ♪ 170 00:07:54,640 --> 00:07:57,520 ♪ We watched the skies fall down ♪ 171 00:07:57,600 --> 00:08:01,880 ♪ We'll carry on when worlds divide ♪ 172 00:08:01,960 --> 00:08:05,640 ♪ This heart it beats but makes no sound ♪ 173 00:08:19,200 --> 00:08:20,840 ♪ Is it on ♪ 174 00:08:21,240 --> 00:08:24,600 ♪ Someone said that you left town ♪ 175 00:08:24,680 --> 00:08:27,960 ♪ But I've been holding on too long ♪ 176 00:08:28,640 --> 00:08:31,360 ♪ Someone said that boy, she's gone ♪ 177 00:08:32,080 --> 00:08:33,720 ♪ If it's on then I'm yours ♪ 178 00:08:33,799 --> 00:08:35,559 ♪ So let me know ♪ 179 00:08:35,960 --> 00:08:39,840 ♪ At most a kiss ♪ 180 00:08:43,360 --> 00:08:46,640 ♪ At most a kiss ♪ 181 00:08:50,960 --> 00:08:54,280 ♪ At most a kiss ♪ 182 00:08:58,160 --> 00:09:01,960 ♪ At most a kiss ♪ 183 00:09:04,840 --> 00:09:06,520 [audience cheering] 184 00:09:09,760 --> 00:09:10,800 [Myles] Where are we today? 185 00:09:10,880 --> 00:09:14,200 In XS Manchester for the new breakfast show. 186 00:09:14,280 --> 00:09:15,320 Very nice. 187 00:09:15,400 --> 00:09:16,640 [Tom] They want some local lads. 188 00:09:17,440 --> 00:09:18,360 Nice building. 189 00:09:19,600 --> 00:09:20,680 Not allowed up here, mate. 190 00:09:21,480 --> 00:09:22,400 Band only. 191 00:09:25,840 --> 00:09:28,360 It's a fucking massive tele that, isn't it? Jesus Christ. 192 00:09:28,920 --> 00:09:30,560 Right, Blossoms are here. 193 00:09:30,640 --> 00:09:32,320 I'm very excited because, first week 194 00:09:32,400 --> 00:09:34,400 on the brand new breakfast show in XS Manchester 195 00:09:34,480 --> 00:09:36,520 and you boys are here, which I'm buzzing about. 196 00:09:36,600 --> 00:09:38,240 -Nice one. -[Myles] Yeah, good morning. 197 00:09:38,320 --> 00:09:39,760 You know what I want to talk about 198 00:09:39,840 --> 00:09:41,840 first and foremost, the biggest thing going on 199 00:09:41,920 --> 00:09:44,640 for you guys at the minute, it's massive, 200 00:09:44,720 --> 00:09:46,240 do you know what I'm going to say? 201 00:09:47,120 --> 00:09:49,320 Dressing up as the Spice Girls, what was going on? 202 00:09:49,400 --> 00:09:51,720 -Well, five become one. -[DJ laughing] 203 00:09:52,280 --> 00:09:55,200 My girlfriend turned 30, 204 00:09:55,280 --> 00:09:57,800 so we had a big fancy dress party at her house. 205 00:09:58,680 --> 00:10:00,080 My sister's 30th. 206 00:10:01,680 --> 00:10:03,040 Tom's going out with my sister, 207 00:10:03,120 --> 00:10:05,040 so it's Tom's girlfriend, which I really prefer. 208 00:10:05,600 --> 00:10:07,240 [Myles] So we're putting a gazebo up. 209 00:10:07,320 --> 00:10:09,160 [Josh] Charles has a history with construction. 210 00:10:09,240 --> 00:10:10,240 I'm shit. 211 00:10:10,920 --> 00:10:12,240 Get all the pieces and bars out, 212 00:10:12,320 --> 00:10:13,960 -and set them in sections. -On here. 213 00:10:14,640 --> 00:10:16,240 [cameraman] Taking charge, Charles? 214 00:10:16,320 --> 00:10:17,360 Yeah. 215 00:10:17,440 --> 00:10:19,320 These fingers are insured for millions, you know. 216 00:10:20,240 --> 00:10:21,800 Don't want to break anything. 217 00:10:22,280 --> 00:10:24,400 Right, so we need eight number twos. 218 00:10:24,480 --> 00:10:25,720 Eight number twos. 219 00:10:25,800 --> 00:10:27,880 How many musicians does it take to put a gazebo up? 220 00:10:28,520 --> 00:10:30,440 Four musicians, a sibling and two dogs. 221 00:10:31,680 --> 00:10:34,480 [Tom] Couples sometimes go as fancy dress together, so we were like, 222 00:10:34,560 --> 00:10:36,000 why don't we go one step further. 223 00:10:36,080 --> 00:10:37,840 It was originally The Beatles though. 224 00:10:37,920 --> 00:10:39,520 Yeah. We said we would do The Beatles. 225 00:10:39,600 --> 00:10:41,080 -But it was only four. -[DJ] Yeah. 226 00:10:42,600 --> 00:10:45,000 This one's a bit troublesome. 227 00:10:45,720 --> 00:10:47,480 You might need to sand it with a stone. 228 00:10:47,960 --> 00:10:49,480 File it down with a bit of a-- 229 00:10:50,600 --> 00:10:52,840 -Like that. -It needs further filing. 230 00:10:52,920 --> 00:10:55,080 I need a more abrasive piece. What's this knocking off it? 231 00:10:55,160 --> 00:10:58,640 Ray Mears says, when building a gazebo, in the wild, 232 00:10:59,400 --> 00:11:02,000 that you've got to improvise and use what you have around you. 233 00:11:02,800 --> 00:11:04,120 [scraping] 234 00:11:04,680 --> 00:11:07,840 Next we see Joe make a fire with his bare hands. 235 00:11:08,400 --> 00:11:09,600 And then we cook the dog. 236 00:11:09,680 --> 00:11:11,720 -[Myles] Whoa. -[Josh] I could never do that. 237 00:11:11,800 --> 00:11:14,640 Oh, look, he's looking up now. Sorry, George, we'd never cook you, mate. 238 00:11:15,280 --> 00:11:17,280 The instruction's would've said, put the canopy on. 239 00:11:17,360 --> 00:11:18,400 That's what I thought. 240 00:11:18,480 --> 00:11:20,720 [Joe] Well, dude. Someone said you shouldn't be here. 241 00:11:21,880 --> 00:11:24,240 [yelling and laughing] 242 00:11:26,120 --> 00:11:27,600 [Tom] That looks very tight. 243 00:11:29,640 --> 00:11:31,840 -Gazebo. -I don't have people who complete. 244 00:11:32,640 --> 00:11:34,960 -I hate fancy dress, not going to lie. -[DJ] Yeah, not into it. 245 00:11:35,040 --> 00:11:36,840 But when I'm there and doing it, I love it. 246 00:11:36,920 --> 00:11:38,240 Hey! 247 00:11:38,320 --> 00:11:40,080 [DJ] This is what I wanted to talk about. 248 00:11:40,160 --> 00:11:41,720 We pieced it out who would be who. 249 00:11:41,800 --> 00:11:44,680 -[DJ] How did that conversation go? -Myles has blond hair, so Baby Spice. 250 00:11:44,760 --> 00:11:45,600 Hey. 251 00:11:46,600 --> 00:11:48,840 Charlie, Scary Spice. 252 00:11:48,920 --> 00:11:50,840 I look more like my mom than Scary Spice though. 253 00:11:52,640 --> 00:11:55,000 [Tom] I'm tall, long legs, so we thought 254 00:11:55,080 --> 00:11:56,520 Victoria Beckham, Posh Spice. 255 00:11:57,520 --> 00:12:01,240 Then it was between Josh and Joe for our Sporty and-- 256 00:12:01,320 --> 00:12:04,480 Geri's bought a figure 'cause I'm severely malnourished. 257 00:12:04,560 --> 00:12:06,760 [laughing] 258 00:12:06,840 --> 00:12:08,840 [Tom] Yeah, so then Joe was Sporty. 259 00:12:08,920 --> 00:12:11,320 And then that made the line up then, Josh was Geri. 260 00:12:11,400 --> 00:12:14,040 ♪ Tonight is the night ♪ 261 00:12:14,520 --> 00:12:16,720 ♪ When two become one ♪ 262 00:12:16,800 --> 00:12:18,880 Who doesn't love dressing up as a girl? 263 00:12:19,600 --> 00:12:20,840 Hey. 264 00:12:20,920 --> 00:12:22,320 Especially with legs like mine. 265 00:12:22,920 --> 00:12:25,280 You can go on Instagram and look, they're very, very hairy. 266 00:12:26,480 --> 00:12:28,040 [DJ] Good luck for all the gigs coming up, 267 00:12:28,120 --> 00:12:30,080 especially Edgeley Park which will be amazing. 268 00:12:30,160 --> 00:12:31,480 Yeah, nice one. Good luck to you. 269 00:12:31,560 --> 00:12:32,640 -Can't wait. -Cheers, boys. 270 00:12:32,720 --> 00:12:33,880 -See you later. -Cheers. 271 00:12:33,960 --> 00:12:35,800 -Get some pictures. -Yeah. 272 00:12:36,960 --> 00:12:39,400 Won't be around forever, will I? I'm 60 this year. 273 00:12:40,320 --> 00:12:42,880 ["I can't stand it" by Blossoms] 274 00:13:00,200 --> 00:13:02,160 [audience chanting] 275 00:13:03,760 --> 00:13:05,760 ♪ There's a passage in my mind ♪ 276 00:13:06,800 --> 00:13:09,240 ♪ The pockets starts of you ♪ 277 00:13:09,320 --> 00:13:16,120 ♪ And all the things that come with emotional ties ♪ 278 00:13:16,200 --> 00:13:19,040 ♪ Though memories do fade ♪ 279 00:13:19,560 --> 00:13:23,200 ♪ This heavy heart inside of me ♪ 280 00:13:23,280 --> 00:13:28,280 ♪ Hates that I said all those things to you then ♪ 281 00:13:28,360 --> 00:13:30,960 ♪ I'd forget you if I could ♪ 282 00:13:31,880 --> 00:13:35,520 ♪ I know I probably should be sleeping ♪ 283 00:13:35,600 --> 00:13:37,800 ♪ Not thinking this through ♪ 284 00:13:37,880 --> 00:13:40,360 ♪ But I can't stand it ♪ 285 00:13:41,240 --> 00:13:43,680 ♪ I can't stand it ♪ 286 00:13:45,280 --> 00:13:48,040 ♪ Fooling myself dry ♪ 287 00:13:48,440 --> 00:13:50,160 ♪ You're like no other ♪ 288 00:13:50,240 --> 00:13:54,480 ♪ Puts myself for some amnesia ♪ 289 00:13:54,560 --> 00:13:57,480 ♪ To keep me in line ♪ 290 00:13:58,000 --> 00:14:00,160 ♪ Why do I fall in love ♪ 291 00:14:00,920 --> 00:14:04,320 ♪ With the least bit of attention ♪ 292 00:14:04,400 --> 00:14:10,000 ♪ I need some direction affection in time ♪ 293 00:14:10,080 --> 00:14:12,400 ♪ I'd forget you if I could ♪ 294 00:14:13,280 --> 00:14:16,840 ♪ I know I probably should be sleeping ♪ 295 00:14:16,920 --> 00:14:19,560 ♪ Not thinking this through ♪ 296 00:14:19,640 --> 00:14:21,800 ♪ But I can't stand it ♪ 297 00:14:22,880 --> 00:14:24,920 ♪ I can't stand it ♪ 298 00:14:26,120 --> 00:14:28,360 ♪ I can't stand it ♪ 299 00:14:29,280 --> 00:14:31,440 ♪ I can't stand it ♪ 300 00:14:35,440 --> 00:14:38,600 ♪ When I was thinking of a plan ♪ 301 00:14:38,680 --> 00:14:41,800 ♪ She sent the snow then took my hand ♪ 302 00:14:41,880 --> 00:14:44,920 ♪ I shut you out, you changed my mind ♪ 303 00:14:45,000 --> 00:14:49,680 ♪ The echoes fall beside the scenes where you would cry ♪ 304 00:14:49,760 --> 00:14:52,560 ♪ I'd forget you if I could ♪ 305 00:14:53,240 --> 00:14:57,000 ♪ I know I probably should be sleeping ♪ 306 00:14:57,080 --> 00:14:59,840 ♪ Not thinking this through ♪ 307 00:14:59,920 --> 00:15:01,920 ♪ But I can't stand it ♪ 308 00:15:02,720 --> 00:15:05,040 ♪ I can't stand it ♪ 309 00:15:06,200 --> 00:15:08,200 ♪ I can't stand it ♪ 310 00:15:09,080 --> 00:15:11,280 ♪ I can't stand it ♪ 311 00:15:12,600 --> 00:15:14,400 ♪ I can't stand it ♪ 312 00:15:15,560 --> 00:15:17,720 ♪ I can't stand it ♪ 313 00:15:19,000 --> 00:15:20,840 ♪ I can't stand it ♪ 314 00:15:22,080 --> 00:15:24,080 ♪ I can't stand it ♪ 315 00:15:52,960 --> 00:15:56,200 [Myles] Edgeley Park, I went once when I was about ten or something. 316 00:15:56,760 --> 00:15:59,240 And that was the first football stadium I went to. 317 00:15:59,880 --> 00:16:02,320 [audience cheering] 318 00:16:02,720 --> 00:16:05,800 I think, we were watching Stockport County versus, obviously someone. 319 00:16:06,360 --> 00:16:08,440 And I think, when the other team scored... 320 00:16:11,040 --> 00:16:13,000 I stood up and went, "Yes, County!" 321 00:16:13,080 --> 00:16:16,240 [audience booing] 322 00:16:16,880 --> 00:16:18,000 And it wasn't even them. 323 00:16:18,360 --> 00:16:20,800 I was getting some funny looks. I've not been back since. 324 00:16:22,880 --> 00:16:25,040 It's weird, 'cause it's 15,000 people, 325 00:16:25,120 --> 00:16:26,360 it's a lot of people. 326 00:16:26,440 --> 00:16:28,120 But in my head I was being a bit blase about it. 327 00:16:28,680 --> 00:16:30,600 And then when I went the other day, 328 00:16:30,680 --> 00:16:31,680 I saw how big it was. 329 00:16:31,760 --> 00:16:34,080 And it's still a football fucking stadium, isn't it? 330 00:16:34,560 --> 00:16:36,160 [Tom] I never get nervous for gigs, really, 331 00:16:36,240 --> 00:16:38,520 and I'm really, really nervous for this gig, so. 332 00:16:38,600 --> 00:16:40,440 I don't know whether it's the whole occasion. 333 00:16:41,400 --> 00:16:44,000 And the fact it, it's been sold out for months. 334 00:16:44,680 --> 00:16:47,120 If it went on sale last week, I wouldn't be as nervous but because 335 00:16:47,200 --> 00:16:48,680 it's been such a run up to it. 336 00:16:48,760 --> 00:16:51,040 Usually when you do other big gigs, you turn up on the day. 337 00:16:51,120 --> 00:16:54,200 You're just there and everything's presented to you 338 00:16:54,280 --> 00:16:56,080 within a couple of hours. 339 00:16:57,560 --> 00:16:59,040 But these added thoughts, 340 00:16:59,120 --> 00:17:01,520 whether it's guest list, where everyone's sitting, 341 00:17:01,600 --> 00:17:03,040 making sure everyone's all right... 342 00:17:03,120 --> 00:17:04,680 You're not getting the stage... 343 00:17:04,760 --> 00:17:07,400 you don't have that when you're playing in Moscow. 344 00:17:07,480 --> 00:17:09,800 You hear that? Myles went, "Is it in the middle?" 345 00:17:09,880 --> 00:17:11,200 If you're looking at it from here. 346 00:17:11,280 --> 00:17:13,359 Yeah, it's because you're looking from an angle. 347 00:17:14,200 --> 00:17:15,240 Get on this. 348 00:17:15,599 --> 00:17:17,640 Charles used to wear, drive for Home Run Pizzas. 349 00:17:18,760 --> 00:17:19,880 They're over there. 350 00:17:21,040 --> 00:17:22,960 And I used to work for Fair Price Funerals. 351 00:17:27,440 --> 00:17:30,720 [cameraman] Looking at that, how does that make you feel then, hometown? 352 00:17:30,800 --> 00:17:32,680 -It's making it more real-- -Shitting myself. 353 00:17:32,760 --> 00:17:34,760 -[laughing] -It'll be fine. 354 00:17:34,840 --> 00:17:36,880 It's the opposite for me. I've been nervous this week 355 00:17:36,960 --> 00:17:39,120 but seeing that it's like, "Oh, it'll be fine." 356 00:17:39,200 --> 00:17:41,360 It doesn't feel like it's for us. 357 00:17:42,400 --> 00:17:43,840 -It's weird. -It's big though. 358 00:17:43,920 --> 00:17:46,360 This is the first time we've done anything of this size so, 359 00:17:46,440 --> 00:17:50,720 it's that stepping into the stadium and that level of band. 360 00:17:51,760 --> 00:17:53,120 Luton's doing a fly down, 361 00:17:54,160 --> 00:17:56,440 bought a window seat so I can take a picture from the air, 362 00:17:57,000 --> 00:17:59,440 booked it on the wrong fucking side of the plane, bastard. 363 00:18:05,280 --> 00:18:06,920 [Tom] It's what we've been building up to 364 00:18:07,000 --> 00:18:08,280 since we started the band. 365 00:18:08,360 --> 00:18:10,720 It's something we joked about doing years ago, 366 00:18:10,800 --> 00:18:12,760 saying, "Oh, imagine putting a gig on at County." 367 00:18:12,840 --> 00:18:15,000 We were like, "Oh, imagine playing Edgeley Park." 368 00:18:15,080 --> 00:18:16,680 We should be the first person to put a gig on. 369 00:18:16,760 --> 00:18:19,080 It would be amazing. There's never been a gig there. 370 00:18:19,160 --> 00:18:20,880 We've always said it, so to actually do it. 371 00:18:20,960 --> 00:18:22,680 -Feels like a win. -Yeah. 372 00:18:24,120 --> 00:18:26,440 You do big gigs, don't you? You do big gigs all the time, 373 00:18:26,520 --> 00:18:28,360 that's what you always want to do as a band. 374 00:18:28,440 --> 00:18:30,160 But I think, to do a big gig in your hometown, 375 00:18:30,240 --> 00:18:32,880 where everyone seems to be coming together, 376 00:18:32,960 --> 00:18:35,080 and even with Stockport County getting promoted... 377 00:18:36,400 --> 00:18:38,640 I don't know, it feels like a bit more than a gig. 378 00:18:38,720 --> 00:18:40,760 I don't think we'll ever be able to recreate... 379 00:18:41,600 --> 00:18:43,120 something like it again. 380 00:18:43,360 --> 00:18:44,720 -'Sup, Charles. -Can I help you? 381 00:18:44,800 --> 00:18:46,080 [Joe] What's up, mate? 382 00:18:46,160 --> 00:18:48,000 Get up there and see what needs fixing up. 383 00:18:48,080 --> 00:18:50,080 [laughing] 384 00:18:50,160 --> 00:18:51,400 [unintelligible] 385 00:18:51,480 --> 00:18:52,840 [laughing] 386 00:18:53,400 --> 00:18:55,320 [Joe] I was having a proper heart-to-heart as well. 387 00:18:55,400 --> 00:19:00,400 Ratchet, hammer, level. [whistles] 388 00:19:00,480 --> 00:19:02,000 -[Joe] Check it's level. -Are we? 389 00:19:02,920 --> 00:19:04,720 [Joe] Do it-- do it on the floor. 390 00:19:05,680 --> 00:19:06,680 Check the floor first. 391 00:19:06,760 --> 00:19:08,640 Let's get it on this railing, it's magnetic, this. 392 00:19:08,720 --> 00:19:10,480 -[blowing] -[Joe laughing] 393 00:19:10,560 --> 00:19:11,880 [metal pinging] 394 00:19:14,400 --> 00:19:16,920 -Bang on, that. -Yeah, not bad, that. 395 00:19:17,960 --> 00:19:18,800 [Joe] Fair play. 396 00:19:19,280 --> 00:19:20,880 -All coming together. -Yeah, it is. 397 00:19:20,960 --> 00:19:22,480 [Josh] In terms of milestones, 398 00:19:22,560 --> 00:19:26,120 where we're up to, I'd say it's the most special thing. 399 00:19:26,640 --> 00:19:28,600 Ah, the legend's lounge. 400 00:19:28,680 --> 00:19:30,080 [Myles] You can play a gig anywhere, 401 00:19:30,160 --> 00:19:32,000 you know what I mean? We played the Pyramid Stage. 402 00:19:32,080 --> 00:19:34,920 We've done The Gorillaz, the Academies and then the Apollo. 403 00:19:35,000 --> 00:19:38,480 We've supported bands at the Etihad and Wembley. 404 00:19:40,440 --> 00:19:43,760 But they're not our fans, this is just our fans. 405 00:19:44,320 --> 00:19:46,400 It's something different when it's your own headline, 406 00:19:46,480 --> 00:19:48,720 somewhere where you've lived so close to. 407 00:19:49,280 --> 00:19:50,680 It means so much more. 408 00:19:50,760 --> 00:19:52,320 [fan] Charlie still comes down. 409 00:19:52,400 --> 00:19:53,760 He still comes to County. 410 00:19:53,840 --> 00:19:55,320 That's why this gig's important. 411 00:19:55,400 --> 00:19:57,400 -They've come home. -'Cause they've come back. 412 00:19:57,720 --> 00:20:01,080 [soft guitar strumming] 413 00:20:02,760 --> 00:20:04,240 It's definitely a celebration 414 00:20:04,320 --> 00:20:06,520 of both the town and the band. 415 00:20:08,640 --> 00:20:09,880 For Stockport this is massive. 416 00:20:09,960 --> 00:20:11,680 They're giving something back, aren't they? 417 00:20:12,720 --> 00:20:15,520 [Josh] I can't remember the last time 15 thousand people 418 00:20:15,600 --> 00:20:17,200 were in Edgeley, do you know what I mean? 419 00:20:18,920 --> 00:20:22,080 People aren't used to seeing big gigs in Stockport, are they? 420 00:20:22,160 --> 00:20:23,640 We love the Blossoms. 421 00:20:23,720 --> 00:20:25,400 This is a fucking great band. 422 00:20:25,480 --> 00:20:27,120 [Joe] Says a lot about people in Stockport 423 00:20:27,200 --> 00:20:29,960 and that sort of loyalty that people have towards us. 424 00:20:30,520 --> 00:20:33,520 Seeing them go from being dead small 425 00:20:33,600 --> 00:20:35,560 to playing a hometown doing Edgeley Park. 426 00:20:35,640 --> 00:20:38,480 [Joe] People all over the world are flying over, 427 00:20:38,560 --> 00:20:40,160 to sort of watch us. 428 00:20:40,240 --> 00:20:41,280 And it blows my head, 429 00:20:41,360 --> 00:20:44,400 I can't believe that people are flying back. 430 00:20:44,480 --> 00:20:47,360 I'm from Australia, but I knew of the Blossoms 431 00:20:47,440 --> 00:20:49,760 before I even came to Stockport. 432 00:20:50,480 --> 00:20:53,040 -Is she from Stockport? -Yeah, I am from Stockport, thank you. 433 00:20:54,480 --> 00:20:56,200 [Charlie] It's a great thing for the town. 434 00:20:57,240 --> 00:20:59,440 [Josh] I feel proud for us and for Stockport 435 00:20:59,520 --> 00:21:03,240 because nobody talks about Stockport like we do. 436 00:21:03,320 --> 00:21:04,440 Best place in the world, mate. 437 00:21:05,280 --> 00:21:08,360 ["Texia" by Blossoms] 438 00:21:10,560 --> 00:21:13,840 [Charlie] I'd like to think that we've done something for where we're from. 439 00:21:17,880 --> 00:21:20,800 We didn't want to class ourselves with all the other bands 440 00:21:20,880 --> 00:21:23,520 that are from the surrounding areas and say, "We're from Manchester." 441 00:21:23,600 --> 00:21:26,160 Like Tom always says when he gets a letter through his letterbox, 442 00:21:26,240 --> 00:21:27,240 it says Stockport on it. 443 00:21:27,800 --> 00:21:30,480 -Why say anything else? -I think Tom just said it at a gig, 444 00:21:30,560 --> 00:21:31,480 I think he was like... 445 00:21:31,560 --> 00:21:35,000 Good evening Stockport, we are Blossoms from Stockport. 446 00:21:35,560 --> 00:21:37,040 [Myles] It just stuck after that. 447 00:21:38,160 --> 00:21:40,320 [Tom] This song's called "Honey Sweet," everyone. 448 00:21:40,400 --> 00:21:43,240 ["Honey Sweet" by Blossoms] 449 00:21:44,080 --> 00:21:47,560 [Joe] It's just a typical, northern, working-class town. 450 00:21:48,200 --> 00:21:49,400 [Josh] We've got a hat museum. 451 00:21:49,960 --> 00:21:52,960 We'd like to say we've got Europe's largest brick structure. 452 00:21:53,520 --> 00:21:55,120 Not entirely sure how true that is anymore. 453 00:21:55,680 --> 00:21:57,160 We've got a glass pyramid. 454 00:21:57,240 --> 00:21:58,560 It's got the big cinema now. 455 00:21:58,640 --> 00:22:00,600 It used to have another cinema, this one's better. 456 00:22:01,040 --> 00:22:02,760 It's a good vibe in Stockport. 457 00:22:03,680 --> 00:22:07,000 [Charlie] I always feel like it's the black sheep in a certain way. 458 00:22:07,560 --> 00:22:09,960 It's a big town but it's not quite a city. 459 00:22:10,040 --> 00:22:12,440 And it's kind of overshadowed by Manchester a lot. 460 00:22:12,520 --> 00:22:14,320 So I feel like it's always left out. 461 00:22:14,400 --> 00:22:16,120 Why don't you go to John's Cafe on the market? 462 00:22:16,200 --> 00:22:21,000 I think if it wasn't close to Manchester, it'd be a bit kind of... secluded. 463 00:22:21,560 --> 00:22:23,000 But it depends how old you are. 464 00:22:23,080 --> 00:22:27,120 Growing up, I never craved anything from elsewhere. 465 00:22:27,600 --> 00:22:28,960 [Joe] It's just home, isn't it? 466 00:22:29,040 --> 00:22:31,320 I don't know, there's something about it, it's cosy. 467 00:22:31,400 --> 00:22:32,960 And it's just dead easy. 468 00:22:33,040 --> 00:22:36,000 Why would I buy a house in London, live in a thimble? 469 00:22:37,240 --> 00:22:39,400 [Myles] People are nice, everyone's hard-working. 470 00:22:40,640 --> 00:22:44,600 The life revolves around football, music and drinking. 471 00:22:44,680 --> 00:22:46,880 [Joe] Everyone's up for a good chat. 472 00:22:46,960 --> 00:22:48,560 There's a few pubs in Stockport you go, 473 00:22:48,640 --> 00:22:50,400 "Oh, I won't go in there." But when you do go in, 474 00:22:50,480 --> 00:22:52,280 you always have a good laugh. 475 00:22:52,360 --> 00:22:54,240 [cameraman] You have lovely hands. 476 00:22:54,320 --> 00:22:56,680 [laughing] 477 00:22:56,760 --> 00:22:59,840 [Josh] People will take the piss out of you, but in a very endearing way, 478 00:22:59,920 --> 00:23:02,880 especially if you've got long hair, and you're a bloke. 479 00:23:03,720 --> 00:23:05,240 [Tom] The town's got behind us as a band. 480 00:23:05,320 --> 00:23:08,360 Which both shows what it's like as a town. 481 00:23:09,480 --> 00:23:11,640 [Josh] I've spent a lot of good times 482 00:23:11,720 --> 00:23:13,120 and happy times in Stockport. 483 00:23:13,600 --> 00:23:17,640 I think there's something in the water. And it's made us five what we are today. 484 00:23:19,000 --> 00:23:21,520 ♪ And show my love ♪ 485 00:23:21,600 --> 00:23:25,640 ♪ A heart attack I'm told I should have known ♪ 486 00:23:25,720 --> 00:23:30,040 ♪ No more nights alone, so cold ♪ 487 00:23:30,120 --> 00:23:35,920 ♪ Let's go back discreet, honey sweet ♪ 488 00:23:36,480 --> 00:23:40,880 ♪ 'Cause teardrops stain skies of thunder ♪ 489 00:23:40,960 --> 00:23:45,160 ♪ Autumn pain, I change my number ♪ 490 00:23:45,240 --> 00:23:47,760 ♪ I've seen you two about ♪ 491 00:23:47,840 --> 00:23:52,840 ♪ And can we talk about rebounding ♪ 492 00:24:06,760 --> 00:24:09,320 [Charlie] Okay, I'm going to show you how to reload film 493 00:24:09,400 --> 00:24:12,520 onto the 1976 Pentax 6x7 camera. 494 00:24:14,640 --> 00:24:16,840 I was quite into football when I was a kid. 495 00:24:17,240 --> 00:24:20,440 It was just out to all hours, which you don't really find that anymore. 496 00:24:21,160 --> 00:24:24,000 I've been told I was very, very affable. 497 00:24:24,560 --> 00:24:27,240 Quite approachable, fairly easy going. 498 00:24:27,920 --> 00:24:31,720 Quite creative, always pristine, never used to get muddy. 499 00:24:34,000 --> 00:24:36,640 [Myles] There's all these stories of me being a bit strange as a kid. 500 00:24:36,720 --> 00:24:38,480 One of my earliest memories is me and my brother 501 00:24:38,560 --> 00:24:40,960 fighting in a skip outside our house. 502 00:24:41,480 --> 00:24:43,960 You know what it's like, the older brother picking on the younger. 503 00:24:44,040 --> 00:24:45,360 It was the other way around with me. 504 00:24:46,000 --> 00:24:48,000 But it's fine, you know, we're friends now. 505 00:24:52,320 --> 00:24:53,600 [Tom] Pretty quiet, I'd say. 506 00:24:54,080 --> 00:24:55,240 Kept myself to myself. 507 00:24:56,120 --> 00:25:01,040 Football crazy, that was the center of everything. 508 00:25:01,720 --> 00:25:03,600 [Joe] I reckon I was a bit of a nerd, you know. 509 00:25:04,080 --> 00:25:05,880 I was like a counselor at school. 510 00:25:06,680 --> 00:25:11,320 Got voted the nicest school kid in my year, I don't know why. 511 00:25:11,960 --> 00:25:13,280 I don't know who voted, actually. 512 00:25:14,720 --> 00:25:16,160 [Josh] Quite a peculiar child, 513 00:25:16,560 --> 00:25:17,840 which I don't think has changed. 514 00:25:19,280 --> 00:25:21,800 That went through to my first ever job, 515 00:25:21,880 --> 00:25:25,640 which was being a professional clown, which is real, 516 00:25:25,720 --> 00:25:28,240 that happened, I was clowning for a good while. 517 00:25:29,960 --> 00:25:33,360 For some reason I got into this circus realm, 518 00:25:34,120 --> 00:25:36,960 but it was far less sketchy than running away to a circus. 519 00:25:37,040 --> 00:25:40,000 It was just this place where you'd go and learn to juggle. 520 00:25:40,080 --> 00:25:42,600 Seems really, really odd when I look back at it now. 521 00:25:42,680 --> 00:25:49,040 Now I'm sat here, a grown-ass man, you know, yeah, strange times. 522 00:25:50,320 --> 00:25:53,320 But yeah, I rode to Joe's house on a unicycle. 523 00:25:53,720 --> 00:25:55,200 It's pushing a mile, I reckon, that. 524 00:25:55,960 --> 00:25:57,720 So, I'm quite proud of that one. 525 00:25:59,040 --> 00:26:02,920 I had to hang up the nose and the oversized shoes. 526 00:26:03,520 --> 00:26:07,160 I think I knew that clowning was over for me. 527 00:26:10,680 --> 00:26:12,160 [Tom] Thank you very much, everyone. 528 00:26:15,280 --> 00:26:18,040 Is anyone in love in the audience tonight in Stockport? 529 00:26:20,760 --> 00:26:22,400 This is for anyone in love. 530 00:26:23,560 --> 00:26:24,800 There's a few of you. 531 00:26:33,000 --> 00:26:38,600 ♪ My eyes align with you ♪ 532 00:26:40,360 --> 00:26:43,600 ♪ You're on my side ♪ 533 00:26:43,680 --> 00:26:47,880 ♪ And I'm all truth ♪ 534 00:26:47,960 --> 00:26:51,680 ♪ She said I never lie ♪ 535 00:26:51,760 --> 00:26:55,320 ♪ You are rare and I care ♪ 536 00:26:55,920 --> 00:26:59,520 ♪ Yes, I should show it more sometimes ♪ 537 00:27:00,440 --> 00:27:03,880 ♪ Some words won't hurt ♪ 538 00:27:04,800 --> 00:27:07,760 ♪ A metaphor, our flight ♪ 539 00:27:07,840 --> 00:27:12,360 ♪ Now I'll be gone for weeks and forgetting to tell you ♪ 540 00:27:15,720 --> 00:27:18,920 ♪ You're just a flight away ♪ 541 00:27:19,000 --> 00:27:21,480 ♪ You give me that love talk ♪ 542 00:27:21,560 --> 00:27:24,000 ♪ It only made me feel worse ♪ 543 00:27:24,080 --> 00:27:28,440 ♪ I hate leaving the town that owns me ♪ 544 00:27:28,520 --> 00:27:32,800 ♪ Tonight your mind will be love talk, love talk ♪ 545 00:27:35,480 --> 00:27:37,800 ♪ I'm sat in your car ♪ 546 00:27:37,880 --> 00:27:42,000 ♪ I play some big star ♪ 547 00:27:43,160 --> 00:27:46,360 ♪ Ten years came pretty soon ♪ 548 00:27:46,440 --> 00:27:50,840 ♪ Then you whisper, I will miss you ♪ 549 00:27:50,920 --> 00:27:53,800 ♪ Only you can change my mood ♪ 550 00:27:53,880 --> 00:27:56,080 ♪ You look at me and you say ♪ 551 00:27:56,160 --> 00:27:58,720 ♪ Why can't they go without you ♪ 552 00:28:01,920 --> 00:28:05,040 ♪ You're just a flight away ♪ 553 00:28:05,120 --> 00:28:07,920 ♪ You give me that love talk ♪ 554 00:28:08,000 --> 00:28:10,440 ♪ Only made me feel worse ♪ 555 00:28:10,520 --> 00:28:14,360 ♪ I hate leaving the town that owns me ♪ 556 00:28:14,440 --> 00:28:18,720 ♪ Tonight your mind will be love talk, love talk ♪ 557 00:28:35,680 --> 00:28:39,440 ♪ Talk to me, sha la la la ♪ 558 00:28:39,520 --> 00:28:44,360 ♪ Talk to me, sha la la la ♪ 559 00:28:44,440 --> 00:28:48,320 ♪ Talk to me, sha la la la ♪ 560 00:28:48,400 --> 00:28:52,200 ♪ Talk to me ♪ 561 00:28:54,000 --> 00:28:56,360 [audience cheering] 562 00:28:56,840 --> 00:28:59,520 ♪ You're just a flight away ♪ 563 00:28:59,600 --> 00:29:02,440 ♪ You give me that love talk ♪ 564 00:29:02,520 --> 00:29:05,040 ♪ Only made me feel worse ♪ 565 00:29:05,120 --> 00:29:09,040 ♪ I hate leaving the town that owns me ♪ 566 00:29:09,120 --> 00:29:13,520 ♪ Tonight your mind will be love talk, love talk ♪ 567 00:29:13,600 --> 00:29:16,560 ♪ You're just a flight away ♪ 568 00:29:16,640 --> 00:29:19,360 ♪ Give me that love talk ♪ 569 00:29:19,440 --> 00:29:22,000 ♪ Only made me feel worse ♪ 570 00:29:22,080 --> 00:29:25,960 ♪ I hate leaving the town that owns me ♪ 571 00:29:26,040 --> 00:29:30,440 ♪ Tonight your mind will be love talk, love talk ♪ 572 00:29:49,240 --> 00:29:51,640 [audience applauding] 573 00:29:51,720 --> 00:29:52,640 Thank you. 574 00:29:58,480 --> 00:30:00,320 How we feeling, Stockport? We feeling good? 575 00:30:00,840 --> 00:30:03,680 [audience cheering] 576 00:30:03,760 --> 00:30:06,320 It's nice to see so many of you come out, it's good. 577 00:30:07,360 --> 00:30:08,360 Funny story. 578 00:30:09,600 --> 00:30:11,320 Last time me and Joe were here, 579 00:30:11,960 --> 00:30:15,520 ten years ago to this month, we had our prom 580 00:30:15,600 --> 00:30:17,040 in that building over there. 581 00:30:18,040 --> 00:30:19,680 [audience cheering] 582 00:30:19,760 --> 00:30:22,640 In our little suits and the fucking limo. 583 00:30:24,600 --> 00:30:27,440 Ten years later and we're stood in front of 584 00:30:27,520 --> 00:30:29,240 you beautiful people, so there we go. 585 00:30:30,320 --> 00:30:33,200 [audience cheering] 586 00:30:33,280 --> 00:30:34,880 [Joe] For this gig, obviously the big gig, 587 00:30:34,960 --> 00:30:36,760 I was like, we should go into the tailors, 588 00:30:36,840 --> 00:30:38,240 we'll flesh out a few ideas with them 589 00:30:38,320 --> 00:30:40,040 and just sort of get some stuff made. 590 00:30:43,080 --> 00:30:44,680 This is where I used to work. 591 00:30:44,760 --> 00:30:46,200 Last few days we've been working on set 592 00:30:46,280 --> 00:30:48,680 and then today working on what we're going to look like. 593 00:30:49,440 --> 00:30:51,080 You have to use your imagination here. 594 00:30:51,160 --> 00:30:52,480 -Hey there. -How you doing? 595 00:30:52,560 --> 00:30:54,280 -Nice to see you, mate. -Nice to see you. 596 00:30:54,920 --> 00:30:57,120 -[Joe] How are things? Good? -[Carl] Good, very good. 597 00:30:57,200 --> 00:30:58,680 What did you do when you worked here? 598 00:30:58,760 --> 00:31:00,720 My first job, when I came in, I used to have 599 00:31:00,800 --> 00:31:04,200 to hoover the mat at the front and sweep down all these. 600 00:31:04,280 --> 00:31:06,120 [cameraman] What was Joe like when working here? 601 00:31:06,200 --> 00:31:08,560 -Brilliant. -[laughing] 602 00:31:09,280 --> 00:31:10,600 Yeah, he was amazing. 603 00:31:11,720 --> 00:31:14,280 [steady bass drum beating] 604 00:31:15,400 --> 00:31:17,040 [Joe] He was like a proper apprentice. 605 00:31:18,400 --> 00:31:20,200 I'd sort of learned a lot. 606 00:31:22,960 --> 00:31:26,640 I look like I know what I'm doing in that video. Look quite professional. 607 00:31:27,160 --> 00:31:28,640 [Carl] What's the plan? 608 00:31:28,720 --> 00:31:30,680 [Tom] We've got the biggest show we've ever done. 609 00:31:31,240 --> 00:31:33,360 And we want to look good, don't we? 610 00:31:33,440 --> 00:31:36,320 -Yeah. -I liked the idea of a stripe somewhere, 611 00:31:36,400 --> 00:31:38,440 -either on the pants or-- -[Josh] That would be cool. 612 00:31:38,520 --> 00:31:41,800 On the arm. I like them quite high-waisted and tight around the top 613 00:31:41,880 --> 00:31:44,480 and then the little flare at the bottom. 614 00:31:44,560 --> 00:31:46,240 -Joe's doing it. -[Joe] What are you saying? 615 00:31:46,320 --> 00:31:48,000 -Red suit, black stripe? -Yeah. 616 00:31:48,080 --> 00:31:49,800 -That's cool. -[Myles] I think that's cool. 617 00:31:49,880 --> 00:31:52,760 -Let's meet in the middle. -That's too "Fuck off." 618 00:31:52,840 --> 00:31:55,320 Your arms are two inches wide, you know what I mean? 619 00:31:55,400 --> 00:32:00,360 I'm going for a wide, '70s kind of lapel. 620 00:32:00,440 --> 00:32:03,920 -Sky blue, white shirt. -My suit's basically based on 621 00:32:04,000 --> 00:32:06,040 the old footballer, Frank Worthington. 622 00:32:06,120 --> 00:32:07,680 That's the vibe I'm going for. 623 00:32:09,520 --> 00:32:11,360 [cameraman] Did you think he was going to make it? 624 00:32:11,440 --> 00:32:12,840 Yeah, of course. 625 00:32:12,920 --> 00:32:15,160 -That's why he employed me. -[chuckling] 626 00:32:15,240 --> 00:32:16,800 Even though it was a good job and I loved it, 627 00:32:16,880 --> 00:32:18,840 it was still the monotonous drives every day. 628 00:32:19,520 --> 00:32:22,880 I was driving, I was listening to Radio XFM at the time. 629 00:32:22,960 --> 00:32:25,520 And I remember they played, I think it was "Cut Me I'll Bleed" 630 00:32:25,600 --> 00:32:27,440 or I can't remember what tune it was, 631 00:32:27,520 --> 00:32:29,760 "Blown Rose" or something like that, maybe even "Blow." 632 00:32:29,840 --> 00:32:32,960 I was driving to work and I just went, "I'm going to quit." 633 00:32:33,560 --> 00:32:34,960 And I sort of drove into work. 634 00:32:36,960 --> 00:32:39,760 And he went, "It's the band, isn't it? You're doing really well?" 635 00:32:39,840 --> 00:32:42,440 And he was dead, dead sound, and was like, "I completely understand." 636 00:32:42,520 --> 00:32:44,880 -So, when are you leaving?" -And I went, "Oh, now." 637 00:32:44,960 --> 00:32:46,200 He went, "Right now?" 638 00:32:46,280 --> 00:32:47,280 [tires squealing] 639 00:32:47,360 --> 00:32:50,040 I remember just driving home, turning the music up dead loud 640 00:32:50,120 --> 00:32:53,280 and just having all the windows down driving home, like, "Yes! I've done it." 641 00:32:53,360 --> 00:32:55,640 And then thinking, "Fuck, I still live at home, 642 00:32:55,720 --> 00:32:57,920 I've got to go to Mom and Dad now and say, I've quit my job." 643 00:32:58,000 --> 00:33:00,080 You know what I mean? Shit. 644 00:33:00,680 --> 00:33:02,760 I was like, it could all go tits up and I could be back here 645 00:33:02,840 --> 00:33:05,840 in a few months going, "Can I have my job back, please? I'm sorry." 646 00:33:05,920 --> 00:33:09,040 He knows the job's still open. He's coming back one day. 647 00:33:09,120 --> 00:33:12,080 So to go back there and it actually work out. 648 00:33:12,160 --> 00:33:14,680 -See you. -[shopkeeper] Bye, see you later. 649 00:33:17,200 --> 00:33:19,800 [upbeat music] 650 00:33:19,880 --> 00:33:20,960 So we're back. 651 00:33:21,680 --> 00:33:23,760 Tom and Miles got theirs on, looking good. 652 00:33:23,840 --> 00:33:26,280 Joe's there, leather with flames, 653 00:33:26,360 --> 00:33:29,120 taking a big longer 'cause obviously it's leather with flames. 654 00:33:29,200 --> 00:33:33,600 They wanted to tie us in with something. We didn't want to wear the same thing. 655 00:33:33,680 --> 00:33:35,560 Then I said, "I wanted a stripe." 656 00:33:35,640 --> 00:33:38,080 And Joe was like, "Oh, we could all wear the stripes." 657 00:33:38,160 --> 00:33:40,280 He nicked my idea, really. 658 00:33:40,360 --> 00:33:42,720 -I let him off 'cause he does look good. -They're good on you. 659 00:33:42,800 --> 00:33:44,040 -Really good. -For that. 660 00:33:44,600 --> 00:33:46,720 -Christ, that's good. -Cool, isn't it? 661 00:33:46,800 --> 00:33:49,760 -Have a bit of ankle showing here. -You want a little bit of ankle? 662 00:33:50,320 --> 00:33:52,440 -Would that work? -[laughing] 663 00:33:52,520 --> 00:33:54,880 Say you get the pants taken in a bit? 664 00:33:54,960 --> 00:33:58,240 Really good clothes, them, Charlie. Proper your vibe, isn't it? 665 00:33:58,320 --> 00:33:59,640 Love it. 666 00:34:00,840 --> 00:34:03,320 Oh, that is fucking tight, that. 667 00:34:03,400 --> 00:34:04,440 Tight. 668 00:34:05,040 --> 00:34:07,080 Whenever I've had anything made here, 669 00:34:07,160 --> 00:34:10,600 particularly trousers, they measure me up and they go... 670 00:34:12,159 --> 00:34:14,120 "Do you want pockets on the trousers, or not?" 671 00:34:14,199 --> 00:34:16,080 And I go, "Well, why wouldn't you have pockets?" 672 00:34:16,159 --> 00:34:18,320 "We don't normally if you don't need them or use them. 673 00:34:18,400 --> 00:34:20,800 But we're going to give you them because you don't have an ass." 674 00:34:20,880 --> 00:34:21,920 [chuckles] 675 00:34:22,000 --> 00:34:24,239 -So, now-- -Oh, is that what's happened? 676 00:34:24,320 --> 00:34:26,159 They give him pockets so his ass, 677 00:34:26,239 --> 00:34:28,840 so it's more sticking out. 678 00:34:28,920 --> 00:34:31,120 [Josh] Yeah, it's my equivalent of a padded bra. 679 00:34:33,760 --> 00:34:35,400 -Fucking hell. -For when you're drumming. 680 00:34:35,480 --> 00:34:36,679 Yeah, yeah, I'm not-- 681 00:34:37,400 --> 00:34:39,239 [Tom] Are you even going to walk on in the blazer? 682 00:34:40,920 --> 00:34:42,719 So, we released a new song the other day 683 00:34:42,800 --> 00:34:45,920 and it's called "Your Girlfriend," this is it. 684 00:34:46,560 --> 00:34:49,320 [audience cheering] 685 00:34:49,400 --> 00:34:52,560 [Tom] When a song comes together, in the rehearsal room or studio, 686 00:34:52,639 --> 00:34:55,040 I have an idea for a song, I take it to the lads 687 00:34:55,120 --> 00:34:57,280 and then we build on it and it becomes the song, 688 00:34:57,360 --> 00:34:58,680 that's always great. 689 00:35:00,400 --> 00:35:02,000 [piano notes play] 690 00:35:02,080 --> 00:35:03,600 Listen to it. 691 00:35:05,720 --> 00:35:09,480 When I was about 19, I thought, "Oh, I'm actually, pretty good at this." 692 00:35:10,920 --> 00:35:13,360 But I never thought I would go on to do what we did. 693 00:35:13,440 --> 00:35:17,240 ♪ ...possible, she likes me too? ♪ 694 00:35:17,320 --> 00:35:20,240 [guitar strumming] 695 00:35:22,800 --> 00:35:24,760 I was in my first relationship by that point. 696 00:35:24,840 --> 00:35:27,600 I think that's when things changed. I've written songs in my old band 697 00:35:27,680 --> 00:35:30,840 up until that point. But I didn't really have anything to draw on it. 698 00:35:30,920 --> 00:35:33,000 I wrote a song called "Just Sixteen" which was about 699 00:35:33,080 --> 00:35:35,480 the girls in our year at secondary school, going out 700 00:35:35,560 --> 00:35:37,960 and drinking when they shouldn't be. 701 00:35:38,040 --> 00:35:40,480 ♪ You got your fake ID now ♪ 702 00:35:40,560 --> 00:35:42,440 ♪ You get in all the bars ♪ 703 00:35:42,520 --> 00:35:44,320 ♪ But you forget that you're still sixteen ♪ 704 00:35:44,400 --> 00:35:46,040 ♪ And you act like a drama queen ♪ 705 00:35:46,120 --> 00:35:48,840 [Tom] I didn't have a relationship till I was 19, 706 00:35:48,920 --> 00:35:50,800 that's when I started writing about that. 707 00:35:50,880 --> 00:35:54,560 And then love songs come. And then heartbreak songs come 708 00:35:54,640 --> 00:35:59,200 and then, my first breakup coincided as Blossom started, 709 00:35:59,280 --> 00:36:03,600 which I think ignited a whole turn of songwriting for me 710 00:36:03,680 --> 00:36:05,760 and the drive to want to do it. 711 00:36:05,840 --> 00:36:08,720 Things happen for reasons, don't they? I think that definitely did. 712 00:36:08,800 --> 00:36:12,240 [keyboard notes playing] 713 00:36:15,520 --> 00:36:18,720 ["Your Girlfriend" by Blossoms] 714 00:36:24,800 --> 00:36:28,600 You might just have it on the first one, but on the last hit of the chorus. 715 00:36:39,160 --> 00:36:41,120 Just put it on every one, just 'cause I want to hear it. 716 00:36:41,200 --> 00:36:43,200 [laughing] 717 00:36:43,280 --> 00:36:46,160 ["Your Girlfriend" by Blossoms] 718 00:36:46,840 --> 00:36:49,960 There's loads of influences, it's a bit of everything, we've kind of like-- 719 00:36:50,600 --> 00:36:54,760 it is very poppy, like, the songwriting's classic pop songwriting. 720 00:36:54,840 --> 00:37:00,080 And then you've got Charlie's kind of like '70s groovy Motown, vibey base on it. 721 00:37:00,160 --> 00:37:04,120 And then you got Josh's harsh guitar parts that he puts on them. 722 00:37:04,840 --> 00:37:08,040 And then you've got like the-- 723 00:37:08,120 --> 00:37:10,760 everyone's got their own influences that we put together 724 00:37:10,840 --> 00:37:12,400 which makes Blossoms. 725 00:37:14,680 --> 00:37:16,200 Do we like that? 726 00:37:16,280 --> 00:37:20,760 It's just the decay at the end of it, could you ride that up on something? 727 00:37:20,840 --> 00:37:25,440 If you put the transit master on it and turn the decay up, that's what it will do. 728 00:37:25,520 --> 00:37:28,400 It's hard to describe any band by just a few words in it. 729 00:37:28,480 --> 00:37:31,240 But yeah, I just say... 730 00:37:32,600 --> 00:37:35,080 synth guitar pop, there we go. 731 00:37:37,240 --> 00:37:38,520 Is that the right sound? 732 00:37:39,280 --> 00:37:41,360 I think the main thing is just releasing music 733 00:37:41,440 --> 00:37:43,360 which people like. 734 00:37:43,440 --> 00:37:45,520 Arriba! 735 00:37:47,000 --> 00:37:49,240 [maracas shaking] 736 00:37:49,320 --> 00:37:51,680 [James] If you're going to have just a normal shaker thing, 737 00:37:51,760 --> 00:37:55,400 you may as well do it on profit. You know with like the-- 738 00:37:55,480 --> 00:37:58,720 -Oh, like we did on-- -Yeah, like... thing. 739 00:37:59,320 --> 00:38:00,760 Like the horse-riding one. 740 00:38:01,680 --> 00:38:02,720 Yeah. 741 00:38:02,800 --> 00:38:05,480 [synthetic beats] 742 00:38:06,680 --> 00:38:08,160 Fuck me, yeah. 743 00:38:08,240 --> 00:38:10,080 [James] 'Cause the groove's natural within it, 744 00:38:10,160 --> 00:38:12,000 you can't really have that, can you? 745 00:38:12,080 --> 00:38:15,760 ["Your Girlfriend" by Blossoms playing] 746 00:38:15,840 --> 00:38:18,000 I don't even know that it needs the shaking. 747 00:38:18,080 --> 00:38:22,120 When my dad first showed me how to play the bass, 748 00:38:22,200 --> 00:38:24,880 I knew straight-away, this is something I want to get into. 749 00:38:26,160 --> 00:38:27,960 ♪ I'm a boy ♪ 750 00:38:28,040 --> 00:38:29,920 ♪ And she's a girl ♪ 751 00:38:30,000 --> 00:38:33,200 ♪ With more charm than most movie stars ♪ 752 00:38:33,280 --> 00:38:35,760 ♪ So we met ♪ 753 00:38:35,840 --> 00:38:39,360 [Charlie] I never thought, I'd do it to this level, 754 00:38:39,440 --> 00:38:41,720 but I knew I'd always be playing music, do you know what I mean? 755 00:38:41,800 --> 00:38:45,520 ♪ Your girlfriend is ringing in my ears again ♪ 756 00:38:46,080 --> 00:38:47,280 ♪ It's no sure shot ♪ 757 00:38:47,360 --> 00:38:49,480 ♪ But she likes all my favorite things ♪ 758 00:38:49,560 --> 00:38:51,200 ♪ I know I shouldn't but ♪ 759 00:38:51,280 --> 00:38:53,040 ♪ I'd like to spend more time with her ♪ 760 00:38:53,120 --> 00:38:57,480 ♪ I wish she'd come over today ♪ 761 00:38:57,560 --> 00:39:01,080 [electric guitar playing] 762 00:39:13,640 --> 00:39:18,200 ♪ What am I supposed to do ♪ 763 00:39:18,280 --> 00:39:20,880 ♪ I can tell, they get along so well ♪ 764 00:39:20,960 --> 00:39:26,000 ♪ Is it possible, she likes me too ♪ 765 00:39:26,480 --> 00:39:29,440 ♪ I'm not sure if I should read between those lines ♪ 766 00:39:29,520 --> 00:39:33,320 ♪ And now your girlfriend is ringing in my ears again ♪ 767 00:39:33,400 --> 00:39:35,200 ♪ I should be moving out ♪ 768 00:39:35,280 --> 00:39:37,520 ♪ But can't 'cause we've just signed a lease ♪ 769 00:39:37,600 --> 00:39:38,960 ♪ My hands are shaking ♪ 770 00:39:39,040 --> 00:39:41,760 ♪ The bedroom walls are paper thin ♪ 771 00:39:41,840 --> 00:39:45,240 ♪ I heard her come over today ♪ 772 00:39:45,320 --> 00:39:49,840 ♪ Thought maybe we'd go out for a movie ♪ 773 00:39:49,920 --> 00:39:53,520 ♪ And we can forget friends who'll be fuming ♪ 774 00:39:53,600 --> 00:39:57,920 ♪ Then I could walk you home in the evening ♪ 775 00:39:58,000 --> 00:40:00,760 ♪ And that's just being friendly ♪ 776 00:40:01,400 --> 00:40:05,400 ♪ And now your girlfriend is ringing in my ears again ♪ 777 00:40:05,480 --> 00:40:09,360 ♪ And when she smiles I can't hide my jealousy ♪ 778 00:40:09,440 --> 00:40:13,200 ♪ Oh I can't take it boy, I hope she's faking it ♪ 779 00:40:13,280 --> 00:40:17,000 ♪ I heard he bought a ring today ♪ 780 00:40:17,080 --> 00:40:21,680 ♪ Ooo ♪ 781 00:40:29,520 --> 00:40:34,440 ♪ I heard they got engaged today ♪ 782 00:40:35,560 --> 00:40:38,720 [audience cheering] 783 00:40:42,160 --> 00:40:43,440 Thank you. 784 00:40:48,160 --> 00:40:50,360 It's our first ever single, it's called "Blow." 785 00:40:51,200 --> 00:40:53,440 [audience cheering] 786 00:41:21,320 --> 00:41:25,080 ♪ The cold road is all I know ♪ 787 00:41:25,160 --> 00:41:29,120 ♪ The old road is where she blows ♪ 788 00:41:29,200 --> 00:41:33,080 ♪ The cold road is all I know ♪ 789 00:41:33,160 --> 00:41:36,640 ♪ The old road is where she blows ♪ 790 00:41:36,720 --> 00:41:42,080 ♪ I still never cry for love ♪ 791 00:41:44,760 --> 00:41:48,880 ♪ The last time I asked you why ♪ 792 00:41:48,960 --> 00:41:52,400 ♪ The last time she saw me cry ♪ 793 00:41:52,480 --> 00:41:56,880 ♪ The last time I asked you why ♪ 794 00:41:56,960 --> 00:42:00,720 ♪ The last time she saw me cry ♪ 795 00:42:00,800 --> 00:42:07,080 ♪ I still never did shy from my love ♪ 796 00:42:07,160 --> 00:42:09,680 ♪ And it's everywhere she goes ♪ 797 00:42:09,760 --> 00:42:11,720 ♪ I don't know ♪ 798 00:42:11,800 --> 00:42:16,240 ♪ If it's love that she wants ♪ 799 00:42:16,320 --> 00:42:19,680 ♪ All the love I want ♪ 800 00:42:19,760 --> 00:42:25,520 ♪ Yeah, she blows ♪ 801 00:42:25,600 --> 00:42:27,960 ♪ Oh she blows ♪ 802 00:42:31,680 --> 00:42:34,720 [Tom] I feel like we're in such an amazing position to say, 803 00:42:34,800 --> 00:42:37,920 to try and pick out what's the worst thing makes you seem like you're moaning. 804 00:42:38,000 --> 00:42:40,560 And I know there's a million other kids who would 805 00:42:40,640 --> 00:42:41,880 love to be in my position. 806 00:42:42,440 --> 00:42:45,320 So, I don't think anyone really wants to hear it, 807 00:42:45,400 --> 00:42:48,600 if there is something, you have good days and bad days, don't you? 808 00:42:48,680 --> 00:42:53,040 There's pressure but you try not to let it consume you, 809 00:42:53,760 --> 00:42:56,400 'cause I'm the songwriter, that's why I have to write the songs. 810 00:42:56,480 --> 00:42:59,600 Imagine I never wrote a song again, what the fuck would we do? 811 00:43:00,280 --> 00:43:02,120 The worst thing about it is putting myself 812 00:43:02,200 --> 00:43:04,440 under pressure in my own brain. 813 00:43:04,520 --> 00:43:08,200 [gentle music] 814 00:43:08,280 --> 00:43:12,000 But I think it's a good enough amount to drive you. 815 00:43:14,680 --> 00:43:18,520 [Myles] When you're away from home for, like, a long period of time, 816 00:43:18,600 --> 00:43:20,320 that can be a bit shit sometimes. 817 00:43:20,400 --> 00:43:22,360 Just missing your friends and your family 818 00:43:22,440 --> 00:43:24,160 and your girlfriend and that kind of things. 819 00:43:24,240 --> 00:43:27,480 But that comes with anything, that's just being away. 820 00:43:27,560 --> 00:43:29,320 That's got nothing to do with being in a band. 821 00:43:29,960 --> 00:43:31,560 I think it's broke. 822 00:43:31,640 --> 00:43:33,640 [Emily] I thought it was the other one that broke. 823 00:43:34,120 --> 00:43:35,280 [Myles] This is the other one. 824 00:43:36,200 --> 00:43:37,560 How long am I away for? 825 00:43:38,600 --> 00:43:40,080 It's nine days, isn't it? 826 00:43:40,160 --> 00:43:42,760 ["Like Gravity" by Blossoms] 827 00:43:46,600 --> 00:43:50,760 [Josh] Life on the bus, it's one of my favorite places to be, the tour bus. 828 00:43:50,840 --> 00:43:53,080 [Tom] You can take the party wherever you want. 829 00:43:54,840 --> 00:43:57,800 [Myles] There's something about it, when you first get in bed. 830 00:43:58,400 --> 00:44:00,280 When you used to have sleepovers or go camping, 831 00:44:00,360 --> 00:44:02,880 you kick your legs in the bed, you get dead excited, it's like that. 832 00:44:02,960 --> 00:44:04,320 It's like a big sleepover. 833 00:44:04,400 --> 00:44:05,520 Try to eat without your hands. 834 00:44:05,600 --> 00:44:07,200 And that's the first night, after two weeks 835 00:44:07,280 --> 00:44:08,840 with 16 lads on the tour bus, it's hanging. 836 00:44:08,920 --> 00:44:11,880 Proper lad bus, isn't it? It's stunk of ass. 837 00:44:11,960 --> 00:44:14,120 Everyone's on the beers playing Fifa. 838 00:44:14,200 --> 00:44:16,080 -[Tom] Yeah, fun fact for you. -[Joe] Here we go. 839 00:44:16,160 --> 00:44:19,080 Oldest logo in the world, Stella. 840 00:44:20,200 --> 00:44:21,880 [Tom] When you've been on a bus for a few days 841 00:44:21,960 --> 00:44:24,240 and you've got to have a shower in a venue, it can get annoying. 842 00:44:24,320 --> 00:44:26,640 They think it's mint backstage and the showers are class, 843 00:44:26,720 --> 00:44:28,240 it's just a fiberglass box, isn't it? 844 00:44:28,920 --> 00:44:31,040 -All right these showers, aren't they? -What? 845 00:44:31,120 --> 00:44:33,200 [Tom] On the whole, it's fun. 846 00:44:33,280 --> 00:44:34,600 [Josh] It's wake up in the morning, 847 00:44:34,680 --> 00:44:37,640 have a coffee and go and explore whichever city you're in. 848 00:44:37,720 --> 00:44:40,200 And then you're back to this home on wheels, 849 00:44:40,280 --> 00:44:42,040 it's a really special place, I think. 850 00:44:42,120 --> 00:44:45,160 [Charlie] Joe always ribs me for speaking to the drivers, getting their numbers 851 00:44:45,240 --> 00:44:47,040 and texting them on a regular basis. 852 00:44:47,120 --> 00:44:49,240 Why are you texting our bus drivers? 853 00:44:49,720 --> 00:44:51,480 He's a fucking normal guy. 854 00:44:51,560 --> 00:44:54,400 [Charlie] I'm an old soul. And I just get on with everyone, I suppose. 855 00:44:54,480 --> 00:44:55,760 -Take care. -Cheers. 856 00:44:55,840 --> 00:44:57,040 Have a nice night. 857 00:45:01,560 --> 00:45:05,520 ["If You Think This Is Real Life" by Blossoms] 858 00:45:05,600 --> 00:45:08,160 Welcome to Vancouver. Have a great, wonderful day. 859 00:45:08,240 --> 00:45:10,000 Where should we go? What do you fancy doing? 860 00:45:10,080 --> 00:45:12,840 Traveling is something that when I was growing up, 861 00:45:12,920 --> 00:45:15,160 I hated, I'm a proper home bird. 862 00:45:15,240 --> 00:45:17,200 But traveling with your mates in a band 863 00:45:17,280 --> 00:45:18,520 is the best thing ever. 864 00:45:19,760 --> 00:45:22,400 Just traveling around and playing music that you've made 865 00:45:22,480 --> 00:45:25,360 and other people enjoying it in front of you. 866 00:45:25,440 --> 00:45:27,160 It's just, yeah, it's just all around good. 867 00:45:30,720 --> 00:45:33,400 [Tom] It was like a school trip but as an adult in a way. 868 00:45:34,960 --> 00:45:36,680 We're hitting up Niagara Falls. 869 00:45:36,760 --> 00:45:38,400 [Josh] It's something you always dream of 870 00:45:38,480 --> 00:45:40,200 as a kid to travel the world, 871 00:45:40,280 --> 00:45:43,040 tour the world for a living. 872 00:45:43,120 --> 00:45:44,720 You sometimes got to pinch yourself. 873 00:45:44,800 --> 00:45:47,120 ["My Swimming Brain" by Blossoms] 874 00:45:51,880 --> 00:45:54,240 [Tom] That's one of the fondest memories, I've been in a band, 875 00:45:54,320 --> 00:45:57,160 being in a really unknown city where everything's different 876 00:45:57,240 --> 00:46:00,800 to, like, Stockport and being at home, like, Japan, we've been there a few times. 877 00:46:00,880 --> 00:46:03,840 And that springs to mind as one of our favorite places. 878 00:46:06,480 --> 00:46:09,120 I'm usually the one finding restaurants on my phone 879 00:46:09,200 --> 00:46:10,640 and any city we've played in, 880 00:46:10,720 --> 00:46:12,920 I've Googled, best bolognese in... 881 00:46:13,000 --> 00:46:15,160 [Joe] There's something about it, everywhere we go, 882 00:46:15,240 --> 00:46:18,000 it's the only thing we can all agree on. 883 00:46:18,080 --> 00:46:19,800 Check this out for a review. 884 00:46:22,080 --> 00:46:24,920 Their homemade tagliatelle with bolognese is great. 885 00:46:25,000 --> 00:46:26,240 Must be good then. 886 00:46:26,320 --> 00:46:28,600 [laughing] 887 00:46:29,520 --> 00:46:31,440 Very nice Ragu, yeah. 888 00:46:33,440 --> 00:46:35,440 [Charlie] It's very strange when you come back 889 00:46:35,520 --> 00:46:38,480 from touring, say if you've been away for two, three weeks, 890 00:46:38,560 --> 00:46:39,920 and then you come back to Stockport. 891 00:46:40,000 --> 00:46:42,200 It's a really strange feeling coming back to normality. 892 00:46:42,280 --> 00:46:43,520 ♪ I'm a stranger ♪ 893 00:46:43,600 --> 00:46:45,920 It's a weird one because you get knackered on tour. 894 00:46:46,000 --> 00:46:48,720 And then when you're off the tour, you're desperate to be back on tour. 895 00:46:48,800 --> 00:46:51,720 And not a lot of people understand that feeling 896 00:46:51,800 --> 00:46:54,840 and they kind of brush it off as something that's normal, 897 00:46:54,920 --> 00:46:57,600 but it's quite difficult to come back and adapt 898 00:46:57,680 --> 00:46:59,960 to normal life when you've been 899 00:47:00,040 --> 00:47:03,000 in the middle of screaming fans, looking at you. 900 00:47:03,080 --> 00:47:05,120 But I wouldn't change it for anything. 901 00:47:05,760 --> 00:47:07,520 This song's called "Blown Rose," everybody. 902 00:47:07,600 --> 00:47:09,680 [audience cheering] 903 00:47:23,760 --> 00:47:26,680 ♪ I made my wish a rose ♪ 904 00:47:28,040 --> 00:47:29,800 ♪ Covered in old spangles ♪ 905 00:47:29,880 --> 00:47:34,840 ♪ Beside a river flows ♪ 906 00:47:34,920 --> 00:47:38,400 ♪ Felicia, I miss you ♪ 907 00:47:38,480 --> 00:47:41,680 ♪ The stately homes of England ♪ 908 00:47:41,760 --> 00:47:44,760 ♪ How beautiful they stand ♪ 909 00:47:45,800 --> 00:47:50,200 ♪ 'Cause lately it's a lonely love, I know ♪ 910 00:47:50,280 --> 00:47:56,680 ♪ Blown rose, girl ♪ 911 00:47:56,760 --> 00:47:59,320 ♪ I made my wish a rose ♪ 912 00:48:00,880 --> 00:48:02,920 ♪ Wrapped in desire ♪ 913 00:48:03,000 --> 00:48:06,680 ♪ She cries let me know ♪ 914 00:48:07,840 --> 00:48:11,080 ♪ Felicia, where are you? ♪ 915 00:48:11,160 --> 00:48:14,880 ♪ The stately homes of England ♪ 916 00:48:14,960 --> 00:48:17,760 ♪ How beautiful they stand ♪ 917 00:48:18,560 --> 00:48:23,040 ♪ 'Cause lately it's a lonely love, I know ♪ 918 00:48:23,120 --> 00:48:28,600 ♪ Blown rose, girl ♪ 919 00:48:38,320 --> 00:48:40,160 [Myles] What we do we take very seriously. 920 00:48:40,240 --> 00:48:42,920 There's a side to us which is very banded, 921 00:48:43,000 --> 00:48:46,040 we want this to be as perfect 922 00:48:46,120 --> 00:48:47,600 as we can possible make it this time. 923 00:48:47,680 --> 00:48:52,400 Are you going to be leaving the straps on a stand? 924 00:48:52,480 --> 00:48:54,520 But then on the flip side, when we're not doing that. 925 00:48:54,600 --> 00:48:56,920 We're just being us. 926 00:48:58,440 --> 00:49:00,800 -I've started wearing nipple stickers. -Nipple stickers? 927 00:49:00,880 --> 00:49:02,560 [Myles] They're always fucking poking out. 928 00:49:02,640 --> 00:49:04,520 [Josh] I'd like to think that people perceive us 929 00:49:04,600 --> 00:49:07,560 as regular people, because that's just what we are. 930 00:49:08,360 --> 00:49:11,400 Just doing a bit of a strange job. 931 00:49:11,480 --> 00:49:14,680 ♪ Thought maybe we'd go out for a movie ♪ 932 00:49:14,760 --> 00:49:16,960 [Charlie] When you get picked up by a major record label, 933 00:49:17,040 --> 00:49:20,080 they try and morph you into someone that you're not. 934 00:49:21,280 --> 00:49:23,440 Whereas we've been quite fortunate. 935 00:49:23,520 --> 00:49:26,640 And our label have kind of left us to our own devices. 936 00:49:26,720 --> 00:49:29,960 ["The Keeper" by Blossoms] 937 00:49:30,040 --> 00:49:33,200 Yeah, we've kind of had a lot of creative freedom, 938 00:49:33,280 --> 00:49:36,800 which has helped us out massively and done us a lot of favors. 939 00:49:40,040 --> 00:49:41,960 That's really important, I think, in a band. 940 00:49:48,040 --> 00:49:49,600 [audience cheering] 941 00:49:49,680 --> 00:49:51,920 For the people that matter, I think we're well respected. 942 00:49:52,000 --> 00:49:54,720 Let's have a round of applause for Charlie Salt on the bass guitar. 943 00:49:54,800 --> 00:49:57,800 [Charlie] We've always had big praise from BBC, for example. 944 00:49:57,880 --> 00:50:00,280 Ever since we were on the sound poll and things like that. 945 00:50:00,920 --> 00:50:03,600 I know a few peers who have spoke to us, Noel 946 00:50:03,680 --> 00:50:06,600 or Paul Weller or Alex Turner. 947 00:50:06,680 --> 00:50:08,960 They've all said lovely things about us, which is mad. 948 00:50:09,040 --> 00:50:11,560 'Cause they're huge idols in my eyes. 949 00:50:11,640 --> 00:50:14,360 [Charlie] If they're into you, you're doing something right. 950 00:50:14,440 --> 00:50:15,640 We've seen Charlie Sheen. 951 00:50:15,720 --> 00:50:17,920 John Levinson's chilling over there. 952 00:50:18,000 --> 00:50:19,880 [people chattering] 953 00:50:19,960 --> 00:50:22,040 Stockport's finest are here. 954 00:50:22,120 --> 00:50:23,720 We don't really fit in, do we? 955 00:50:24,200 --> 00:50:26,520 It's just weird when someone like Noel invites you on a tour, 956 00:50:26,600 --> 00:50:28,520 you can see him side stage watching you. 957 00:50:28,600 --> 00:50:30,440 You are just there thinking, this is mad. 958 00:50:30,520 --> 00:50:32,400 But then the other part of you is like, 959 00:50:32,480 --> 00:50:35,600 I work so hard, 'cause I want to get to that level. 960 00:50:35,680 --> 00:50:38,560 [Josh] Until you meet people and you spend a bit of time with them, 961 00:50:38,640 --> 00:50:41,600 they are just, like, figures that you see on stage. 962 00:50:41,680 --> 00:50:43,800 Then you realize, oh, they're just regular people 963 00:50:43,880 --> 00:50:48,240 that eat soup or drink soup, do you drink or eat soup? 964 00:50:48,320 --> 00:50:50,800 One of the two, but they're just regular people, you know? 965 00:50:54,120 --> 00:50:55,440 ["Cool Like You" by The Blossoms] 966 00:50:55,520 --> 00:50:57,640 ♪ Cool like you ♪ 967 00:50:58,600 --> 00:51:01,960 ♪ To be or not to be, I feel my blues ♪ 968 00:51:02,040 --> 00:51:05,800 It's just always appealed to a kind of, like, a wide audience. 969 00:51:05,880 --> 00:51:07,560 We've always had the Muse always at the back 970 00:51:07,640 --> 00:51:11,200 and then the young people who go mental at the front, from the beginning. 971 00:51:11,280 --> 00:51:13,680 [Tom] The younger fans are there because we're current. 972 00:51:13,760 --> 00:51:15,560 [woman] Okay, I'll sit down with you. 973 00:51:15,640 --> 00:51:17,680 [Tom] I think the older fans are there because, 974 00:51:17,760 --> 00:51:21,280 I think it's because the music is very cross-generational 975 00:51:21,360 --> 00:51:22,920 and it's not niche in a way, 976 00:51:23,000 --> 00:51:25,080 it's kind of just great melodies and honest, 977 00:51:25,160 --> 00:51:26,880 classic pop songwriting. 978 00:51:26,960 --> 00:51:30,600 -Blossoms, look it up, enjoy. -[cameraman] Blossoms. 979 00:51:30,680 --> 00:51:32,400 Double tap for the like. 980 00:51:32,480 --> 00:51:34,440 Fans of them bands from the '60s 981 00:51:34,520 --> 00:51:36,920 will hear bits from there and they'll like it. 982 00:51:37,000 --> 00:51:39,880 Then these modern twists that kids will be into. 983 00:51:39,960 --> 00:51:42,040 Then these kids who are into all that old stuff as well. 984 00:51:42,120 --> 00:51:44,160 So I think the parents are into that music. 985 00:51:44,240 --> 00:51:46,080 Then the kids become into that music 986 00:51:46,160 --> 00:51:48,120 and then it just kind of lives on and keeps going. 987 00:51:48,200 --> 00:51:50,720 These lyrics don't just appeal to 16 year old girls 988 00:51:50,800 --> 00:51:54,800 or 40 year old men, they appeal to the masses. 989 00:51:54,880 --> 00:51:57,440 ♪ And it's everywhere she goes ♪ 990 00:51:57,520 --> 00:52:03,400 ♪ I don't know if it's you that she wants ♪ 991 00:52:03,480 --> 00:52:05,240 Sometimes we'll get recognized in the street. 992 00:52:05,320 --> 00:52:08,200 Or you'll get people coming up for pictures, and what have you. 993 00:52:08,280 --> 00:52:10,400 She came up and she was shaking, this girl. 994 00:52:10,480 --> 00:52:13,240 She was like, "I can't believe you're here, in the Trafford Center." 995 00:52:13,320 --> 00:52:17,280 I was like, "Why?" Just doing a bit of shopping. 996 00:52:17,360 --> 00:52:20,000 [people chattering] 997 00:52:20,080 --> 00:52:23,440 Blossoms? Really quick, can I see your thing? 998 00:52:23,520 --> 00:52:26,240 Can I see your bus? What if we come into Manchester and visit. 999 00:52:26,320 --> 00:52:29,280 -[fan] How was your flight, Tom? -You know what, it was really good. 1000 00:52:29,360 --> 00:52:30,520 I even fell asleep. 1001 00:52:30,600 --> 00:52:32,000 Come here, come here. 1002 00:52:32,080 --> 00:52:33,920 Why are doing a live stream here? 1003 00:52:34,000 --> 00:52:36,280 Can you say hi to my sister? 1004 00:52:36,360 --> 00:52:37,880 She's called Arimenta. 1005 00:52:37,960 --> 00:52:39,360 -What's her name? -Arimenta. 1006 00:52:39,440 --> 00:52:40,600 -Arimenta? -Yeah. 1007 00:52:40,680 --> 00:52:42,440 Hello, Arimenta, nice to see you. 1008 00:52:42,520 --> 00:52:45,240 Could you possibly sign my chin? Thanks, Myles. 1009 00:52:45,320 --> 00:52:48,600 [speaking Japanese] 1010 00:52:48,680 --> 00:52:51,560 [Josh] When we go to Japan, they print out masks 1011 00:52:51,640 --> 00:52:54,760 with Myles' head on it and come to the gig as Myles. 1012 00:52:55,600 --> 00:52:58,920 Which is endearing and also slightly terrifying. 1013 00:53:02,000 --> 00:53:04,000 I've been a fan and I've waited for a band 1014 00:53:04,080 --> 00:53:05,960 behind the stage door and I'm like, 1015 00:53:06,040 --> 00:53:07,680 "Are they going to come out, are they not?" 1016 00:53:09,080 --> 00:53:11,120 [fan] Joe Donovan, wave to Donovan. 1017 00:53:11,200 --> 00:53:13,520 [laughing] Wow! 1018 00:53:14,800 --> 00:53:17,640 I absolutely love going out there and just speaking to people. 1019 00:53:17,720 --> 00:53:19,160 It just blows my head that, you know, 1020 00:53:19,240 --> 00:53:22,040 someone would want, someone would want me to go out there 1021 00:53:22,120 --> 00:53:24,600 and say hi to them. Or sign something for them. 1022 00:53:24,680 --> 00:53:26,920 I don't know, it means a lot to me. 1023 00:53:27,000 --> 00:53:30,240 ["Charlemagne" by Blossoms] 1024 00:53:30,320 --> 00:53:33,200 [Tom] My fans probably like us, I would like to think it's because it's-- 1025 00:53:33,280 --> 00:53:36,000 we are like a gang, you can tell we're mates. 1026 00:53:36,080 --> 00:53:38,120 When I see some bands I can see through it. 1027 00:53:38,200 --> 00:53:40,520 I think, you're not mates, you don't hang out with each other, 1028 00:53:40,600 --> 00:53:42,040 whereas we do. 1029 00:53:42,120 --> 00:53:44,320 [Charlie] We do have a laugh and we do have a drink, 1030 00:53:44,400 --> 00:53:48,840 but it's not like, you'll never see Josh throwing a fucking TV out of a window. 1031 00:53:48,920 --> 00:53:50,800 That's just not what we are. 1032 00:53:51,280 --> 00:53:55,920 Just going to go out and party now... like always. 1033 00:53:56,000 --> 00:53:57,960 I don't fit into the rock and roll world. 1034 00:53:58,040 --> 00:54:00,800 I just-- I'll do the gig. You know what I mean? I'll do the gig. 1035 00:54:00,880 --> 00:54:03,840 Then I'll watch Antiques Roadshow or something. 1036 00:54:03,920 --> 00:54:06,840 [jaunty classical music] 1037 00:54:06,920 --> 00:54:08,600 -I've found something interesting. -Okay. 1038 00:54:08,680 --> 00:54:09,640 And also there's a... 1039 00:54:09,720 --> 00:54:13,160 How we are as people is literally just how we are as people. 1040 00:54:13,240 --> 00:54:17,080 So, me talking in front of the camera or me at home, 1041 00:54:17,160 --> 00:54:19,520 looking at '70s pottery on eBay, 1042 00:54:19,600 --> 00:54:22,320 it's the same, it's the same person, do you know what I mean? 1043 00:54:24,280 --> 00:54:26,320 [Tom] This song's called "Getaway," everyone. 1044 00:54:35,120 --> 00:54:39,320 ♪ Your room, I leave wide door open for me ♪ 1045 00:54:40,200 --> 00:54:42,040 ♪ Dead leaves upon the grass ♪ 1046 00:54:42,120 --> 00:54:46,560 ♪ I walk myself clean through 70 dreams ♪ 1047 00:54:47,120 --> 00:54:49,800 ♪ We broke like a paper seam ♪ 1048 00:54:49,880 --> 00:54:52,640 ♪ But when it breaks don't cry ♪ 1049 00:54:52,720 --> 00:54:56,640 ♪ I'll always hold some place for you ♪ 1050 00:54:56,720 --> 00:54:58,280 ♪ I'm over you ♪ 1051 00:54:58,360 --> 00:55:03,400 [audience chanting] 1052 00:55:11,000 --> 00:55:14,120 [Josh] I really don't think we would be where we are now 1053 00:55:14,200 --> 00:55:15,960 and have done the things we've done 1054 00:55:16,040 --> 00:55:18,920 if we weren't so-- so tight and close. 1055 00:55:19,000 --> 00:55:23,240 It just happens to be the rarest combination of five people 1056 00:55:23,320 --> 00:55:25,560 that it just somehow works, you know. 1057 00:55:26,680 --> 00:55:31,400 I've known Tom all my life. He's like the nicest person I know. 1058 00:55:31,480 --> 00:55:33,920 The most loyal sort of caring guy 1059 00:55:34,000 --> 00:55:35,360 I've ever met in my life. 1060 00:55:36,520 --> 00:55:38,560 [Josh] He's always been like a big hero of mine, Tom. 1061 00:55:38,640 --> 00:55:40,600 He was always doing the creative stuff in school, 1062 00:55:40,680 --> 00:55:42,560 he used to make films and stuff, as well. 1063 00:55:42,640 --> 00:55:44,440 As well as the music side of things. 1064 00:55:44,520 --> 00:55:47,320 [Charlie] Tom's very, very honest. He wears his heart on his sleeve. 1065 00:55:47,400 --> 00:55:49,560 It's a good trait, that, I like it. 1066 00:55:53,280 --> 00:55:56,200 [Tom] We are very much a democracy and we talk about stuff 1067 00:55:56,280 --> 00:55:58,760 -and we're all honest with each other. -Get rid of it. 1068 00:55:58,840 --> 00:56:01,480 There comes times when someone has to just take the lead. 1069 00:56:01,560 --> 00:56:03,720 First half of that was good on the last take. 1070 00:56:03,800 --> 00:56:06,280 And whether that comes from because I write the songs. 1071 00:56:07,680 --> 00:56:10,640 And it's naturally ingrained in that way, over the years. 1072 00:56:10,720 --> 00:56:13,000 Sometimes it's needed to be like that. 1073 00:56:13,680 --> 00:56:17,320 It's not like I rule and I say this, it's not like that at all. 1074 00:56:18,000 --> 00:56:20,800 I'd say, I'm the leader but I'm not the loudest. 1075 00:56:22,120 --> 00:56:24,440 The loudest, the most honest is Joe. 1076 00:56:24,520 --> 00:56:25,880 [laughing] 1077 00:56:25,960 --> 00:56:28,000 [Josh] You hear his laugh before anything else. 1078 00:56:28,080 --> 00:56:31,200 Even if you're from Manchester, you got to laugh sometimes, right? 1079 00:56:31,280 --> 00:56:33,160 Do you not think Manchester people have a laugh? 1080 00:56:33,240 --> 00:56:35,640 -We're serious people, right? -Do you reckon? 1081 00:56:35,720 --> 00:56:38,360 [Josh] You know, Joe's very intense 1082 00:56:38,440 --> 00:56:40,640 and sort of business driven. 1083 00:56:40,720 --> 00:56:43,160 Which works entirely in our favor. 1084 00:56:43,240 --> 00:56:44,760 He just gets shit done. 1085 00:56:45,360 --> 00:56:46,800 Just put all my lot together. 1086 00:56:46,880 --> 00:56:49,120 He's the reason why we rehearsed so much in the early days 1087 00:56:49,200 --> 00:56:50,880 and, like, that drive and stuff. 1088 00:56:50,960 --> 00:56:53,680 Which is good. It's kind of having someone 1089 00:56:53,760 --> 00:56:56,120 who's a fan of the band in the band. 1090 00:56:56,720 --> 00:56:59,240 [Joe] I think sometimes the lads get annoyed at me about it. 1091 00:56:59,320 --> 00:57:01,720 But I sort of second or question everything. 1092 00:57:01,800 --> 00:57:04,360 Even if other people are thinking it, he'll be the one to say it. 1093 00:57:04,440 --> 00:57:06,440 [Myles] Joe likes winding people up, don't he? 1094 00:57:06,520 --> 00:57:09,080 That's his thing, I think he gets bored. 1095 00:57:09,640 --> 00:57:12,080 Wind someone up, then he laughs. 1096 00:57:13,240 --> 00:57:15,600 -What's this, Myles? -You can make your own maps. 1097 00:57:15,680 --> 00:57:18,600 Super Mario maker. It's not even fucking-- it's not working. 1098 00:57:18,680 --> 00:57:21,040 You can make your own maps, Super Mario maker. [laughs] 1099 00:57:21,120 --> 00:57:23,640 Well, you asked me and I replied, didn't I? 1100 00:57:23,720 --> 00:57:26,000 Even I know it's annoying, but I do it with the best interest. 1101 00:57:26,080 --> 00:57:27,360 Almost like a family. 1102 00:57:29,480 --> 00:57:33,000 [Joe] In an interview or something like that, Myles is the quietest. 1103 00:57:33,080 --> 00:57:35,360 -I think, not a lot-- -He'll be threatened to do it for a while. 1104 00:57:35,440 --> 00:57:38,400 But then if we were in the studio sort of recording a demo, 1105 00:57:38,480 --> 00:57:40,880 Myles is, like, very upfront and very honest. 1106 00:57:40,960 --> 00:57:43,320 Have you got a transient on that? 1107 00:57:43,400 --> 00:57:46,480 [Joe] Myles is mint in recording. The stuff he adds and stuff, 1108 00:57:46,560 --> 00:57:49,920 he's got a great ear for complementing Tom's songwriting. 1109 00:57:50,000 --> 00:57:52,440 -I'll leave it till about 30 seconds. -What it is is knowing... 1110 00:57:52,520 --> 00:57:54,760 His brain works a little differently to everyone else's. 1111 00:57:54,840 --> 00:57:56,360 He's just funny, got funny bones. 1112 00:57:59,440 --> 00:58:01,880 He can be odd, but in a lovable way. 1113 00:58:01,960 --> 00:58:04,040 He's probably the most insane. 1114 00:58:06,920 --> 00:58:09,880 [electronic dance voice] 1115 00:58:09,960 --> 00:58:12,040 You kind of melt with your face. 1116 00:58:12,120 --> 00:58:16,600 I'm a bruised banana with a golden heart, golden locks, golden friends, man. 1117 00:58:16,680 --> 00:58:19,720 I've got a $20 note with gold upon it. 1118 00:58:19,800 --> 00:58:23,360 -Louis Theroux. [yelling] -[laughing] 1119 00:58:24,760 --> 00:58:27,000 [Tom] But then, Josh has got his own quirks as well. 1120 00:58:27,080 --> 00:58:30,160 Josh, he's very alternative in a way. 1121 00:58:30,240 --> 00:58:32,440 Trees, plants, rocks and minerals. 1122 00:58:32,520 --> 00:58:35,920 He used to have a pasta with salt for tea, 1123 00:58:36,000 --> 00:58:38,000 when he was a kid. It's like, who has that? [laughs] 1124 00:58:40,280 --> 00:58:42,240 [Charlie] He doesn't need to speak to make you laugh. 1125 00:58:42,320 --> 00:58:45,840 He's the unofficial Charlie Chaplin of Stockport. 1126 00:58:45,920 --> 00:58:48,120 Really intelligent guy, great musician. 1127 00:58:49,440 --> 00:58:51,080 [Tom] Josh is a gifted musician. 1128 00:58:51,160 --> 00:58:53,240 [Joe] He seems to pick things up like straight away 1129 00:58:53,320 --> 00:58:55,880 or it seems like, and that's what the really genius part. 1130 00:58:55,960 --> 00:58:58,520 He'll always compliment a tune. 1131 00:58:58,600 --> 00:59:00,760 [drum and piano playing] 1132 00:59:02,640 --> 00:59:07,160 I like to think I'm the glue that holds everyone together. 1133 00:59:08,160 --> 00:59:10,760 Father figure of the band, hence my age. 1134 00:59:10,840 --> 00:59:13,440 [Josh] But Charles is a proper big brother kind of guy. 1135 00:59:13,520 --> 00:59:15,400 He's kind of always had me under his wing. 1136 00:59:16,040 --> 00:59:18,000 [Charlie] Good for morale, or the night out, 1137 00:59:18,560 --> 00:59:21,440 shoulder to cry on. [laughing] 1138 00:59:21,520 --> 00:59:23,680 [Myles] He's a good looking guy, isn't he? 1139 00:59:24,880 --> 00:59:26,360 [Joe] He's always got a big smile on him. 1140 00:59:26,440 --> 00:59:28,920 [Tom] He's just, like, a pleasure to be around. 1141 00:59:29,000 --> 00:59:32,480 And just, when he walks into the room, it just kind of, like-- the mood lifts. 1142 00:59:32,760 --> 00:59:35,400 He's always up for going out, seeing the city you're in. 1143 00:59:35,480 --> 00:59:37,440 He's just always up for, you know, a laugh. 1144 00:59:39,080 --> 00:59:41,160 It's always nice in April, isn't it? Land or no. 1145 00:59:41,240 --> 00:59:44,320 [Myles] They're bad jokes, but they're good jokes because they're bad. 1146 00:59:44,840 --> 00:59:46,600 We liked him because of that. 1147 00:59:46,680 --> 00:59:48,800 It's lovely this time of year, Blackpool, isn't it? 1148 00:59:49,360 --> 00:59:50,600 [Joe] You are a dad. 1149 00:59:52,520 --> 00:59:55,760 [Tom] Probably the best bass player I've ever witnessed. 1150 00:59:55,840 --> 00:59:57,920 [Myles] The only person on bass I reckon is better, 1151 00:59:58,000 --> 00:59:59,720 is the bass player from Chic. 1152 00:59:59,800 --> 01:00:02,160 It's on par though, it's on par, do you know what I mean? 1153 01:00:03,160 --> 01:00:04,960 You're a proper organ player if you can do that. 1154 01:00:05,040 --> 01:00:06,800 We all just balance each other out 1155 01:00:06,880 --> 01:00:09,120 and it's just nature. 1156 01:00:09,640 --> 01:00:12,280 [Charlie] You look through history, you see all these bands 1157 01:00:12,360 --> 01:00:15,640 that are kicking off with each other every five minutes. They never last, do they? 1158 01:00:15,720 --> 01:00:17,720 I think we've got something quite special. 1159 01:00:17,800 --> 01:00:20,760 We all get on. We've all got the same sense of humor, which is warped. 1160 01:00:20,840 --> 01:00:22,760 But you know, it works. 1161 01:00:22,840 --> 01:00:25,440 You need the humor, you need the camaraderie and stuff. 1162 01:00:25,520 --> 01:00:28,640 Definitely works when you're on the road and you're spending sort of, like, 1163 01:00:28,720 --> 01:00:30,720 three weeks with each other in each other's pocket. 1164 01:00:30,800 --> 01:00:32,880 [Joe] I think with us, it's like the next extreme, 1165 01:00:32,960 --> 01:00:35,800 because we sort of go on tours and we come back in the rehearsal room. 1166 01:00:35,880 --> 01:00:38,600 But then even in our own time, we still see a lot of each other. 1167 01:00:38,680 --> 01:00:40,520 -Squirt it in. -Spit it. 1168 01:00:41,480 --> 01:00:44,400 It's like a relationship, but it's between five dudes. 1169 01:00:44,480 --> 01:00:45,720 -What we got? -What we do doing? 1170 01:00:45,800 --> 01:00:48,360 Joe's dad's building a new fence, I don't know why. 1171 01:00:48,440 --> 01:00:49,960 [laughing] 1172 01:00:50,520 --> 01:00:52,280 [unintelligible] 1173 01:00:53,800 --> 01:00:55,000 [Josh] When there's five of you... 1174 01:00:55,080 --> 01:00:56,080 Fuck me, that. 1175 01:00:56,160 --> 01:00:57,800 ...there's a lot of shit going on. 1176 01:00:58,400 --> 01:01:00,320 [audience cheering] 1177 01:01:02,120 --> 01:01:05,120 [people chattering] 1178 01:01:05,200 --> 01:01:08,840 I played the first chord and it was all out of tune. 1179 01:01:10,240 --> 01:01:11,760 Thank you very much. 1180 01:01:15,920 --> 01:01:18,160 Yay, but keys issues, so. 1181 01:01:18,240 --> 01:01:19,240 I can't stop it. 1182 01:01:21,480 --> 01:01:24,680 We've just gone into a gig without anything being checked prior. 1183 01:01:25,320 --> 01:01:27,360 -And something's gone wrong. -[Joe] Hence the B-rig. 1184 01:01:27,440 --> 01:01:29,360 Yeah, and the B-rig wasn't set up. 1185 01:01:29,440 --> 01:01:32,040 There's always going to be arguments over something, 1186 01:01:32,120 --> 01:01:35,160 whether it's what time we should be leaving to go somewhere 1187 01:01:35,240 --> 01:01:38,520 or whether it's this, or whatever you're arguing about. 1188 01:01:38,600 --> 01:01:40,200 I completely disagree with you. 1189 01:01:40,280 --> 01:01:42,760 You don't know what you're talking about. We need a rig tech. 1190 01:01:42,840 --> 01:01:46,320 If someone's annoyed about something or, you know... 1191 01:01:47,400 --> 01:01:48,440 they'll speak up and say it. 1192 01:01:48,520 --> 01:01:50,320 In the future, we need a production day 1193 01:01:50,400 --> 01:01:51,920 -to sort things out. -Listen-- 1194 01:01:52,000 --> 01:01:54,000 We have an argument, we have it out, and that's it. 1195 01:01:54,080 --> 01:01:56,680 You find out your closest mates are the ones you can be honest with. 1196 01:01:56,760 --> 01:01:58,600 Exactly, it's fucking stupid! 1197 01:01:59,200 --> 01:02:01,840 When you're not friends, that's when things can get tricky. 1198 01:02:01,920 --> 01:02:03,600 [Myles] It didn't fucking work. 1199 01:02:07,600 --> 01:02:09,440 I'd like to see you on everyone's shoulders, if-- 1200 01:02:10,120 --> 01:02:11,720 if you can do it, let's get everyone up. 1201 01:02:13,480 --> 01:02:15,960 [guitar strumming] 1202 01:02:18,160 --> 01:02:21,000 Now, this is a song about heartbreak, Edgeley Park. 1203 01:02:23,040 --> 01:02:24,960 This song's called "My Favourite Room." 1204 01:02:41,120 --> 01:02:43,840 ♪ My friends tell me that I'm stupid ♪ 1205 01:02:43,920 --> 01:02:47,960 ♪ I should be alone without you ♪ 1206 01:02:48,040 --> 01:02:50,920 ♪ It's no fun ♪ 1207 01:02:52,360 --> 01:02:54,760 ♪ I don't think I'm thinking straight ♪ 1208 01:02:54,840 --> 01:02:59,520 ♪ I don't think I want to wait alone, ♪ 1209 01:02:59,600 --> 01:03:02,240 ♪ Without you ♪ 1210 01:03:03,320 --> 01:03:07,480 ♪ With you ♪ 1211 01:03:07,560 --> 01:03:10,560 ♪ How do I feel? ♪ 1212 01:03:14,520 --> 01:03:18,720 ♪ With you ♪ 1213 01:03:18,800 --> 01:03:23,080 ♪ You make it so real ♪ 1214 01:03:24,920 --> 01:03:30,320 ♪ When you were mine, you were so kind ♪ 1215 01:03:30,920 --> 01:03:33,560 ♪ But you went and changed your mind ♪ 1216 01:03:33,640 --> 01:03:39,000 ♪ And now I don't know what I should do with you ♪ 1217 01:03:43,480 --> 01:03:46,400 ♪ You would tell me everyday ♪ 1218 01:03:46,480 --> 01:03:49,040 ♪ That I'm all yours and it's okay ♪ 1219 01:03:49,120 --> 01:03:53,560 ♪ But no, you don't know ♪ 1220 01:03:54,400 --> 01:03:57,320 ♪ You tell me you know you did wrong ♪ 1221 01:03:57,400 --> 01:04:01,360 ♪ You tell me you know that I belong with you ♪ 1222 01:04:01,440 --> 01:04:04,880 ♪ In my favorite room ♪ 1223 01:04:05,480 --> 01:04:09,720 ♪ With you ♪ 1224 01:04:09,800 --> 01:04:13,760 ♪ How do I feel ♪ 1225 01:04:16,680 --> 01:04:21,040 ♪ With you ♪ 1226 01:04:21,120 --> 01:04:25,040 ♪ You make it so real ♪ 1227 01:04:26,520 --> 01:04:32,120 ♪ 'Cause when you were mine you were so kind ♪ 1228 01:04:32,480 --> 01:04:35,160 ♪ But you went and changed your mind ♪ 1229 01:04:35,240 --> 01:04:39,320 ♪ Did you think how might I feel ♪ 1230 01:04:41,000 --> 01:04:47,480 ♪ Did you think how might I feel, oh no ♪ 1231 01:04:49,240 --> 01:04:52,520 ♪ You're going to get it, girl ♪ 1232 01:05:12,960 --> 01:05:16,600 ♪ With you ♪ 1233 01:05:16,680 --> 01:05:20,320 ♪ I don't know how I feel ♪ 1234 01:05:23,880 --> 01:05:27,200 ♪ With you ♪ 1235 01:05:27,280 --> 01:05:31,760 ♪ You're going to get it, girl ♪ 1236 01:05:33,760 --> 01:05:36,640 ♪ 'Cause if you were mine ♪ 1237 01:05:36,720 --> 01:05:40,160 ♪ I'd treat you so kind ♪ 1238 01:05:40,240 --> 01:05:45,320 ♪ But if you find another lover ♪ 1239 01:05:46,280 --> 01:05:52,320 ♪ Picture me pleasantly ♪ 1240 01:05:52,960 --> 01:05:59,000 ♪ And I'll hold you in my... ♪ 1241 01:06:06,440 --> 01:06:08,720 [audience cheering] 1242 01:06:11,320 --> 01:06:12,680 Thank you very much, everyone. 1243 01:06:15,520 --> 01:06:18,520 [Joe] I love just going at the side of the stage and just watching it. 1244 01:06:18,600 --> 01:06:22,920 My best mate is singing to 15,000 people and he's got them in the palm of his hand. 1245 01:06:24,040 --> 01:06:25,960 And it's just the best feeling ever. 1246 01:06:27,600 --> 01:06:28,720 Amazing. 1247 01:06:29,680 --> 01:06:32,520 [band murmuring together] 1248 01:06:35,560 --> 01:06:36,680 [announcer] The next item... 1249 01:06:36,760 --> 01:06:38,880 This is the Mazda RX7 1985. 1250 01:06:38,960 --> 01:06:42,880 As featured in "I Can't Stand It" video and on the cover of the second record. 1251 01:06:42,960 --> 01:06:45,280 ["I Can't Stand It" by Blossoms] 1252 01:06:45,360 --> 01:06:48,640 So, my granddad, In 1985, he imported it from Japan. 1253 01:06:48,720 --> 01:06:51,240 And I've always been a fan of it. And when I came of age, 1254 01:06:51,320 --> 01:06:54,680 I got it out of the garage, cleaned it up a little bit. And I've had it since. 1255 01:06:55,320 --> 01:06:57,840 ♪ The scenes where you would cry ♪ 1256 01:06:57,920 --> 01:07:00,360 ♪ I'd forget you if I could ♪ 1257 01:07:00,840 --> 01:07:03,400 We're going to pop up and see Granddad John. 1258 01:07:03,960 --> 01:07:06,560 Like I say, you hear him before you see him in the ground. 1259 01:07:06,640 --> 01:07:09,480 Charlie! [laughs] 1260 01:07:09,560 --> 01:07:10,920 Let's go and give him a knock. 1261 01:07:11,000 --> 01:07:13,600 -[John] Charlie, bring your Mazda in here. -[laughs] 1262 01:07:13,680 --> 01:07:16,040 -He's already, already giving it that. -Is he? 1263 01:07:16,120 --> 01:07:17,080 [laughs] 1264 01:07:17,160 --> 01:07:19,360 We always like to think of him as the unofficial 1265 01:07:19,440 --> 01:07:20,720 Mayor of Stockport. 1266 01:07:22,120 --> 01:07:23,840 -[knocking] -[Charlie laughing] 1267 01:07:23,920 --> 01:07:25,600 How are you doing? How are you? 1268 01:07:25,680 --> 01:07:26,960 -All right. -You smell nice. 1269 01:07:27,400 --> 01:07:29,800 -What have you got on? -Bit of Creed, you know. 1270 01:07:29,880 --> 01:07:31,000 [laughing] 1271 01:07:31,080 --> 01:07:34,200 He's kind of one of them characters you'd find in like a Dickens novel 1272 01:07:34,280 --> 01:07:37,040 that just reoccur every now and again. The joke or two. 1273 01:07:37,120 --> 01:07:38,360 I'm here, lads! 1274 01:07:39,000 --> 01:07:40,240 I've got it here. 1275 01:07:40,320 --> 01:07:42,600 I've got your reroutes, County. 1276 01:07:42,680 --> 01:07:45,640 [Charlie] Aside from everything he does for Stockport County. 1277 01:07:45,720 --> 01:07:48,200 And he's done so much for us as a band, 1278 01:07:48,280 --> 01:07:51,560 and he's our, like, he's our mascot and we love him to bits. 1279 01:07:51,640 --> 01:07:54,200 [upbeat rock music] 1280 01:07:54,280 --> 01:07:57,720 When Blossoms did a gig-- are we filming? 1281 01:07:57,800 --> 01:08:00,160 -Yeah. -When Blossoms did a gig-- 1282 01:08:00,240 --> 01:08:02,640 -You don't have to say it like that. -When Blossoms-- 1283 01:08:02,720 --> 01:08:04,160 [both laughing] 1284 01:08:04,240 --> 01:08:05,400 It'll be edited out. 1285 01:08:06,040 --> 01:08:08,480 When Blossoms did a gig at the Bungalow, 1286 01:08:08,560 --> 01:08:11,800 which is next door to County, I organized it. 1287 01:08:12,200 --> 01:08:15,480 And I charged Conrad, the manager, 200 quid. 1288 01:08:16,000 --> 01:08:18,920 And then I had to chase him for three years for the 200 quid. 1289 01:08:19,399 --> 01:08:20,639 He never gave it me. 1290 01:08:21,479 --> 01:08:24,479 So in the end, he's put that frame together 1291 01:08:24,559 --> 01:08:27,080 and put the 200 quid in the bottom that he owes me 1292 01:08:27,160 --> 01:08:28,600 with some nice writing. 1293 01:08:28,680 --> 01:08:31,600 If you count the 200 quid, there's only 180 there. 1294 01:08:31,680 --> 01:08:34,040 He's done me out of 20, again, Conrad. 1295 01:08:34,600 --> 01:08:37,639 [Charlie] I don't think he gets enough credit for what he's done for the band. 1296 01:08:38,600 --> 01:08:40,240 Do you want some more light in here? 1297 01:08:40,800 --> 01:08:44,200 I think you're one of the main catalysts for our success. 1298 01:08:44,280 --> 01:08:46,040 -Do you think so? -100%. Yeah. 1299 01:08:46,120 --> 01:08:49,319 -Everyone in the band would say that. -Oh, that's very nice, that. 1300 01:08:49,399 --> 01:08:52,840 [Tom] We rehearsed at a scaffolding yard. We had a room where we didn't have to pay, 1301 01:08:52,920 --> 01:08:56,319 and it was like our hub and to have that kind of base 1302 01:08:56,399 --> 01:08:58,760 in the really early days, yeah, we're forever grateful. 1303 01:08:59,440 --> 01:09:00,399 Cheers. 1304 01:09:00,479 --> 01:09:02,240 [Charlie] We had some good times in that yard. 1305 01:09:02,319 --> 01:09:04,880 It was only right to have it on the debut album cover. 1306 01:09:07,319 --> 01:09:09,719 I don't think he can ever have imagined early days 1307 01:09:09,800 --> 01:09:12,840 that they would have achieved what they've achieved now. 1308 01:09:12,920 --> 01:09:15,639 It's been great for me to have the involvement with you on it. 1309 01:09:15,719 --> 01:09:17,319 -Of course it has, yeah. -You know. 1310 01:09:17,399 --> 01:09:20,399 I did the one where I'm running on at the start 1311 01:09:20,479 --> 01:09:22,040 to announce the gig, didn't I? 1312 01:09:22,120 --> 01:09:27,080 You're playing here next year, there's a reason why. 1313 01:09:27,160 --> 01:09:28,399 What else have I done? 1314 01:09:28,479 --> 01:09:30,880 I reckon I could get a job at Christmas doing this. 1315 01:09:30,960 --> 01:09:32,840 -Father Christmas. -Phone. 1316 01:09:33,600 --> 01:09:35,120 -[phone ringing] -Phone. 1317 01:09:35,840 --> 01:09:38,120 [laughing] 1318 01:09:38,200 --> 01:09:40,240 I think that was a brilliant video, that. 1319 01:09:40,800 --> 01:09:43,000 [Charlie] Nice thing is, wherever I go, 1320 01:09:43,080 --> 01:09:45,920 specifically in and around Stockport, 1321 01:09:46,000 --> 01:09:48,680 everyone always takes the time to ask how my granddad is. 1322 01:09:49,200 --> 01:09:52,080 And of late, he's had a little bit of ill health. 1323 01:09:52,160 --> 01:09:54,680 And as you get older, you start to appreciate 1324 01:09:55,240 --> 01:09:56,440 quality time with him more. 1325 01:09:57,080 --> 01:09:59,120 [John] I hope we've done something right in the way 1326 01:09:59,200 --> 01:10:01,600 we've brought all our children and grandchildren up. 1327 01:10:01,680 --> 01:10:04,080 We've always found that an important thing. 1328 01:10:04,160 --> 01:10:06,160 [Charlie] You take it for granted when you're young 1329 01:10:06,240 --> 01:10:09,719 but things change, you appreciate who he is as a person a lot more. 1330 01:10:10,280 --> 01:10:11,719 If you understand what I'm saying. 1331 01:10:12,280 --> 01:10:14,440 I've tried to lead my life... 1332 01:10:15,360 --> 01:10:18,960 through a film that I watched when I was a boy 1333 01:10:19,040 --> 01:10:20,840 called, It's A Wonderful Life. 1334 01:10:21,960 --> 01:10:25,240 Very important the way you conduct your lives, you be kind 1335 01:10:25,320 --> 01:10:27,520 and generous and generous of heart. 1336 01:10:27,600 --> 01:10:29,719 You don't have to be generous with money. 1337 01:10:29,800 --> 01:10:33,360 You have to be generous of heart and generous of soul 1338 01:10:34,160 --> 01:10:38,960 to everybody you meet, and make them feel warm and wanted. 1339 01:10:39,040 --> 01:10:40,559 And that they're important. 1340 01:10:40,639 --> 01:10:42,480 -It's not hard, is it? -No, it isn't. 1341 01:10:43,080 --> 01:10:44,280 I'm getting upset now. 1342 01:10:45,680 --> 01:10:46,840 [Charlie] Great heart. 1343 01:10:47,400 --> 01:10:48,600 Great sense of humor. 1344 01:10:49,240 --> 01:10:50,559 He'll do anything for you. 1345 01:10:51,040 --> 01:10:52,600 I mean, he's more than a hero. 1346 01:10:54,520 --> 01:10:57,280 [John] Everybody who asks me about Charlie, they always say, 1347 01:10:57,360 --> 01:10:58,880 "I bet you're dead proud of him." 1348 01:10:58,960 --> 01:11:03,160 And I always say, "I'm more proud of the lad he's turned out 1349 01:11:03,240 --> 01:11:04,920 than anything he's done with the band." 1350 01:11:05,480 --> 01:11:07,000 That's more important. 1351 01:11:08,360 --> 01:11:09,800 ♪ We're leaving here ♪ 1352 01:11:09,880 --> 01:11:11,639 This is only starting the journey. 1353 01:11:11,960 --> 01:11:13,719 How far he's going to go, I mean, 1354 01:11:14,639 --> 01:11:16,080 it's the moon and back, isn't it? 1355 01:11:18,000 --> 01:11:19,280 To the moon and back. 1356 01:11:20,480 --> 01:11:21,600 [Charlie] Thanks, Granddad. 1357 01:11:21,680 --> 01:11:23,080 ♪ It's never fair ♪ 1358 01:11:23,160 --> 01:11:27,120 ♪ But I still care and I know you do too ♪ 1359 01:11:27,200 --> 01:11:30,600 ♪ There's a lot of me that's you ♪ 1360 01:11:33,639 --> 01:11:37,280 Are you ready, Stockport? 1361 01:11:39,639 --> 01:11:42,559 I said, are you ready? 1362 01:11:45,360 --> 01:11:46,600 Blossoms! 1363 01:11:46,680 --> 01:11:49,559 [audience cheering] 1364 01:11:58,920 --> 01:12:02,320 [low electronic bass] 1365 01:12:42,680 --> 01:12:45,800 [audience cheering] 1366 01:13:21,200 --> 01:13:24,600 ♪ Let's get my mucky self washed ♪ 1367 01:13:24,680 --> 01:13:28,040 ♪ April is the cruelest month ♪ 1368 01:13:28,120 --> 01:13:31,080 ♪ I'm insecure, fuzzy lines crossed ♪ 1369 01:13:31,160 --> 01:13:34,880 ♪ Playful, I'm the coolest sun ♪ 1370 01:13:34,960 --> 01:13:36,600 ♪ It's fatal ♪ 1371 01:13:36,680 --> 01:13:39,880 ♪ Oh, oh, oh unfaithful ♪ 1372 01:13:41,480 --> 01:13:43,520 ♪ It's fatal ♪ 1373 01:13:43,600 --> 01:13:46,880 ♪ Oh, oh, oh unfaithful ♪ 1374 01:14:02,800 --> 01:14:06,160 ♪ It's okay, I didn't do drugs ♪ 1375 01:14:06,240 --> 01:14:09,600 ♪ A kiss before the girl gets lost ♪ 1376 01:14:09,680 --> 01:14:12,920 ♪ And hearing on the phone how much ♪ 1377 01:14:13,000 --> 01:14:16,120 ♪ You missed me only made it hurt ♪ 1378 01:14:16,200 --> 01:14:17,920 ♪ It's fatal ♪ 1379 01:14:18,000 --> 01:14:21,120 ♪ Oh, oh, oh faithful ♪ 1380 01:14:22,719 --> 01:14:24,520 ♪ It's fatal ♪ 1381 01:14:24,600 --> 01:14:28,320 ♪ Oh, oh, oh unfaithful ♪ 1382 01:14:51,400 --> 01:14:54,200 ♪ Late last night, you asked me ♪ 1383 01:14:54,280 --> 01:14:57,960 ♪ Am I the most important thing ♪ 1384 01:14:58,040 --> 01:15:00,800 ♪ It's looming that I might lose you ♪ 1385 01:15:00,880 --> 01:15:04,520 ♪ 'Cause you don't love me like you used to ♪ 1386 01:15:04,600 --> 01:15:06,600 ♪ It's fatal ♪ 1387 01:15:06,680 --> 01:15:09,800 ♪ Oh, oh, oh unfaithful ♪ 1388 01:15:11,520 --> 01:15:13,400 ♪ It's fatal ♪ 1389 01:15:13,480 --> 01:15:16,840 ♪ Oh, oh, oh unfaithful ♪ 1390 01:15:18,480 --> 01:15:20,160 ♪ It's fatal ♪ 1391 01:15:20,240 --> 01:15:23,280 ♪ Oh, oh, oh unfaithful ♪ 1392 01:15:25,040 --> 01:15:27,120 ♪ It's fatal ♪ 1393 01:15:27,200 --> 01:15:30,559 ♪ Oh, oh, oh unfaithful ♪ 1394 01:15:35,760 --> 01:15:37,200 ♪ Unfaithful ♪ 1395 01:15:42,639 --> 01:15:44,840 ♪ Unfaithful ♪ 1396 01:15:49,639 --> 01:15:51,000 ♪ Unfaithful ♪ 1397 01:15:56,200 --> 01:15:58,000 ♪ Unfaithful ♪ 1398 01:16:00,480 --> 01:16:01,680 [Tom] Thank you very much. 1399 01:16:01,760 --> 01:16:03,920 [audience cheering] 1400 01:16:08,040 --> 01:16:09,960 Let's have a round of applause for Joshua Dewhurst 1401 01:16:10,040 --> 01:16:11,639 on the lead guitar, everyone. 1402 01:16:14,719 --> 01:16:17,520 [Josh] I've always been surrounded by music, growing up. 1403 01:16:18,120 --> 01:16:21,080 A lot of parents would be quite cautious 1404 01:16:21,160 --> 01:16:23,719 when the kid is like, "I'm going to quit everything 1405 01:16:23,800 --> 01:16:25,880 and try and make it, so to speak." 1406 01:16:26,520 --> 01:16:28,960 With my dad being a musician, 1407 01:16:29,040 --> 01:16:31,520 it was always a sense that that was achievable. 1408 01:16:32,440 --> 01:16:34,400 Hey, how you doing, mate? 1409 01:16:34,480 --> 01:16:36,360 -Good to see you. You all right? -You okay? 1410 01:16:36,440 --> 01:16:39,760 We're so lucky to have his talents. They've also worked in our favor. 1411 01:16:39,840 --> 01:16:43,360 He's done a lot of arrangements for us and he's come and played with us at gigs 1412 01:16:43,440 --> 01:16:45,840 and he's arranged some stuff for Edgeley Park, as well, 1413 01:16:45,920 --> 01:16:50,120 which is nice because we thought, we got to have him involved on some level. 1414 01:16:57,160 --> 01:16:59,480 ["Charlemagne" by Blossoms] 1415 01:16:59,559 --> 01:17:01,600 [Tom] We thought it'd special to do a midnight launch gig 1416 01:17:01,680 --> 01:17:03,200 in our hometown, Stockport, 1417 01:17:03,280 --> 01:17:06,760 we'd go on stage at the exact same time playing the album in track by track order. 1418 01:17:06,840 --> 01:17:09,480 Which I've not heard anyone else do before. 1419 01:17:09,559 --> 01:17:12,400 [Robin] The idea of having a gig here was genius, 1420 01:17:12,480 --> 01:17:14,000 because no one had done it before. 1421 01:17:14,080 --> 01:17:15,360 Not on that scale. 1422 01:17:15,440 --> 01:17:18,320 I think you got Rod Stewart tribute, people like that. 1423 01:17:18,400 --> 01:17:21,120 -And Take That. -Yeah, take this, yeah. 1424 01:17:21,200 --> 01:17:23,800 [both laughing] 1425 01:17:23,880 --> 01:17:26,639 ["At Most A Kiss" by Blossoms] 1426 01:17:33,520 --> 01:17:35,800 [Josh] I'm always extra anxious 1427 01:17:35,880 --> 01:17:37,760 for any kind of hometown gig. 1428 01:17:37,840 --> 01:17:39,960 -You'll be there and Mom will be there. -Right. 1429 01:17:40,040 --> 01:17:42,000 [Josh] It just seems to have an extra thing. 1430 01:17:42,080 --> 01:17:43,800 It's not a pressure, it's just, 1431 01:17:43,880 --> 01:17:45,920 -more excitement, you know what I mean? -Yeah. 1432 01:17:46,600 --> 01:17:50,000 -[Josh] It's great but equally terrifying. -[Robin laughing] 1433 01:17:58,920 --> 01:18:00,520 Hey, how are you doing, you all right? 1434 01:18:00,600 --> 01:18:02,719 Would it be all right to have a little nosy round? 1435 01:18:02,800 --> 01:18:04,200 -Absolutely. -For old time sake. 1436 01:18:04,280 --> 01:18:06,800 -Be my guest. No problem. -Thank you. Wonderful. 1437 01:18:06,880 --> 01:18:09,920 [Josh] First album, we-- yeah, midnight show, 1438 01:18:10,000 --> 01:18:12,559 we played when the album came out. 1439 01:18:12,639 --> 01:18:16,000 -Yeah, I remember, it was amazing. -And we did it in its entirety. 1440 01:18:17,080 --> 01:18:19,440 You said, "I'm gonna play a new one for you now," at the end, 1441 01:18:19,520 --> 01:18:21,480 -and just did "Charlemagne" again. -Oh, yeah. 1442 01:18:21,559 --> 01:18:24,320 [Josh] Because everyone was already buzzing off that tune by then. 1443 01:18:24,400 --> 01:18:25,920 -It was amazing. -Yeah. 1444 01:18:26,000 --> 01:18:27,320 Then playing the piano here. 1445 01:18:27,400 --> 01:18:30,880 [classical piano playing] 1446 01:18:35,520 --> 01:18:37,520 -And that organ. -And then the organ, yeah. 1447 01:18:37,600 --> 01:18:38,680 Absolutely insane. 1448 01:18:38,760 --> 01:18:40,840 Next time we'll get you on that one. 1449 01:18:41,719 --> 01:18:45,760 [audience applauding and murmuring] 1450 01:18:48,440 --> 01:18:51,000 -Doesn't Granddad have a chair here? -He has, yeah. 1451 01:18:51,960 --> 01:18:53,880 -Dedicated. -I think it's number ten, 'cause-- 1452 01:18:53,960 --> 01:18:55,200 he lived at number ten, didn't he? 1453 01:18:55,280 --> 01:18:58,680 It was tactical with the ten and then the-- what was his road? 1454 01:18:59,320 --> 01:19:01,080 -Melbourne. -Melbourne, 10M. 1455 01:19:01,160 --> 01:19:03,400 -Yeah, that's it. Yeah. -Oh, that's it? 1456 01:19:03,960 --> 01:19:05,880 In memory of Rodney Drewan Robinson, 1457 01:19:05,960 --> 01:19:08,320 -our lovely dad and friend of the Plaza. -Yeah. 1458 01:19:08,400 --> 01:19:10,400 He's got a good seat, hasn't he? 1459 01:19:10,480 --> 01:19:12,320 -Look at that, prime view, really. -Yeah. 1460 01:19:13,000 --> 01:19:14,120 You can see everything. 1461 01:19:15,160 --> 01:19:17,760 -I hope someone gets me a chair here. -[Robin laughing] 1462 01:19:18,559 --> 01:19:22,200 It did feel quite theatrical down in the dressing room. 1463 01:19:22,280 --> 01:19:25,000 Like we were going to come out and do, you know, 1464 01:19:25,080 --> 01:19:27,200 -he's behind you thing. -[Robin chuckles] 1465 01:19:27,280 --> 01:19:28,880 [Tom] I said it's a pantomime. 1466 01:19:29,639 --> 01:19:31,719 -[Robin] Your pantomime style. -[Josh] Yeah. 1467 01:19:32,000 --> 01:19:35,240 [Josh] Yeah, it was just a real unique thing, really. 1468 01:19:35,320 --> 01:19:37,320 ["My Favourite Room" by Blossoms] 1469 01:19:37,400 --> 01:19:39,480 You kind of get the sense that Stockport's behind 1470 01:19:39,559 --> 01:19:41,559 -all what we do. -Oh, definitely. Yeah. 1471 01:19:41,639 --> 01:19:44,120 Kind of feel like people believe in us and whatnot. 1472 01:19:44,200 --> 01:19:47,040 -You got a lot of pride, ain't it. -People do buzz off the fact that 1473 01:19:47,120 --> 01:19:49,000 -we big it up so much. -You've always done that. 1474 01:19:49,080 --> 01:19:51,880 We've always said Blossoms from Stockport not Blossoms from Manchester. 1475 01:19:51,960 --> 01:19:53,680 -[Robin] No, no. -[Josh] Yeah. 1476 01:19:53,760 --> 01:19:55,440 [Robin] You should be very proud of it. 1477 01:19:56,559 --> 01:19:59,440 -Yeah, I just can't believe it. -Ambassadors of Stockport. 1478 01:19:59,520 --> 01:20:01,559 Can't believe any of it, really. 1479 01:20:01,639 --> 01:20:03,320 Yeah. Insane. 1480 01:20:04,480 --> 01:20:07,480 [audience cheering] 1481 01:20:10,440 --> 01:20:13,360 Let's have a round of applause for Myles Kellock on the keyboards, everybody. 1482 01:20:13,440 --> 01:20:15,680 [guitar strumming] 1483 01:20:29,120 --> 01:20:33,080 ♪ There's a reason why ♪ 1484 01:20:33,160 --> 01:20:36,559 [audience singing] 1485 01:21:17,800 --> 01:21:19,400 ♪ I want to know ♪ 1486 01:21:19,480 --> 01:21:21,280 ♪ Since you've been gone ♪ 1487 01:21:21,360 --> 01:21:23,600 ♪ Have I been on ♪ 1488 01:21:23,680 --> 01:21:25,559 ♪ Your mind ♪ 1489 01:21:25,960 --> 01:21:29,040 ♪ 'Cause I know I was for a while ♪ 1490 01:21:29,120 --> 01:21:30,880 ♪ Late last night ♪ 1491 01:21:30,960 --> 01:21:32,920 ♪ I saw you out ♪ 1492 01:21:33,000 --> 01:21:34,800 ♪ For a moment I ♪ 1493 01:21:34,880 --> 01:21:36,840 ♪ Turned to stone ♪ 1494 01:21:37,480 --> 01:21:41,000 ♪ 'Cause there's still something only we see ♪ 1495 01:21:41,080 --> 01:21:42,880 ♪ Don't talk ♪ 1496 01:21:42,960 --> 01:21:46,120 ♪ I'd run to kiss your mouth ♪ 1497 01:21:47,639 --> 01:21:49,559 ♪ Is it me or ♪ 1498 01:21:49,639 --> 01:21:53,520 ♪ Just a dream that never dies ♪ 1499 01:21:53,600 --> 01:21:56,520 ♪ There's a reason why ♪ 1500 01:21:56,600 --> 01:22:00,719 ♪ I never returned your calls ♪ 1501 01:22:00,800 --> 01:22:04,160 ♪ I wish I could forget it all ♪ 1502 01:22:04,240 --> 01:22:08,120 ♪ But I never returned your calls ♪ 1503 01:22:08,200 --> 01:22:11,520 ♪ 'Cause I'd fall in again ♪ 1504 01:22:19,200 --> 01:22:20,960 ♪ We're leaving here ♪ 1505 01:22:21,040 --> 01:22:22,240 ♪ We're on the run ♪ 1506 01:22:22,320 --> 01:22:24,320 ♪ The time has come ♪ 1507 01:22:24,400 --> 01:22:26,920 ♪ I don't hear no alarms ♪ 1508 01:22:27,960 --> 01:22:30,480 ♪ Fall asleep in my arms ♪ 1509 01:22:30,559 --> 01:22:32,400 ♪ A lover's game ♪ 1510 01:22:32,480 --> 01:22:34,440 ♪ Is never fair ♪ 1511 01:22:34,520 --> 01:22:38,400 ♪ But I still care and I know you do too ♪ 1512 01:22:38,960 --> 01:22:41,440 ♪ 'Cause there's a part of me that's you ♪ 1513 01:22:42,480 --> 01:22:44,520 ♪ Don't talk ♪ 1514 01:22:44,600 --> 01:22:47,960 ♪ I'd run to kiss your mouth ♪ 1515 01:22:48,920 --> 01:22:51,080 ♪ Is it me or ♪ 1516 01:22:51,160 --> 01:22:54,800 ♪ Just a dream that never dies ♪ 1517 01:22:54,880 --> 01:22:58,520 ♪ There's a reason why ♪ 1518 01:22:58,600 --> 01:23:01,360 ♪ I never returned your calls ♪ 1519 01:23:01,840 --> 01:23:05,120 ♪ I wish I could forget it all ♪ 1520 01:23:06,040 --> 01:23:09,040 ♪ But I never returned your calls ♪ 1521 01:23:09,480 --> 01:23:12,639 ♪ 'Cause I'd fall in again ♪ 1522 01:23:15,920 --> 01:23:18,800 ♪ I still find parts of you ♪ 1523 01:23:19,520 --> 01:23:23,000 ♪ In the corners of my bedroom ♪ 1524 01:23:23,080 --> 01:23:26,520 ♪ Someday comes too soon ♪ 1525 01:23:27,400 --> 01:23:32,240 ♪ The radio plays our favorite tune again ♪ 1526 01:23:45,320 --> 01:23:48,280 ♪ There's a reason why ♪ 1527 01:23:48,360 --> 01:23:52,200 ♪ I never returned your calls ♪ 1528 01:23:52,280 --> 01:23:55,719 ♪ I wish I could forget it all ♪ 1529 01:23:55,800 --> 01:23:59,520 ♪ But I never returned your calls ♪ 1530 01:23:59,600 --> 01:24:03,320 ♪ 'Cause I'd fall in again ♪ 1531 01:24:29,040 --> 01:24:32,040 [audience cheering] 1532 01:24:46,559 --> 01:24:50,040 [Tom chuckles] Come on, George, watch the shit. 1533 01:24:50,120 --> 01:24:52,240 All right, you're getting off now. Come on. 1534 01:24:52,800 --> 01:24:54,240 Everyone knows who we are now. 1535 01:24:54,320 --> 01:24:56,400 So, people always want to talk to you about it. 1536 01:24:56,480 --> 01:24:58,719 I'm a dead antisocial dog walker, me. 1537 01:24:59,280 --> 01:25:02,400 I'll, like, go the other way if I see people coming and stuff like that. 1538 01:25:03,880 --> 01:25:05,800 I'll say hello and stuff, but I'm not like, 1539 01:25:05,880 --> 01:25:08,600 don't go out my way to be like, "How's your day been?" It's just not me. 1540 01:25:09,719 --> 01:25:12,080 But when I'm on stage and doing stuff, then that's when 1541 01:25:12,160 --> 01:25:13,600 I can come out my shell a bit more. 1542 01:25:13,680 --> 01:25:15,320 But then that's more like an act, isn't it? 1543 01:25:15,400 --> 01:25:18,120 It's not really what I'm like day to day, to be honest. 1544 01:25:18,200 --> 01:25:19,080 George. 1545 01:25:19,160 --> 01:25:22,000 When you're on stage, you can't see the whites in people's eyes, you know, 1546 01:25:22,080 --> 01:25:24,120 I'm addressing like 15,000 people, aren't I? 1547 01:25:24,200 --> 01:25:27,280 Like, if I have to address one person who I've never met 1548 01:25:27,360 --> 01:25:31,960 on a dog walk, it's like, that fills me with more fear. 1549 01:25:32,040 --> 01:25:34,320 -Which sounds mad, but it does. -[dog barking] 1550 01:25:34,400 --> 01:25:35,480 What? What do you want? 1551 01:25:35,559 --> 01:25:37,639 We all still live in Stockport. 1552 01:25:37,719 --> 01:25:39,400 There's a normality to it. 1553 01:25:39,480 --> 01:25:42,040 Doing stuff like this, when you are home every day, 1554 01:25:42,120 --> 01:25:45,280 it kind of just feels, you know, it's a million miles away from... 1555 01:25:46,639 --> 01:25:49,639 like, Edgeley Park or the Pyramid Stage at Glastonbury or whatever. 1556 01:25:50,200 --> 01:25:53,240 In the past, I've worked myself up, saying in between albums 1557 01:25:53,320 --> 01:25:56,600 and have been, say, on the road for a while and you come home, 1558 01:25:56,680 --> 01:25:59,280 and I used to struggle a bit with switching off. 1559 01:25:59,360 --> 01:26:01,920 But I just-- you find other things that, like cooking. 1560 01:26:02,000 --> 01:26:04,600 Just dead normal things, walking the dog. 1561 01:26:04,680 --> 01:26:07,000 Say I've been in the house, trying-- writing tunes, 1562 01:26:07,719 --> 01:26:10,600 and then I can come away for half an hour. Come in here and walk George. 1563 01:26:10,680 --> 01:26:13,280 Then I'll be over there and a tune will pop into my head. 1564 01:26:13,360 --> 01:26:16,160 Then I'll sing it into my phone, then go back. And then I'm away again. 1565 01:26:16,240 --> 01:26:19,520 But the fact we are here and you can go and see your family, 1566 01:26:19,600 --> 01:26:20,960 you can go and do other things. 1567 01:26:21,639 --> 01:26:24,600 I think it's just being able to walk away from it, if you need to. 1568 01:26:24,680 --> 01:26:27,440 ♪ The last time I asked you... ♪ 1569 01:26:27,520 --> 01:26:31,080 The gig will always stay with us because it's-- it was the first of its kind. 1570 01:26:31,520 --> 01:26:34,000 And it was like the first time we'd played a stadium. 1571 01:26:34,080 --> 01:26:35,800 And I probably built it up to be something 1572 01:26:36,360 --> 01:26:39,600 in my head too much, you know, because I wanted everything to be perfect. 1573 01:26:39,680 --> 01:26:42,520 I wanted where the parents were sat to be perfect. 1574 01:26:42,600 --> 01:26:46,400 I was worrying about that. I was like-- you know, and you can't take on all that. 1575 01:26:46,480 --> 01:26:49,880 You need to just step back and be like, just play the gig, enjoy it. 1576 01:26:50,639 --> 01:26:52,880 We didn't want to stay in Stockport before the gig, 1577 01:26:52,960 --> 01:26:55,719 you know, because we're-- you're just too close to it all. 1578 01:26:55,800 --> 01:26:58,280 So we wanted to-- we went away and went in the spa and stuff, 1579 01:26:58,360 --> 01:26:59,360 and sat in a Jacuzzi. 1580 01:26:59,880 --> 01:27:05,440 And then, we drove back in and just seeing the streets swarmed with people. 1581 01:27:05,520 --> 01:27:07,920 We love the Blossoms! 1582 01:27:08,000 --> 01:27:11,160 Being like a festival on the streets of Stockport. 1583 01:27:11,240 --> 01:27:14,360 We drove in, everyone was... we had to shut the roads to get the car in. 1584 01:27:14,440 --> 01:27:16,160 They closed the whole road off. 1585 01:27:16,240 --> 01:27:18,440 We did joke about it in the early days, we did say, 1586 01:27:18,520 --> 01:27:20,000 "Oh, imagine playing there." 1587 01:27:20,559 --> 01:27:22,440 Blink five years later and it's a reality. 1588 01:27:22,880 --> 01:27:24,559 Because we're still in the car like, 1589 01:27:25,080 --> 01:27:29,040 us five as mates from school and, you know, we're like, "This is mad." 1590 01:27:30,719 --> 01:27:33,880 'Cause you've grown up there, you pass it on the train when you go to Manchester. 1591 01:27:33,960 --> 01:27:35,920 Used to watch football games there, like. 1592 01:27:36,000 --> 01:27:38,360 It's literally the stuff of dreams. You could write it in a book 1593 01:27:38,440 --> 01:27:39,440 that you read in school 1594 01:27:39,520 --> 01:27:42,760 about starting a band, where they end up in a final scene, would be there. 1595 01:27:42,840 --> 01:27:45,840 Testament to, you know, the music and what we've created. 1596 01:27:45,920 --> 01:27:47,680 And that we weren't mad from the start. 1597 01:27:47,760 --> 01:27:50,000 ♪ Hold me tight and watch me fall ♪ 1598 01:27:50,080 --> 01:27:52,360 One of the first ever gigs was at the bungalow. 1599 01:27:52,440 --> 01:27:54,760 Little place just behind the stage there, 1600 01:27:54,840 --> 01:27:56,760 30, 40 people after the game on a Saturday. 1601 01:27:56,840 --> 01:27:59,160 -Yeah, totally. -And look where they are now. 1602 01:27:59,639 --> 01:28:01,040 Now, how do we top that? 1603 01:28:01,600 --> 01:28:03,440 [Tom] When the sun started to go down, 1604 01:28:03,520 --> 01:28:06,440 it was darker and you could feel everyone was having a great time. 1605 01:28:06,520 --> 01:28:07,960 The bar's there now. 1606 01:28:08,040 --> 01:28:09,360 We've got to get to, like, there. 1607 01:28:09,440 --> 01:28:10,680 I didn't want it to end. 1608 01:28:12,320 --> 01:28:15,880 Now, as you can imagine, this is quite surreal for us five. 1609 01:28:16,800 --> 01:28:18,719 Because we grew up just over there. 1610 01:28:19,760 --> 01:28:21,160 Some of us from Atherton... 1611 01:28:24,400 --> 01:28:25,920 some of us from Woods Moor... 1612 01:28:29,040 --> 01:28:30,520 and some more from Atherton. 1613 01:28:30,600 --> 01:28:33,280 [crowd cheering] 1614 01:28:36,080 --> 01:28:40,800 And you've truly made our fucking life tonight, everyone, so. 1615 01:28:42,600 --> 01:28:44,120 I wrote that song in the back room. 1616 01:28:44,559 --> 01:28:47,559 I want to know if you've got room for one more song. 1617 01:28:48,160 --> 01:28:49,639 We got a record deal off that. 1618 01:28:49,719 --> 01:28:52,559 I said, have you got room for one more song, Stockport? 1619 01:28:52,639 --> 01:28:54,840 To then, play it in front of all them people, 1620 01:28:55,880 --> 01:28:57,960 they are the moments that you're living for. 1621 01:28:58,040 --> 01:29:00,719 And you know the crowd are just going to go fucking mad. 1622 01:29:00,800 --> 01:29:04,080 ["Charlemagne" by Blossoms] 1623 01:29:15,960 --> 01:29:16,840 Come on. 1624 01:29:20,800 --> 01:29:22,200 ♪ Hello, hello ♪ 1625 01:29:22,280 --> 01:29:24,520 ♪ Who put love in my head? ♪ 1626 01:29:25,080 --> 01:29:28,559 ♪ I know, I know it's made of lead ♪ 1627 01:29:29,600 --> 01:29:31,120 ♪ Hello, hello ♪ 1628 01:29:31,760 --> 01:29:34,240 ♪ Science came, a kingdom reigned ♪ 1629 01:29:34,320 --> 01:29:37,760 ♪ Below, below my Charlemagne ♪ 1630 01:29:37,840 --> 01:29:41,800 ♪ And the river always flows so if you go, I will know ♪ 1631 01:29:41,880 --> 01:29:44,320 ♪ By the rain, my Charlemagne ♪ 1632 01:29:48,320 --> 01:29:49,600 ♪ Hello, hello ♪ 1633 01:29:49,680 --> 01:29:52,920 ♪ My eyes tried, hide, cried, died ♪ 1634 01:29:53,000 --> 01:29:56,080 ♪ Inside the snow in the winter ♪ 1635 01:29:57,639 --> 01:29:59,480 ♪ Hello, hello ♪ 1636 01:29:59,559 --> 01:30:02,320 ♪ The doctors knew, prescribe me you ♪ 1637 01:30:02,400 --> 01:30:06,040 ♪ Below, below the amber sky ♪ 1638 01:30:06,120 --> 01:30:09,480 ♪ And the river always flows so if you go, I will know ♪ 1639 01:30:09,559 --> 01:30:11,559 ♪ By the rain, my Charlemagne ♪ 1640 01:30:15,280 --> 01:30:17,520 ♪ And the river always flows tears of gold ♪ 1641 01:30:17,600 --> 01:30:21,520 ♪ Left me cold, do you feel the same, my Charlemagne ♪ 1642 01:30:34,719 --> 01:30:39,559 ♪ My Charlemagne, my Charlemagne ♪ 1643 01:30:39,639 --> 01:30:43,880 ♪ My Charlemagne, my Charlemagne ♪ 1644 01:30:43,960 --> 01:30:45,040 ♪ Don't go ♪ 1645 01:30:45,120 --> 01:30:48,160 ♪ If only I could show you ♪ 1646 01:30:48,240 --> 01:30:49,840 ♪ Don't go ♪ 1647 01:30:49,920 --> 01:30:52,360 ♪ If only I could show you ♪ 1648 01:30:52,440 --> 01:30:54,280 ♪ But don't go ♪ 1649 01:30:54,360 --> 01:30:56,960 ♪ If only I could show you ♪ 1650 01:30:57,040 --> 01:30:59,040 ♪ Don't go ♪ 1651 01:30:59,120 --> 01:31:02,080 ♪ If only I could show you ♪ 1652 01:31:04,400 --> 01:31:05,800 [audience sings along] 1653 01:31:05,880 --> 01:31:07,840 ♪ By the rain, my Charlemagne ♪ 1654 01:31:22,480 --> 01:31:24,960 [audience cheering] 1655 01:31:46,320 --> 01:31:49,719 ♪ And the river always flows so if you go, I will know ♪ 1656 01:31:49,800 --> 01:31:52,240 ♪ By the rain, my Charlemagne ♪ 1657 01:31:55,600 --> 01:31:57,920 ♪ And the river always flows tears of gold ♪ 1658 01:31:58,000 --> 01:32:02,000 ♪ Left me cold, do you feel the same my Charlemagne ♪ 1659 01:32:04,440 --> 01:32:07,360 ♪ Charlemagne ♪ 1660 01:32:25,760 --> 01:32:28,760 [audience cheering] 1661 01:32:38,880 --> 01:32:40,280 Thank you very much, everyone. 1662 01:32:41,120 --> 01:32:43,960 [audience cheering] 1663 01:33:11,840 --> 01:33:16,200 ["The Keeper" by Blossoms] 1664 01:33:33,760 --> 01:33:35,200 Thank you very much, Stockport. 1665 01:33:37,960 --> 01:33:39,160 See you guys soon. 1666 01:34:02,440 --> 01:34:03,800 Cheers, mate. Nice one. 1667 01:34:03,880 --> 01:34:05,760 -So good. -It's unreal. 1668 01:34:14,840 --> 01:34:16,960 [excited chattering] 1669 01:34:18,600 --> 01:34:19,920 It's got to my head already. 1670 01:34:20,000 --> 01:34:22,240 -Jody! -Hey. 1671 01:34:27,160 --> 01:34:28,559 Do you know where the kettle is? 1672 01:34:29,040 --> 01:34:31,639 ["The Keeper" by Blossoms]