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Yeah, we about to... [mouthing words]
[upbeat music]
Oh, my gosh.
[Alex] This show's a unique hybrid
of music, of fashion, of dance
that celebrates diversity.
[Jennifer] Technically, it's a fashion show,
but Rihanna doesn't do anything
that's already out there,
so it's elevating that concept.
[Rihanna] This looks so good.
I can't wait for it to just, like, happen now.
I'm more excited than anxious.
Whoo!
[epic hip-hop music]
♪ ♪
I'm looking for unique characteristics...
in people
that aren't usually highlighted
in the world of fashion
as it pertains to lingerie and sexy,
what...what society seems is...
or sees sexy.
There's not, like, a target audience.
It's for everyone.
It's...everything that she does
is for everyone.
She wants everyone to feel beautiful,
everyone to feel empowered,
everyone to feel and have
that strength within them
to become the best version of themselves.
As a kid, I've always used fashion
as a defense mechanism,
but that and music and makeup
and lingerie,
these are all just different ways
that I can express
my creative...
It's all me as the muse.
It's all me that's, like, behind everything.
When she turned 18, she was just ready to go.
She just started taking everything into her own hands
and doing it herself.
[woman] So how we can make history.
So right, this is, like, the big thing, right?
So what do we want to stand for, right,
for a lot of components that people
will start understanding as the brand is born.
But I don't...I don't think that you go out and say that
as your talking point and saying...
[woman] No. - ...we're making history,
because when you keep yourself up at night
thinking about how to make history,
you're not gonna make it.
♪ ♪
We're exploring a lot of different sizes
and making women feel like they're not excluded
just because they're a different size.
Every woman deserves to feel sexy.
We are sexy; we are multifaceted,
and I want women to embrace that to the fullest.
[Victoria] When I can feel sexy just for myself,
it allows me to feel even sexier
when there is someone else.
I mean, let's be honest.
You can turn yourself on, right?
[laughs]
[Bri] Sexy and confident
is really owning the two
and not letting anyone else take that from you
regardless of what they have to say.
[Amber] Of course I have body issues.
Everybody does.
I've never heard of anybody
who thought that they were, like, perfect.
[cheers and applause]
I think seeing it as one
seamless piece of performance art,
- for want of a better word... - Yeah.
...that integrates fashion, dance,
life, art as performance...
- Yeah. - ...is a very exciting way
- of putting on a show... - Mm-hmm.
...and goes against the grain of ev...
of what everyone else does.
[Rihanna] That's exactly how I'm seeing it.
[Alex] Okay. - I...I literally am seeing
their bodies as... as pieces of art...
[Alex] Great.
...and that we can really make
visual impact with that.
[Keith] We have worked with Rihanna
on shows and events
for about seven or eight years.
The most challenging task we've ever had with her
is to be able to take a show and reinvent it
in a way that will translate
to millions of people worldwide
in a television product.
If you stacked five models
and they were...and...
and from...from the square-on perspective,
you don't see those five,
but as each one steps away,
- it reveals a new form... - Yeah!
...and it's just the one shot
that takes you slowly into the environment.
Also, the interesting thing...
Why don't you... You should be a director.
Like, for real. You kind of...
[Alex] So we're six weeks out at the moment.
I'm a little concerned about the logistical challenges
of...of turning it around.
Do we have the time to execute that
and...and t-to make sure
that the range of models and dancers
and everything else ticks those boxes
and it feels so inclusive in terms of this environment
that we're...we're showing everyone?
Normally, s-six weeks is... is ambitious on a normal show,
but on a show of this scale, it's intimidating.
Logistically, timing is not on our side.
[Rihanna] I think we should think of it
like a fashion musical.
[man] Yep. [Jihye] Mm-hmm.
[Rihanna] You know?
There's...there are the dancers,
and then there are the actors.
Technically, it's a fashion show,
but, you know, again, Rihanna doesn't do anything
that's already out there,
so it's...it's elevating that concept,
and it's something that, you know,
if the world's going right, we're gonna go left.
That's just how she functions in general.
Whoo-whoo!
Yes, honey!
The most exciting part of the design process
of the Savage X lingerie brand
is just telling a story
that is from my own perspective.
[gasps] Oh, my God.
This is fantastic.
[woman] All right, now the girls can...
I love the black.
There's no rules
with designing lingerie.
You can do anything.
You can go as far as you want.
You can go as comfortable as you want.
You can go as sexy as you want.
And it's just a whole new outlet
of creating,
making things from scratch.
There is nothing that you see
out there that she does
that she doesn't put her hands on first
and touch and try,
and, you know, it's... it's unbelievable.
I'm sorry. I got it on your butt.
[soft music]
[Melissa] Did you like this?
- No. [Melissa] No. [laughs]
[laughter]
[woman] Okay! [Rihanna] Everything was
thought about, down to the detail
of the tags:
how they feel and how easy they are to remove,
'cause nobody wants to see a big tag
when they're trying to get cute
for their special someone, you know what I'm saying?
[cheers and applause]
I got some dancing to show you from Parris.
[Rihanna] Mm. [woman ] What you doing
on my computer?
Okay.
[dramatic music playing]
[gentle music playing]
This is the opening.
♪ ♪
[industrial music playing]
♪ ♪
[Rihanna] I really like this break.
And, like...
You can.
♪ ♪
That's it.
I think I could learn that
before I even get in the presence of Parris.
You, like, already learned it.
Yeah, that's, like...
that's two minutes right there.
- You got it. - And she's...you got it.
- That's one minute that... - But do I got it?
Oh, my God, that's so good that you're doing that.
As in, like, did you send that to me?
I'm so excited you're gonna be in the show.
[laughs]
So it looks like you're dancing.
And it looks like she's dancing too.
- Yeah, yeah. - 'Cause you put that in there.
- Am I in the show? - I think you're in the show.
[Melissa] You're in the show now.
[Parris] Girls, I think I just want
the one hand, just one, two, pop.
We got seven days to the show.
[inhales sharply] We still have no finale.
- [laughter] - We have no finale,
so I'm a little stressed.
So, girls, can you go
from your ending pose for me, please?
Ready?
Five, six, seven, eight. And kick it.
[Rihanna] The thing that makes me connect
to Parris' choreography the most
is the strength.
[industrial music playing]
Pat! Let's go!
[Rihanna] There's nothing delicate about it.
There's nothing fragile about it.
It's in your face.
I think this just needs a little more drama,
maybe to drop.
Yeah, it just needs drama there,
'cause it's just giving me that right now.
[Rihanna] She goes hand in hand with that,
the kind of strength and that confidence.
[Parris] Move your head.
Okay.
- [laughter] - [indistinct chatter]
[Shea] Savage is hot, and hot is fun.
There's so much difference and uniqueness within the line
that I think represents different sides of me.
[Chuck] To me, sexy is just being my goofiest,
because that's my truest form,
so it's like eating 20 chicken nuggets naked
with barbecue sauce.
[cheers and applause]
[musical crescendo]
♪ ♪
We started confirmations a-after yesterday.
[Rihanna] Mm-hmm. - After you picked.
So I just wanted to give you an update
of a few people.
Stacey is confirmed. This is Stacey.
[Rihanna] It's very important
that the casting kind of tells
the narrative of what the brand stands for,
and what we stand for mainly here
is inclusivity.
That's what I stand for
with everything that I create.
She's all set. She's confirmed.
She fit today.
Is there any bad news in this pile?
- No. - [woman] What are you wearing?
What are you wearing? What are you wearing?
[woman] I don't know. I gotta go to fitting.
[percussive music]
Right now, it's about...10:30.
We still have hours left.
I mean, we're gonna be here
till probably, like, 3:00.
[Gigi] Exciting! [woman] Yeah.
Super excited to have you
for your...third Fenty show? - Yay!
- Right? - Third Fenty show.
It feels good, like, the stretch.
Huh?
[woman] Crotch-less.
Oh, it's crotch-less?
[woman] It's crotch-less.
Whoo!
This is my first show ever with Savage.
I literally tell all the girls,
if I can twerk in it, then that's the one.
♪ ♪
[Melissa] We still have models here
that have been waiting for four and five hours.
[woman] Oh, my God, man.
- So once we're on, right... - Yeah.
...this show, we don't come back on,
so I could sneak into the audience
and watch the rest, correct?
[Slick] It's just evolving. Everything is better.
Everything is different.
I'm a mom now,
so I gotta embrace more sexy now.
♪ ♪
I'm ready to belly dance.
I'm looking at some familiar faces
of people I know,
um...like Laverne; I see Laverne there.
♪ Sticks and stones don't break my bones ♪
♪ But whips and chains excite me ♪
♪ Na-na-na, come on ♪♪
[Melissa] [laughs] There's, like,
ten dancers outside still
that we have to fit in four looks each.
I've asked her a few times today,
"How many models are coming in tomorrow?
How many dancers are coming in tomorrow?"
So that would be good to know.
- Lies, all of you. - Worse.
[both laughing goofily]
[Omo] Being the best version of you
is what's sexy to me.
When you feel confident about yourself,
you glow on the outside.
[P.S.] It's so important to show inclusivity,
different people of various ethnicities
and backgrounds.
It's like, being Savage is
having the most fun. [laughs]
[cheers and applause]
[dramatic musical crescendo]
We are in the actual crux of the build.
We have the lighting and the sound
in the air right now.
We have the framing of the set in place,
and so it's now actually starting to see
the vision that we've had come together.
[woman] Wow.
Oh, my gosh.
Oh, my...oh.
This is insane.
[Alex] The first time, it's always a...it's a...
like, heart-pounding moment when you walk into a space.
I feel the balance is correct.
I feel the proximity is good, the intimacy is good,
and I feel for camera.
I can capture the moments that we've all got excited about
w-when planning this with Ri.
Hello. Hello!
That just happened. How are you?
Great to see you.
[man] ♪ You done [...] up ♪
♪ I stayed up, sleep deprivation ♪
♪ They on the search, nigga ♪
♪ Know your worth, nigga ♪
♪ Tell the DJ bring it back ♪
♪ Reimburse niggas ♪♪
[Raisa] I'll be the first person to walk out.
I'm not think. I can handle it.
[bass-heavy music]
When you overturn your cover... like, we don't see your face.
And that way, I have more time to go...
Yeah.
Yeah, can we do that?
[laughs]
[woman] No, we'll do the... ♪ Be-ne ♪♪
[Alex] This is really fucked up.
I went from the first pass.
It's shifted since the first pass.
That's fine. I can now readjust.
But I'm just saying, did everyone...
everyone needs to understand
that we can't be having separate meetings
- about cues and movements. [man] Okay.
♪ Back that thing up on my brother from the D ♪♪
- You're gonna work out... - All right.
...everybody's, like, confusion.
The dancers are tripping
on the scarves.
- It happened to two girls. [woman] Yep.
[woman] True. [woman] Yeah.
♪ ♪
- Yeah, I would love to. - Okay, yeah.
It went better.
If I could do this one last time...
Sure, absolutely.
- What, am I gonna say no? - [laughs]
[man] All right, let's reset.
[Keith] Last run.
- Yeah. - [laughs]
♪ Hey, hey, hey, hey ♪♪
[Rihanna] Completion? Speak to me tomorrow
about completion.
F...no, you're fired,
and we're not even doing the show.
- [laughs] - I hate everything.
♪ ♪
See you tomorrow. Get some rest.
I just want it to happen.
I just want to do it. Uh-uh-uh!
Whoo!
It's a thing today.
This is show day for real.
♪ ♪
Yeah, we about to... [mouthing words]
♪ ♪
Art's all that you are.
It's all that you think. It's all that you're made of.
I'm backstage.
Like, I'm walking the show.
I'm kind of freaking out.
[Mama] I'm just really excited to be part
of this amazing cast,
and to me, just being able to model lingerie
was not something I thought I would ever do.
♪ ♪
[Rihanna] You can be both introverted and extroverted
in fashion, because
in any creative outlet,
you can hide behind the...the art
and yet you're screaming
through it.
♪ ♪
[cheers and applause]
♪ ♪
[man] Camera speed. Here we go.
Oh!
Showtime, honey!
♪ ♪
[woman] Hey!
[cheers and applause]
♪ ♪
I'm ready.
[man] Go, go, go! Go, go, go!
♪ ♪
[man] Cue light, please. Cue light, cue light!
♪ ♪
[cheers and applause]
[woman] Five, four, three...
[man] Go. [woman] ...two, one.
[solemn operatic singing]
♪ ♪
- [man] ♪ Boom ♪ - [dramatic hip-hop music]
♪ ♪
[solemn operatic singing]
♪ ♪
[dramatic hip-hop music]
♪ ♪
[cheers and applause]
[gentle music]
♪ ♪
[industrial music]
♪ ♪
[man] ♪ Yeah ♪
♪ ♪
♪ Boom ♪
♪ ♪
[woman] ♪ Ooh-ooh ♪
♪ Ooh-ooh, ooh-ooh ♪
[man] ♪ Yeah ♪
[woman] ♪ Ooh-ooh, ooh-ooh ♪
♪ ♪
♪ Ooh-ooh, ooh-ooh ♪
♪ ♪
[man] ♪ Boom ♪
♪ ♪
♪ Boom ♪
♪ ♪
♪ Yeah ♪
♪ ♪
♪ Boom ♪
♪ ♪
♪ Boom ♪
♪ ♪
[solemn operatic singing]
♪ ♪
- [man] ♪ Boom ♪ - [dramatic hip-hop music]
♪ ♪
♪ Boom ♪
♪ ♪
♪ Boom ♪
♪ ♪
♪ Boom ♪♪
♪ ♪
- [soft R&B music] - [chorus] ♪ Say-ay-ay... ♪
[man] ♪ Say-ay-ay... ♪
[chorus] ♪ Say-ay-ay... ♪
[man] ♪ Say-ay-ay... ♪
[chorus] ♪ ...you love me ♪
[man] ♪ Say you love me ♪
♪ Say you love me, say you love me ♪
♪ Ah, ah ♪
♪ ♪
[chorus] ♪ Say-ay-ay... ♪
[man] ♪ Say-ay-ay... ♪
[chorus] ♪ Say-ay-ay... ♪
[man] ♪ Say-ay-ay... ♪
[chorus] ♪ ...you love me ♪
[man] ♪ Say you love me ♪
♪ Say you love me, say you love me ♪
♪ Ah, ah ♪♪
♪ ♪
[popping hip-hop music]
[Big Sean] ♪ B-I-G ♪
♪ ♪
♪ Oh, God ♪
Welcome to Savage Fenty. Let's go.
♪ I said ain't nobody fucking with my clique ♪
♪ Clique, clique, clique, clique ♪
♪ Ain't nobody fresher than my motherfuckin' ♪
- ♪ Clique, clique, clique ♪ - ♪ Clique, clique ♪
♪ As I look around they don't do it like my clique ♪
♪ Clique, clique, clique, clique, clique ♪
♪ And all these bad bitches, yeah ♪
♪ They wonder what's up, what's up, what's up ♪
♪ B-I-G ♪
♪ All right ♪
♪ Yo, I tell a bad bitch do whatever I say ♪
♪ My block behind me like I'm coming out the driveway ♪
♪ It's grind day from Friday to next Friday ♪
♪ I been up straight for nine days ♪
♪ I need a spa day, whoo ♪
♪ She trying get me that poo-tang ♪
♪ I might let my crew bang ♪
♪ My crew deeper than Wu-Tang ♪
♪ I'm rolling with, fuck I'm saying? ♪
♪ Girl, you know my crew name ♪
♪ You know 2 Chainz? Scrrr! ♪
♪ I'm pulling up in that Bruce Wayne ♪
♪ I'm the fucking villain, man, they kneeling ♪
♪ When I'm walking in the building ♪
♪ Freaky women I be feeling ♪
♪ From the bank accounts I'm filling ♪
♪ What a feeling, ah, man, they gotta be ♪
♪ Young nigga from the D ♪
♪ Killing everything that he see for the dough ♪
♪ Clique, clique, clique, clique, clique ♪
♪ Ain't nobody fresher than my motherfuckin' ♪
♪ Clique, clique, clique ♪
If you around the realest once right now, sing...
♪ As I look around ♪
♪ They don't do it like my clique ♪
♪ Clique, clique, clique, clique ♪
♪ And all these bad bitches, yeah ♪
♪ They wonder what's up, what's up, what's up ♪♪
If you feeling good, make some noise right now.
[cheers and applause]
Yeah, yeah.
ASAP.
Fergie Ferg, let's go.
♪ ♪
Let's do this.
Let's go, let's go.
♪ Couple riders with them llamas ♪
♪ If you pick a bone with me ♪
♪ Got my bitch up in designer, got Balenci' on her feet ♪
♪ Mama say a couple prayers keep them demons off me ♪
[Big Sean] ♪ 'Cause I know I'm out here blessed ♪
♪ They got so many reasons on me ♪
♪ Yeah, niggas done tried and niggas done died ♪
♪ Too many believers around me ♪
♪ Yeah, I know my enemies meeting up ♪
♪ Double-teaming on me ♪
♪ Now, you know nobody tried that ever got pieces off me ♪
♪ Fucking these clothes, I'm a designer ♪
♪ Don't catch a seizure on me ♪
♪ See, Ferg used to move the product in the old school ♪
♪ Thumbing through paper from last year ♪
♪ But it's not old news ♪
♪ My psycho bitch, she got me shopping up at Whole Foods ♪
♪ Hitting these cougars like a young nigga s'posed to ♪
♪ Got your bitch up on the mattress while I'm flying OT ♪
♪ Sick and tired of all your yapping ♪
♪ Little nigga, I'm your OG ♪
♪ Diamonds shining like that ball ♪
♪ That drop on New Year's Eve ♪
♪ And she count down to the D ♪
- ♪ She be like... ♪ [both] ♪ "Five, four, three" ♪
♪ Now drop down, you're a freak ♪
♪ Bend it over, touch your feet ♪
♪ Shake that booty, I know it's little but unique ♪
♪ Back that thing up on my nigga from the D ♪
♪ Oh, that's me? Okay, back out the hearse ♪
♪ They trapped out the church ♪
♪ Niggas say my name, okay, they asked for the worst ♪
♪ Me and ASAP Ferg preaching back-to-back on the verse ♪
♪ Hit-Boy on the beat, so, bitch, you gotta go berserk ♪
♪ Kill 'em off one by one, Final Destination ♪
♪ Fuck that medication, I'm sipping cold flu echinacea ♪
♪ You done fucked up, I stayed up ♪
♪ Sleep deprivation ♪
♪ They on the search, nigga, know your worth, nigga ♪
♪ Tell the DJ bring it back, reimburse ♪
♪ Alhamdulillah ♪
♪ My finance advisors been through hell ♪
- ♪ Oh, well, pshh... ♪ [both] ♪ We on fire ♪
♪ Brung her back home more times than McGwire, higher ♪
♪ Trap Lord packed out the risers ♪
♪ Big getting his bread, your pocket on carb diets ♪
♪ I just start up a riot at all the Hyatts ♪
♪ Hos leave right before they cook the omelets ♪
♪ Now drop down, you a freak ♪
♪ Bend it over, touch your feet ♪
♪ Shake that booty, I know it's little but unique ♪
♪ Back that thing up on my nigga from the D ♪
♪ Oh, that's me? Drop down, you a freak ♪
♪ Bend it over, touch your feet ♪
♪ Shake that booty, I know it's little but unique ♪
♪ Then throw it back on my nigga from NYC ♪
♪ Oh, that's me? ♪
[cheers and applause]
♪ You-you a freak ♪
♪ Bend it over, touch your feet ♪
♪ ♪
♪ You a freak ♪
♪ Throw it back on my nigga from NYC ♪♪
[Tweet] ♪ Tell you what I did last night ♪
♪ I came home, say, around a quarter to three ♪
♪ Still so high, hypnotized ♪
♪ In a trance ♪
[singers vocalizing]
♪ ♪
♪ Tell you what I did last night ♪
♪ I came home, say, around a quarter to three ♪
♪ Still so high ♪
♪ Hypnotized ♪
♪ In a trance ♪
♪ From his body ♪
♪ So buttery brown and tantalizing ♪
♪ You would've thought I needed help ♪
♪ From this feeling that I felt ♪
♪ So shook, I had to catch my breath ♪
♪ Oops, there goes my shirt up over my head ♪
♪ Oh, my ♪
♪ Oops, there goes my skirt droppin' to my feet ♪
♪ Oh, my ♪
♪ Ooh, some kind of touch ♪
♪ Caressing my legs ♪
♪ Oh, my ♪
♪ Ooh, I'm turning red ♪
♪ Who could this be? ♪
♪ I looked over to the left ♪
[Missy] ♪ Mm, I was looking so good ♪
♪ I couldn't reject myself ♪
[Tweet] ♪ I looked over to the left ♪
[Missy] ♪ Mm, I was feeling so good ♪
♪ I had to touch myself ♪
[Tweet] ♪ I looked over to the left ♪
[Missy] ♪ Mm, I was eyeing my thighs ♪
♪ Butter pecan brown ♪
[Tweet] ♪ I looked over to the left ♪
[Missy] ♪ Mm, coming out of my shirt ♪
♪ And then my skirt came down ♪
♪ ♪
♪ Mm, mm, mm ♪
♪ ♪
♪ Mm, mm ♪
♪ ♪
♪ Mm, mm, mm ♪
♪ ♪
♪ And then my skirt came down ♪
♪ ♪
♪ Mm, mm, mm ♪
♪ ♪
♪ Mm, mm ♪
♪ ♪
♪ Mm, mm, mm ♪
♪ ♪
[Tweet] ♪ Oops, there goes my shirt ♪
♪ Up over my head ♪
♪ Oh, my ♪
♪ Oops, there goes my skirt ♪
♪ Droppin' to my feet ♪
♪ Oh, my ♪
♪ Ooh, some kind of touch ♪
♪ Caressing my legs ♪
♪ Oh, my ♪
♪ Ooh, I'm turning red ♪
♪ Who could this be? ♪
♪ ♪
♪ Tell you what I did last night ♪♪
♪ ♪
[cheers and applause]
♪ ♪
Whoo!
Y'all know who I am, right?
♪ Uh, no Master P ♪
♪ Ey, ten bad bitches and they after me ♪
♪ Ey, one bad bitch look like a masterpiece ♪
♪ Ey, lookin' for a dunk like an athlete ♪
♪ Big drip, what you call it? ♪
♪ Ice chain, pure water ♪
♪ You got the cash but can't afford 'em ♪
♪ You got the bag but can't afford it ♪
♪ Ey, give me the beat, I ride it like a Jet Ski ♪
♪ Ey, so many bad bitches, they harassin' me ♪
♪ They like me 'cause I rap and be with the athletes ♪
♪ Stop askin' me, I know they mad at me ♪
♪ Hop in the coupe, and I slide like it's Vaseline ♪
♪ West Coast six-four, jump like a trampoline ♪
♪ I take a brick out and put it on a triple beam ♪
♪ I'm not from Canada, but I see a lot of tings ♪
♪ Dismantle her, I know how to handle her ♪
♪ Light the candle up, make you put a banner up ♪
♪ Toss a 50 up, make 'em tear the club up ♪
♪ Took your bitch out the game, I had to sub her ♪
♪ Uh, no Master P ♪
♪ Ey, ten bad bitches and they after me ♪
♪ Ey, one bad bitch look like a masterpiece ♪
♪ And I'm lookin' for a dunk like an athlete ♪
♪ Big drip, what you call it? ♪
♪ Ice chain, pure water ♪
♪ You got the cash but can't afford 'em ♪
♪ You got the bag but can't afford it ♪
♪ Pimpin' ain't easy, let me open up and eat it ♪
♪ Stars in the ceilin' and my seats, they Tempur-Pedic ♪
♪ I see these niggas watchin' ♪
♪ And they plottin', tryna sneak me ♪
♪ I can't hit a thot, can't trust a thot ♪
♪ They tryna creep me ♪
♪ Big bank take lil' bank, lil' nigga ♪
♪ Catch him down bad, that nigga cry a whole river ♪
♪ Nawf on my back, I'm takin' care of the whole village ♪
♪ Somebody got shot, what you talkin' 'bout, Willis? ♪
♪ In the lobby with your bitch ♪
♪ I'm Ricky Bobby with your bitch ♪
♪ I go Lawrence with the fit ♪
♪ In the 'Rari with no tint ♪
♪ I'm from the trench, I got the dirty money rinsed ♪
♪ You was poppin', so I popped and prayed to God, repent ♪
♪ Uh, no Master P ♪
♪ Ey, ten bad bitches and they after me ♪
♪ Ey, one bad bitch look like a masterpiece ♪
♪ And I'm lookin' for a dunk like an athlete ♪
♪ Big drip, what you call it? ♪
♪ Ice chain, pure water ♪
♪ You got the cash but can't afford 'em ♪
♪ You got the bag but can't afford 'it ♪
♪ T-takeoff, no limit to the money ♪
♪ I picked the gang up, took a flight across the country ♪
♪ I tipped the waitress, told her to keep the ones comin' ♪
♪ Hit the store to get some Backwoods ♪
♪ And left the Wraith runnin' ♪
♪ Lookin' like they plottin' ♪
♪ But we already on it ♪
♪ In the lab with Celine ♪
♪ Like that bag that she wanted ♪
♪ A lot of tings ass bustin' ♪
♪ Out them jeans make you want it ♪
♪ Make you wanna spend a 50 ♪
♪ Hit the scene with her, don't it? ♪
♪ Whole team full of queens ♪
♪ Gotta keep their eyes on me ♪
♪ It's a snake in disguise ♪
♪ Prolly wanna slide on me ♪
♪ I bet they ride on 'em ♪
♪ When I put that prize on 'em ♪
♪ Ten bad bitches ♪
♪ Rotate 'em, got five of 'em ♪
♪ Uh, no Master P ♪
♪ Ey, ten bad bitches and they after me ♪
♪ Ey, one bad bitch look like a masterpiece ♪
♪ And I'm lookin' for a dunk like an athlete ♪
♪ Big drip, what you call it? ♪
♪ Ice chain, pure water ♪
♪ You got the cash but can't afford 'em ♪
♪ You got the bag but can't afford it ♪
♪ Let me see you two-step ♪
♪ Two-step ♪
♪ Let me see you two-step ♪
♪ Two-step ♪
♪ Good night ♪♪
[cheers and applause]
[ethereal music]
♪ ♪
[Ludmilla] ♪ Vai, malokera ♪
♪ Vai, representa ♪
♪ Vai, malokera ♪
♪ Vai, representa ♪
♪ E senta que, senta que, senta que ♪
♪ Senta que, senta que, senta que, senta ♪
♪ Ay, senta que, senta que, senta que, senta que ♪
♪ Senta que, senta que, senta ♪
♪ Vai, malokera ♪
♪ Vai, representa ♪
♪ Vai, malokera ♪
♪ Vai, representa ♪
♪ E senta que, senta que, senta que ♪
♪ Senta que, senta que, senta que, senta ♪
♪ Ay, senta que, senta que ♪
[MC Lan] E ele Herbert Richers.
Aha.
♪ Vai, malokera ♪
♪ Vai, representa ♪
♪ Vai, malokera ♪
♪ Vai, representa ♪
♪ E senta que, senta que, senta que, senta que ♪
♪ Senta que, senta que, senta ♪
♪ Oi, senta que, senta que, senta que, senta que ♪
♪ Senta que, sent ♪
[Ludmilla] ♪ Vai, malokera ♪
♪ Vai, representa ♪
♪ Vai, malokera ♪
♪ Vai, representa ♪
♪ E senta que, senta que, senta que, senta que ♪
♪ Senta que, senta que, senta ♪
♪ Ay, senta que, senta que, senta que, senta que ♪
♪ Senta que, senta que, senta ♪
♪ ♪
♪ Vai, vai ♪
♪ Malo ♪
♪ Vai, vai ♪
♪ Malo ♪
♪ Senta ♪
♪ Senta ♪♪
[♪ Cho: "Popalik"]
[Cho] ♪ Bombaclat ♪
♪ ♪
♪ Bombaclat ♪
[man] ♪ Dance, ah, done dance popalik ♪
♪ Dance, ah, done dance popalik ♪
[Cho] ♪ Popalik dance, dance ♪
♪ Popalik dance ♪
[man] ♪ Dance, ah, done dance popalik ♪
[Cho] ♪ Yeah, dance popalik ♪
♪ Dance popalik, dance popalik, popalik ♪
♪ Yeah, dance popalik ♪
♪ Dance popalik, dance popalik, popalik ♪
♪ Yeah, dance popalik ♪
♪ Dance popalik, dance popalik, popalik ♪
♪ Yeah, dance popalik ♪
♪ Dance popalik, dance popalik ♪
♪ Bombaclat ♪♪
♪ ♪
[man rapping indistinctly]
♪ ♪
[man] One, two, three, go.
♪ ♪
[Sean Paul] ♪ Shake that thing, Miss Kana, Kana ♪
♪ Shake that thing, Miss Annabella ♪
Shake that thing, yan Donna, Donna ♪
♪ Jodi and Rebecca ♪
♪ Girl, get busy, just shake that booty nonstop ♪
♪ When the beat drops, just keep swinging it ♪
♪ Get jiggy, get crunked up, percolate ♪
♪ Anything you want fi call it ♪
♪ Oscillate you hip and don't take pity ♪
♪ Me want fi see you get live upon the riddim when me ride ♪
♪ And me lyrics a provide electricity ♪
♪ Gal, nobody can tell you nuttin' ♪
♪ Can you done know your destiny ♪
♪ Yo, shake that thing, Miss Kana, Kana ♪
♪ Shake that thing, Miss Annabella ♪
Shake that thing, yan Donna, Donna ♪
♪ Jodi and Rebecca ♪
♪ Come on, shake, shake, shake, shake that ♪
♪ Shake, shake, shake, shake that ♪
♪ Yo, sexy ladies want par wid us ♪♪
♪ ♪
[cheers and applause]
[woman] ♪ Nasty ♪
♪ Dirty ♪
♪ Nasty ♪
♪ Dirty ♪
♪ Nasty ♪
♪ Dirty ♪
♪ Nasty ♪
♪ Dirty ♪
♪ Nasty ♪
♪ Dirty ♪
♪ Nasty ♪
♪ Dirty ♪
♪ Nasty ♪
♪ Dirty ♪
♪ Worthy ♪
♪ Dirty ♪
♪ Nasty ♪
♪ Dirty ♪
♪ Nasty ♪
♪ ♪
♪ Nasty ♪
♪ Dirty ♪
♪ Nasty ♪
♪ Dirty ♪
♪ Nasty ♪
♪ Dirty ♪
♪ Worthy ♪
♪ Dirty ♪♪
[men] ♪ They wanna know ♪
♪ ♪
♪ Yo, yo, yo, they wanna know ♪
♪ They wanna know, they wanna know ♪
♪ ♪
♪ They wanna know ♪
♪ ♪
[Halsey] ♪ Live without me ♪
♪ ♪
[♪ Halsey: "Graveyard"]
♪ ♪
[cheers and applause]
♪ ♪
♪ It's crazy when the thing you love the most ♪
♪ Is the detriment ♪
♪ And let that sink in ♪
♪ ♪
♪ You can think again ♪
♪ When the hand you wanna hold ♪
♪ Is a weapon and ♪
♪ You're nothing but skin ♪
♪ ♪
♪ Oh, 'cause I keep digging myself down deeper ♪
♪ I won't stop till I get where you are ♪
♪ I keep running, I keep running ♪
♪ I keep running ♪
♪ They say I may be making a mistake ♪
♪ I would've followed all the way ♪
♪ No matter how far ♪
♪ I know when you go down all your darkest roads ♪
♪ I would've followed all the way to the graveyard ♪
♪ Oh, 'cause I keep digging myself down deeper ♪
♪ I won't stop till I get where you are ♪
♪ I keep running when both my feet hurt ♪
♪ I won't stop till I get where you are ♪
♪ Oh, when you go down all your darkest roads ♪
♪ I would've followed all the way to the graveyard ♪
♪ ♪
♪ You look at me ♪
♪ With eyes so dark, don't know how you even see ♪
♪ You push right through me ♪
♪ Push right through me ♪
♪ It's getting real ♪
♪ You lock the door ♪
♪ You're drunk at the steering wheel ♪
♪ And I can't conceal ♪
♪ Oh, 'cause I've been digging myself down deeper ♪
♪ I won't stop till I get where you are ♪
♪ I keep running, I keep running ♪
♪ I keep running ♪
♪ They say I may ♪
♪ Be making a mistake ♪
♪ I would've followed all the way ♪
♪ No matter how far ♪
♪ I know when you go down all your darkest roads ♪
♪ I would've followed all the way to the graveyard ♪
♪ Oh, 'cause I keep digging myself down deeper ♪
♪ I won't stop till I get where you are ♪
♪ I keep running when both my feet hurt ♪
♪ I won't stop till I get where you are ♪
♪ Oh, when you go down all your darkest roads ♪
♪ I would've followed all the way to the graveyard ♪
♪ ♪
♪ It's funny how ♪
♪ The warning signs can feel like the butterflies ♪
[gasps] ♪ Oh, 'cause I keep digging myself down deeper ♪
♪ I won't stop till I get where you are ♪
♪ I keep running when both my feet hurt ♪
♪ I won't stop till I get where you are ♪
♪ Oh, when you go down all your darkest roads ♪
♪ I would've followed all the way to the graveyard ♪♪
♪ ♪
[cheers and applause]
[♪ TroyBoi: "Do You?"]
♪ ♪
♪ Do you love me? ♪
♪ ♪
♪ Do you need me? ♪
♪ ♪
♪ Do you want me? ♪
♪ ♪
♪ Do you love me? ♪
♪ ♪
♪ Do you want me? ♪
♪ ♪
♪ Do you love me? ♪
♪ Do you, do you? ♪
♪ Do you need me? ♪
♪ Do you, do you? ♪
♪ Do you want me? ♪
♪ Do you, do you? ♪
♪ Do you love me? ♪
♪ Do, do you? ♪
♪ Do you love me? ♪
♪ Do you, do you? ♪
♪ Do you love me? ♪
♪ Do, do you? ♪
♪ Do you love me? ♪
♪ Do you, do you? ♪
♪ Do you love me? ♪
♪ ♪
♪ Do you want me?
♪ ♪
♪ T-R-O-Y-B-O-I ♪
♪ Do you love me? ♪♪
[♪ DJ Khaled: "All I Do Is Win"]
♪ Get 'em up ♪
♪ ♪
- ♪ Put 'em up ♪ - ♪ Get 'em up ♪
New York!
♪ Get 'em up ♪
♪ ♪
DJ Khaled!
Everybody put your hands in the sky
if you're a winner like me!
DJ Khaled!
Hands in the sky. Let's go, New York!
♪ All I do is win, win, win no matter what ♪
♪ Got money on my mind, I can never get enough ♪
♪ And every time I step up in the buildin' ♪
♪ Everybody hands go up ♪
New York City!
♪ And they stay there ♪
- Let's go! - ♪ And they stay there ♪
- ♪ Oh, oh, up, up ♪
Savage X Fenty!
Rihanna, we love you!
Put your hands up like this!
♪ Put your hands in the air, make 'em stay there ♪
♪ Sittin' on the top floor ♪
♪ What you think I'm hot for? ♪
♪ Every summer, drop more ♪
♪ Hits to make my stocks go up ♪
♪ Them hands go up ♪
♪ The fans go up ♪
♪ Nothing can stop me, I'm all the way up ♪♪
♪ ♪
Rihanna, we love you!
Savage!
And I say right about now, New York City!
[both] ♪ Nothing can stop me ♪
I'm all the way up ♪
[DJ Khaled] New York!
[both] ♪ I'm all the way up ♪
♪ All the way up ♪
♪ I'm all the way up ♪
- Let's go. [both] ♪ I'm all the way up ♪
♪ Nothing can stop me, I'm all the way up ♪
♪ Shorty, what you want? Shorty, what you need? ♪
♪ My niggas run the game, we ain't never leavin' ♪
♪ Countin' up this money, we ain't never sleep ♪
♪ You got V12, I got 12V ♪
♪ I got bottles, got weed, got molly ♪
♪ I'm all the way up ♪
♪ Shorty, what you want? I got what you need ♪
♪ We all the way up ♪
♪ Shorty, what you want? I got what you need ♪
♪ I'm all the way up ♪
♪ Nothing can stop me, I'm all the way up ♪
♪ For my niggas with Bentley coupes and Rolexes ♪
♪ Kicked the bitch out the room ♪
♪ And gave her no breakfast ♪
♪ Had to stash the jewels, these bitches so reckless ♪
♪ Keep my hos on cruise ♪
♪ Shorty uptown showin' off her new things ♪
♪ Couldn't take it off, so I gave her un chain ♪
♪ She call me top shotta, yeah, I keep a few tings ♪
♪ Champion sound, yeah, I got a few rings ♪
♪ And I'm all the way up ♪
♪ And you can stay up ♪
♪ ♪
♪ And if you ask anybody where I live ♪
♪ They'll point to the hills and say ♪
♪ Go all the way up ♪
♪ ♪
♪ Go all the way up ♪
♪ I'm all the way up ♪
♪ Nothing can stop me, I'm all the way up ♪♪
New York, another one!
♪ Everybody walkin' like me now ♪
♪ Everybody talkin' like me now ♪
♪ Heard I'm who they wanna be now ♪
♪ Westbound, eastbound ♪
♪ Everybody walkin' like me now ♪
♪ Everybody talkin' like me now ♪
♪ Heard I'm who they wanna be now ♪
♪ Westbound, eastbound ♪
♪ Everybody walkin' like me now ♪
♪ Everybody talkin' like me now ♪
♪ Heard I'm who they wanna be now ♪
♪ Westbound, eastbound ♪
♪ Everybody walkin' like me now ♪
♪ Everybody talkin' like me now ♪
♪ Heard I'm who they wanna be now ♪
♪ Whack, whack, damn, she killer ♪
♪ Why she got holes in her denim? ♪
♪ I ain't been home in a minute ♪
♪ I ain't never seen no ceilin' ♪
♪ Call me God, yeah, he kneelin' ♪
♪ Audio, I'm top billin' ♪
♪ All of my boys dope dealin' ♪
♪ Super whack, I'm no villain ♪
♪ Nigga try to take my flow ♪
♪ Who the hell he think he is? ♪
♪ I just wanna make my dough ♪
♪ Gotta take care of my kids ♪
♪ Handlebars handle my biz ♪
♪ R.I.P., Dizzle Dizz ♪
♪ I would never tell no fib ♪
♪ Spit but I wear no bib ♪
♪ Nigga try to take my flow ♪
♪ Who the hell he think he is? ♪
♪ I just wanna make my dough ♪
♪ Gotta take care of my kids ♪
♪ Just hopped off the plane ♪
♪ 'Bout to up, up the game ♪
♪ Insane in the brain ♪
♪ You all know my name ♪
♪ Westbound, eastbound ♪
♪ Everybody walkin' like me now ♪
♪ Everybody talkin' like me now ♪
♪ Heard I'm who they wanna be now ♪
♪ Westbound, eastbound ♪
♪ Everybody walkin' like me now ♪
♪ Everybody talkin' like me now ♪
♪ Heard I'm who they wanna be now ♪♪
New York, make some noise for Fabolous!
- Come on! Put your hands up! - Brooklyn, it's only right.
[DJ Khaled] Throw your hands up!
Rihanna killing it tonight.
[DJ Khaled] Throw your hands up!
[Fat Joe] Yo, Brooklyn! Yo, Brooklyn!
♪ Everybody killing 'em, get your hands up ♪
♪ Get your hands up, get your hands up ♪
♪ Hey, you what's up, girl, ain't gotta ask it ♪
♪ I dead 'em all now, I buy the caskets ♪
♪ They should arrest you ♪
♪ Or whoever dressed you ♪
♪ Ain't gonna stress you ♪
♪ But I'ma let you know ♪
♪ Girl, you be killing 'em, you be killing 'em ♪
♪ Girl, you be killing 'em ♪
♪ Hey, hey ♪
♪ You ain't gotta worry 'bout her ♪
♪ Shorty straight ♪
♪ Been chasing her for two days, first 48
♪ A bad chick cost, she worth every cent ♪
♪ She look like the best money that I ever spent ♪
♪ Just watching my cutie pie get beautified ♪
♪ Make me want better jewels, a newer ride ♪
♪ Louboutin shoes, she got too much pride ♪
♪ Her feet are killing her, I call it shoe-icide ♪
♪ Looking good has its sacrifices ♪
♪ Chilly weather bring four-figure jacket prices ♪
♪ Her body nice, face dime ♪
♪ Get you that iPhone X, FaceTime ♪
♪ Shorty in the streets but still handle the home ♪
♪ Enough class for wine still handle Patrón ♪
♪ When them other hos call, I hand her the phone ♪
♪ And she hand 'em the tone ♪
♪ Hey, hey ♪
♪ You what's up, girl, ain't gotta ask it ♪
♪ I dead 'em all now, I buy the caskets ♪
♪ They should arrest you or whoever dressed you ♪
♪ Ain't gonna stress you but I'ma let you know ♪
♪ Girl you be killing 'em, you be killing 'em ♪
♪ Rihanna, you be killing 'em, oh-oh-oh ♪♪
Brooklyn, New York, we love you!
[Rihanna] Thank you! - And Savage X Fenty!
[Ty Dolla $ign] ♪ Let me talk ♪
[DJ Khaled] Rihanna, we love you!
[peppy percussive music]
[City Girls] ♪ Work, work ♪
[Ty Dolla $ign] ♪ Let me talk ♪
♪ ♪
[City Girls] ♪ Work, work ♪
♪ I love it when they try to get ♪
[Ty Dolla $ign] ♪ Let me talk ♪
[City Girls] ♪ I bet your little sister ♪
♪ Wanna look like me ♪
♪ I bet your little brother wanna [....] on me ♪
[Ty Dolla $ign] ♪ Let me talk like ♪
♪ And it's like ♪
[City Girls] ♪ I bet your little sister ♪
♪ Wanna look like me ♪
♪ I bet your little brother wanna [...] on me ♪
♪ I love it when they try to get ♪
[Ty Dolla $ign] ♪ Let me talk like ♪
[City Girls] ♪ I bet your little sister ♪
♪ Wanna look like me ♪
♪ I bet your little brother wanna [...] on me ♪
[Ty Dolla $ign] ♪ Let me talk like ♪
♪ And it's like ♪
[City Girls] ♪ I bet your little sister ♪
♪ Wanna look like me ♪
♪ I bet your little brother wanna [...] on me ♪
♪ I love it when they try to get ♪
[Ty Dolla $ign] ♪ Let me talk ♪
[City Girls] ♪ I bet your little sister ♪
♪ Wanna look like me ♪
♪ I bet your little brother wanna [...] on me ♪
[Ty Dolla $ign] ♪ Let me talk like ♪
♪ And it's like ♪
[City Girls] ♪ I bet your little sister ♪
♪ Wanna look like me ♪
♪ I bet your little brother wanna [...] on me ♪
♪ I love it when they try to get ♪
[Ty Dolla $ign] ♪ Let me talk like ♪
[City Girls] ♪ I bet your little sister ♪
♪ Wanna look like me ♪
♪ I bet your little brother wanna [...] on me ♪
[Ty Dolla $ign] ♪ Let me talk like ♪
♪ And its like ♪
[City Girls] ♪ I bet your little sister ♪
♪ Wanna look like me ♪
♪ I bet your little brother wanna [...] on me ♪
♪ I love it when they try to get ♪
[Ty Dolla $ign] ♪ And it's like ♪
[City Girls] ♪ I bet your little sister ♪
♪ Wanna look like me ♪
♪ I bet your little brother wanna [...] on me ♪
♪ I love it when they try to get ♪
[Ty Dolla $ign] ♪ And it's like ♪
[City Girls] ♪ I bet your little sister ♪
♪ Wanna look like me ♪
♪ I bet your little brother wanna [...] on me ♪
♪ I love it when they try to get ♪
♪ ♪
[man] It's a world premiere exclusive
ofMidnight Hour... [speaking Spanish]
Skrillex, Boys Noize, Ty Dolla $ign.
[speaking Spanish]
[Ty Dolla $ign] ♪ Let me talk like ♪
♪ ♪
[City Girls] ♪ I bet your little sister ♪
♪ Wanna look like me ♪
♪ I bet your little brother wanna [...] on me ♪
[Ty Dolla $ign] ♪ Let me talk like ♪
♪ And it's like ♪
[City Girls] ♪ I bet your little sister ♪
♪ Wanna look like me ♪
♪ I bet your little brother wanna [...] on me ♪
♪ I love it when they try to get ♪
[Ty Dolla $ign] ♪ Let me talk like ♪
[City Girls] ♪ I bet your little sister ♪
♪ Wanna look like me ♪
♪ I bet your little brother wanna [...] on me ♪
[Ty Dolla $ign] ♪ Let me talk like ♪
♪ And it's like ♪
[City Girls] ♪ I bet your little sister ♪
♪ Wanna look like me ♪
♪ I bet your little brother wanna [...] on me ♪
♪ I love it when they try to get ♪
[Ty Dolla $ign] ♪ And it's like ♪
[City Girls] ♪ I bet your little sister ♪
♪ Wanna look like me ♪
[cheers and applause]
Whoo!
[excited screaming]
[speaking indistinctly]
[excited screaming]
[woman] What's up?
Uh, where's Parris' ass?
Yes! There she is!
Yeah!
[crowd chanting] Fenty! Fenty! Fenty! Fenty! Fenty!
Sandrine! No!
Zoom in on that.
Khaled!
You guys did amazing. Thank you so much.
Oh, my God. I'm your biggest fan.
So am I.
Okay.
Oh!
Look at this smile I got on Jay Brown's face.
[woman] Now all three of you, yeah.
All right.
You know how much I love you, right?
I know now, yes.
Oh, sorry, babe.
[laughs]
[light applause]
[speaking indistinctly]
What an epic, epic evening.
It's, like, the shortest
and most intense thing we've ever done.
[man] Crazy.
Crazy. Boom.