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Downloaded from
YTS.MX

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[Anton] The Phantom
by Anton Yelchin.

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Official YIFY movies site:
YTS.MX

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[ James Bond theme playing]

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Created by Anton Yelchin.

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[in Russian]

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Filming.

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Taping...

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by Victor Yelchin.

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[Anton] Costumes by
Anton Yelchin and Irina Yelchin.

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[ James Bond theme playing]

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Story writer, Anton Yelchin!

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And here it goes!

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Cut. Cut!

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[calm music]

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[interviewer] To begin with,

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I just wanted
to ask you a fun question.

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I don't know if...

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Did you go to the movies
as a kid?

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And if you did,
were there any films or actors

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that were particular favorites
or influences for you?

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[Anton] Well, as a kid,
when I went to the movies,

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Arnold Schwarzenegger
was probably the biggest

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-influence on me.
-[interviewer] Yeah.

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[Anton] Specifically,
Last Action Hero

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I remember seeing, and just...

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being obsessed with, you know?

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And then, uh, Space Jam,

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definitely,
was a profound influence

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-when I was younger.
-[interviewer] Yes.

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Oh!
[grunts]

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[Victor] Oh, gee!

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[Anton] It's funny, like,
that was my taste

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up until I was like ten.

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Then when I was like 11 and 12,

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my parents started showing me,
because I started working.

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And they were like, "You know,
if you want to do this,

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we're gonna start
showing you good movies,

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just so you don't think
Space Jam is...

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[interviewer] Is the peak. Yeah.
[chuckling]

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[Anton] Was the peak
of American Cinema.

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Um, so they showed me a film
shot by the same DP, actually,

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named Michael Chapman,
who did Taxi Driver.

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I swear, I swear, I'm not crazy.

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[snarling]

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[imitates gunshot]

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[grunts, thuds]

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[Anton] And I loved it.
It was like the first thing

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I consciously said
to my folks, like,

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"I want to do this.
I want to make movies."

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[crowd applauds, cheers]

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The actor Anton Yelchin
is with me.

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You Are in Vancouver
and you are shooting...

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-yet again something?
-Yeah.

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Yeah. How are you in school?
Good in school?

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Good. All A's except in Gym.

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-In Gym?
-Yeah.

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-[audience laughs]
-[snickers]

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You're a child
after my own heart,

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I have to say.

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But your parents are athletes?

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Yeah, so I think
that's enough in our family.

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-[Vicki] Yeah.
-[audience laughs]

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[audience cheers, laughs]

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[announcer]
Making their first appearance

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in a professional competition,

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the former stars
of the Leningrad Ice Ballet,

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Irina Korina and Victor Yelchin from the Soviet Union.

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Thirty-eight years of age,
Victor,

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he has a lot of experience.

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These two, now married
and live in Los Angeles

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with their seven-month-old son.

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This is the beginning
of a new career for them,

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and a new life.

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[calm music playing]

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[Irina]

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And I was just follow

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everything what he was writing
about pregnancy.

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I was...

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extremely happy
that I have a baby.

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[audience applauding]

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[announcer] Irina Korina and Victor Yelchin

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bring that music with them
from the Soviet Union.

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That is the theme song
from a Russian movie called

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A Slave of Love.

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[Victor]

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[news reporter]
Anti-Semitism is on the rise

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in the Soviet Union.

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Five years ago,

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no one would have said
there is any anti-Semitism.

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Today, there is.

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[Irina]

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...who lived in United States,

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and he came back, and he said,

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"When the baby would be born,
we have to leave."

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[Irina]

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[suspenseful music]

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[Irina]

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[calm music]

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[Victor]

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...men don't cry.

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And actually, I didn't.

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But this time, when...

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[Victor]

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It was unbelievable feeling

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that I'm staying on
American soil

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with my baby in my hand.

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And this moment will be with me,
like, all my life.

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That's it.

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[Tavis] It is fascinating to me

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how you arrived
in this country. So...

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For those
who don't know the story,

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tell me about your mom and dad,

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and how you, how you
made your way to the US of A.

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[Anton] My parents
were successful

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in the Soviet Union.

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Basically, they sold everything,

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uh, and came to this country
not knowing a word of English,

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and...

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just started to work.

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And, uh, and then they raised me
in the San Fernando Valley,

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which I dug
based on family photographs,

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-I was having a... a good time.
-[both chuckle]

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["Break Your Television"
by the Hammerheads playing]

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♪ I know I don't need you
Just like you don't need me ♪

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♪ I know you put your faith
Into technology ♪

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♪ I know that we can settle in
Like a pizza parlor ♪

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Hi-yah!

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♪ Come on, where the fuck
Did you go? ♪

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♪ Come on, come on ♪

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♪ Break your television! ♪

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[Paul] You know, I met him...
I met him in grade school.

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He was just kind of like,
this loud, kind of crazy kid.

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[imitates opera music]

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[Paul] Everyone knows him
as, you know, like,

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this infinitely
creative person, and...

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You know, we were just...

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We were just
fucking silly together.

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[Anton] Poor boy.

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[slurps]

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So lovely he was, too.

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Alas, what time does
through the ages.

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[Paul] We would go running
around his neighborhood,

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and he would
always be talking about

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different things
that he was reading,

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and different music
that we were into.

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One of the first people to,
like, really show me Fellini.

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I don't think we watched
a full Fellini film together,

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but we definitely watched clips.

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[Paul] One of the better
memories that we had

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was when he brought out
the video camera.

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[guitar vibrating]

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[crunches]

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["Misirlou" by Dick Dale
& The Del Tones playing]

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[Paul] On one level, it was just
two kids just being silly,

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having a lot of fun.

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But on another level,

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there was just something
that was...

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It was kind of serendipitous,

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but it was also just...

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Anton.

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[suspenseful music]

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[Anton] The Dream,
a film by Anton Yelchin.

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[Anton] I was very shy,
but very privately animated.

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What do you want me to show you?

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Drama, ballet...

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or...

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comedy, horror...

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and action?

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[Anton] Sort of
a closer family friend of ours

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suggested they take me
to an acting class called

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uh, Kris Kyer's Actors Workshop.

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He had like a class
for little kids,

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and it was all, like,
eight-year-olds

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or nine-year-olds.

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[Kris] He would look
down his feet for the first...

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six months, I would say.

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He wouldn't look up.
He would get very scared.

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And all we had to do was instill

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uh, self-imagination,
self-esteem

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for the first six months,

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and then a lightbulb went on.

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Seventy-three years ago,

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there once lived a man,

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and his name was Mr. Picognius.

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He was the greatest artist ever.

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He painted...

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Picasso sometimes
even could be like him.

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[Anton]We did a lot of improv, like, we would do things,

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like, where he would
give us an assignment

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to come home and make something.

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And I actually enjoyed

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those moments more than I did
where we had to learn scenes.

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And because at the time,

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scenes were just lines to me, they weren't really characters,

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whereas these things where I could just create stuff,

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kind of like I did at home.

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[In Russian]
The policeman tells me

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that he is...

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That he dropped. Yes.

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[Victor]

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[Irina]

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And to be or not to be!

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[Vicki] So, your audition
for Chuck E. Cheese,

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you did an imitation of Arnold?

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-[Anton] Arnold, yeah.
-[Vicki] Yeah.

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[Anton] But, it's,
it's gotten worse.

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[Vicki] Oh, yeah.
Oh, well, that's okay.

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[Anton] And then
they asked us to dance.

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[Vicki]Most guys, you know, um, that are like 10, 11, and 12,

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you say to them, "Okay, dance."

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They just...
they wanna run away.

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[Anton] I always dance
with my mom at parties,

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and in between
my dad dancing with my mom

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because my parents
are ice skaters.

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So my mom always wants me
to dance with her,

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so I don't say, "No!"

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So I always dance with my mom.

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[calm music]

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[Irina]

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Why it's so hard for him
to fight a simple cold.

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[Irina] And,
uh, the doctor said,

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"The results are positive.
Anton has cystic fibrosis."

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[Dr. Adupa] Imagine being born
with chronic illness,

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and your parents being told

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that you're not going
to live beyond a certain age

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without a significant
amount of therapies

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and significant
amount of medications

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to modify how
their body functions,

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to maintain their activity.

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That's a huge burden to bear.

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[Irina]

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[Mary] One of the hardest things
with CF

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is they don't look sick,

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but they're battling
all the time,

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because the number one symptom
is their breath,

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which we all, in this room,
take for granted.

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[Irina]

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[Mary] Everyone's disease
is different,

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and they all
handle it differently.

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You know, I'd say,

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"You know, this is more hopeful
than it used to be.

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So really live with hope
as your, your main driver."

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[Irina]

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...has this horrible disease.

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Yeah, brotha's cool, yeah.

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Yeah!

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[Irina]

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-[Anton] And always...
-[instructor] Eat my greens.

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-Eat my... I like greens.
-[instructor] Good.

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And never ever...

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-And never ever...
-[instructor] Pick my nose

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-and eat the boogers.
-Pick...

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-I never eat the boogers.
-[instructor] Good.

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[kids laugh]

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-[instructor] Okay, here you go.
-Thank you.

257
00:14:01,405 --> 00:14:02,406
[Irina]

258
00:14:11,372 --> 00:14:13,417
that we have to...

259
00:14:17,944 --> 00:14:21,034
[all singing]
Happy birthday to you!

260
00:14:21,121 --> 00:14:23,471
-[boy 1] And many more!
-[instructor] Yay!

261
00:14:23,558 --> 00:14:24,951
[Anton] I did
that episode of ER,

262
00:14:25,038 --> 00:14:26,909
it was a very heavy episode.

263
00:14:26,996 --> 00:14:28,128
-And it was the first time I had-[interviewer] Mm-hmm.

264
00:14:28,215 --> 00:14:30,217
to cry for anything.

265
00:14:30,304 --> 00:14:31,958
[Anton] And I just wept
and wept, and wept,

266
00:14:32,045 --> 00:14:34,221
and I couldn't stop crying
after they cut.

267
00:14:34,308 --> 00:14:35,962
And it was weirdly cathartic
and kind of awesome,

268
00:14:36,049 --> 00:14:37,964
but very painful
at the same time.

269
00:14:38,051 --> 00:14:40,705
Like, my mom
was really freaked out.

270
00:14:40,792 --> 00:14:43,839
[Luka Kovac] We and the other
doctors worked really hard

271
00:14:43,926 --> 00:14:45,406
to help your parents, but...

272
00:14:45,493 --> 00:14:49,236
their injuries were
very, very serious.

273
00:14:49,323 --> 00:14:50,802
And...

274
00:14:50,890 --> 00:14:52,804
despite everything
we tried to do,

275
00:14:52,892 --> 00:14:55,111
we were not able to save them.

276
00:14:55,198 --> 00:14:56,983
But I know they would be
so relieved

277
00:14:57,070 --> 00:14:59,028
to know that you're both okay.

278
00:15:02,466 --> 00:15:03,511
[sighs]

279
00:15:03,598 --> 00:15:04,904
I wanna see them.

280
00:15:06,993 --> 00:15:09,038
[Anton] I mean,
I don't think any parent...

281
00:15:09,125 --> 00:15:10,735
I mean, I don't know
what kind of a parent

282
00:15:10,822 --> 00:15:12,781
would want to sit there
and see their kid weep,

283
00:15:12,868 --> 00:15:14,957
and it was kind of
off-putting to her.

284
00:15:15,044 --> 00:15:16,480
But it was... there is...
Something happened

285
00:15:16,567 --> 00:15:18,700
where I realized
that it was very much...

286
00:15:18,787 --> 00:15:20,615
It was very much something
that I had enjoyed.

287
00:15:20,702 --> 00:15:22,486
- That intensity.
-[interviewer] Mm.

288
00:15:24,880 --> 00:15:27,056
[Irina]

289
00:15:33,236 --> 00:15:35,586
[Irina] "I wish for you
to feel million, trillion,

290
00:15:35,673 --> 00:15:37,893
billion times better tomorrow."

291
00:15:37,980 --> 00:15:40,417
"Dear Mommy,
I love you so very much.

292
00:15:40,504 --> 00:15:42,332
I adore you.

293
00:15:42,419 --> 00:15:44,465
I wish for you to feel billion,
trillion times better tomorrow."

294
00:15:44,552 --> 00:15:46,380
And it was like 20,

295
00:15:46,467 --> 00:15:49,383
those type of cards he would
just slip under the door

296
00:15:49,470 --> 00:15:51,211
or kiss me and do that.

297
00:15:51,298 --> 00:15:52,647
[Irina]

298
00:15:55,998 --> 00:15:57,130
He would just write,
"Dear Mommy,

299
00:15:57,217 --> 00:15:58,914
I love you! Love, Antosha."

300
00:15:59,001 --> 00:16:01,699
"Dear Mommy, I love you.
Love, Antosha."

301
00:16:01,786 --> 00:16:04,528
Just like that. This is like...
That's a treasure.

302
00:16:04,615 --> 00:16:06,139
It's no gifts.

303
00:16:07,053 --> 00:16:09,316
Better than those.

304
00:16:09,403 --> 00:16:12,058
[Anton] I'm very fortunate
because my mom,

305
00:16:12,145 --> 00:16:13,624
you know, she was teaching
all the time,

306
00:16:13,711 --> 00:16:15,757
she still choreographs,

307
00:16:15,844 --> 00:16:17,889
but she would literally,
like in her skating suit,

308
00:16:17,977 --> 00:16:19,848
take me to auditions
after work and just...

309
00:16:19,935 --> 00:16:20,980
She just believed
that this is what I loved,

310
00:16:21,067 --> 00:16:23,243
so I owe her everything, really.

311
00:16:23,330 --> 00:16:25,245
Just for believing in me,
you know?

312
00:16:28,683 --> 00:16:30,772
"What is a man if his chief good

313
00:16:30,859 --> 00:16:35,733
and market of his time be,
but to sleep and feed.

314
00:16:37,692 --> 00:16:39,955
A beast, no more.

315
00:16:40,042 --> 00:16:43,741
Sure he that made us
with such large discourse,

316
00:16:43,828 --> 00:16:45,482
looking before and after,

317
00:16:45,569 --> 00:16:48,790
gave us not this capability
and god-like reason

318
00:16:48,877 --> 00:16:51,053
to fust in us unused.

319
00:16:51,140 --> 00:16:53,142
Now, whether it be
bestial oblivion,

320
00:16:53,229 --> 00:16:55,840
or some craven scruple

321
00:16:55,927 --> 00:16:59,714
of thinking too precisely
on the event...

322
00:16:59,801 --> 00:17:00,976
A thought which, quartered,

323
00:17:01,063 --> 00:17:02,978
hath but one part reason

324
00:17:03,065 --> 00:17:05,502
and ever three parts coward."

325
00:17:05,589 --> 00:17:07,461
[Anton] After like six
or seven commercials,

326
00:17:07,548 --> 00:17:09,854
I kind of said to my mom that it wasn't what I expected.

327
00:17:09,941 --> 00:17:11,987
-[interviewer] Mm.
-[Anton] And she was like,

328
00:17:12,074 --> 00:17:14,120
"It's fine,
if you don't want to do this.

329
00:17:14,207 --> 00:17:16,644
Um, we can figure out what else there is to do, you know?

330
00:17:16,731 --> 00:17:18,820
Like, we can see
what the next step is.

331
00:17:18,907 --> 00:17:21,214
Or, if you don't like it,
that's cool, too,

332
00:17:21,301 --> 00:17:22,780
you don't have to do that.
You just go back to school."

333
00:17:22,867 --> 00:17:24,652
And I got an agent,

334
00:17:24,739 --> 00:17:27,481
and I worked on my first movie,A Man is Mostly Water,

335
00:17:27,568 --> 00:17:31,398
and I realized that, that was
what I really wanted to do.

336
00:17:32,312 --> 00:17:34,009
♪ Soon it's morning, baby ♪

337
00:17:34,096 --> 00:17:36,272
♪ About to break our day ♪

338
00:17:36,359 --> 00:17:39,145
♪ I know it hurts...
Darling used to be ♪

339
00:17:39,232 --> 00:17:41,060
♪ Soon it's morning ♪

340
00:17:41,147 --> 00:17:42,757
♪ And I'm about to break
Our day ♪

341
00:17:43,932 --> 00:17:45,760
[Irina]

342
00:17:52,593 --> 00:17:54,769
[strums guitar]

343
00:17:56,379 --> 00:17:58,555
[Irina]

344
00:18:08,304 --> 00:18:10,350
...he, he start playing guitar.

345
00:18:10,437 --> 00:18:12,003
So good.

346
00:18:12,091 --> 00:18:13,266
[Anton]
This Blues is for you, Mama.

347
00:18:15,790 --> 00:18:16,878
♪ Mommy ♪

348
00:18:18,140 --> 00:18:20,795
♪ I love you so, Mommy ♪

349
00:18:22,144 --> 00:18:24,625
♪ Oh, Mommy ♪

350
00:18:26,017 --> 00:18:28,194
♪ I love you for life ♪

351
00:18:30,979 --> 00:18:32,589
♪ So beautiful, Mom ♪

352
00:18:33,503 --> 00:18:35,331
♪ So beautiful, Mom ♪

353
00:18:36,637 --> 00:18:38,943
[John] I never met anyone
quite like him

354
00:18:39,030 --> 00:18:40,728
in the sense that
there were these,

355
00:18:40,815 --> 00:18:45,254
sort of classic,
child-like qualities about him

356
00:18:45,341 --> 00:18:48,127
and very old qualities
and they just coexisted.

357
00:18:48,214 --> 00:18:49,911
That is, he had...

358
00:18:49,998 --> 00:18:51,956
a curiosity,
that with most people

359
00:18:52,043 --> 00:18:53,349
degrades over time...

360
00:18:54,611 --> 00:18:55,656
Love you, baby.

361
00:18:56,918 --> 00:18:58,093
Love you.

362
00:18:58,180 --> 00:18:59,225
Yeah!

363
00:18:59,312 --> 00:19:02,141
...but not with him.

364
00:19:02,228 --> 00:19:04,099
[Anton as Milo] She sure is big.

365
00:19:04,186 --> 00:19:05,187
[Albert as Elmore]
I knew you would like it.

366
00:19:05,274 --> 00:19:06,754
All kids like big things.

367
00:19:06,841 --> 00:19:08,277
It must be some kind of rule.

368
00:19:09,322 --> 00:19:10,714
What is she holding?

369
00:19:10,801 --> 00:19:12,238
Well, it's a torch...

370
00:19:12,325 --> 00:19:13,717
to light the way in

371
00:19:13,804 --> 00:19:16,329
for the ships
going into the harbor.

372
00:19:16,416 --> 00:19:18,983
[John] I met him
when he was a little kid,

373
00:19:19,070 --> 00:19:21,247
on a movie called,
Delivering Milo,

374
00:19:21,334 --> 00:19:23,771
and I thought
I was a little kid,

375
00:19:23,858 --> 00:19:25,990
but he was, uh, littler.

376
00:19:26,077 --> 00:19:27,253
He was so interesting.

377
00:19:27,340 --> 00:19:28,384
I would have never guessed

378
00:19:28,471 --> 00:19:30,125
he would become a professional,

379
00:19:30,212 --> 00:19:31,257
although, he was a professional,

380
00:19:31,344 --> 00:19:33,084
if I had just seen that.

381
00:19:33,172 --> 00:19:34,564
[John] Because he didn't have,

382
00:19:34,651 --> 00:19:36,218
kind of, like
a false precociousness

383
00:19:36,305 --> 00:19:37,741
which I find
in a lot of kid actors.

384
00:19:37,828 --> 00:19:40,222
They're good
at pretending to be adults.

385
00:19:40,309 --> 00:19:42,181
He wasn't doing that. He was...

386
00:19:42,268 --> 00:19:44,095
I don't want to take away
from what he did

387
00:19:44,183 --> 00:19:45,967
by calling him "a natural,"

388
00:19:46,054 --> 00:19:48,796
but he did have an ability
to just jump into something,

389
00:19:48,883 --> 00:19:49,971
and it didn't seem hard.

390
00:19:50,058 --> 00:19:51,233
Maybe it was hard.

391
00:19:54,018 --> 00:19:56,891
[calm music]

392
00:19:56,978 --> 00:19:59,372
[Anton] Everything was so,
so instinctual,

393
00:19:59,459 --> 00:20:01,200
like I don't even remember
what I did

394
00:20:01,287 --> 00:20:03,114
in terms of working on it,

395
00:20:03,202 --> 00:20:04,115
I probably
just learned my lines.

396
00:20:04,203 --> 00:20:06,248
But the biggest,

397
00:20:06,335 --> 00:20:08,163
biggest thing that was,
I think, quite significant

398
00:20:08,250 --> 00:20:10,600
and kind of affected me
profoundly

399
00:20:10,687 --> 00:20:12,820
was doing the film
Hearts in Atlantis,

400
00:20:12,907 --> 00:20:14,691
with Anthony Hopkins
and Scott Hicks directing,

401
00:20:14,778 --> 00:20:17,216
and being around
the late Piotr Sobocinski,

402
00:20:17,303 --> 00:20:19,305
who was an extraordinary DP,
and...

403
00:20:19,392 --> 00:20:21,307
And seeing them work

404
00:20:21,394 --> 00:20:23,744
and being influenced by them
was tremendous.

405
00:20:25,963 --> 00:20:28,531
[Scott]Remember that first time we were in that room in...

406
00:20:28,618 --> 00:20:31,099
- in, uh, Keswick when--
-[Anthony] Keswick Hall.

407
00:20:31,186 --> 00:20:33,232
[Scott] When Anton came in

408
00:20:33,319 --> 00:20:35,886
and sat down
and started reading with you.

409
00:20:35,973 --> 00:20:38,672
[Anthony] You prepped me
a little about Anton.

410
00:20:38,759 --> 00:20:40,674
You said, "Well, we think
this boy is really terrific."

411
00:20:40,761 --> 00:20:43,677
And then in walked
this young kid.

412
00:20:43,764 --> 00:20:47,333
And he reminded me
of Tom Sawyer.

413
00:20:47,420 --> 00:20:49,509
And then
when he did the reading,

414
00:20:49,596 --> 00:20:51,554
I thought he was just
an extraordinary boy.

415
00:20:51,641 --> 00:20:54,209
He had such poise
and, uh, confidence

416
00:20:54,296 --> 00:20:56,820
without being obnoxious
or overbearing.

417
00:20:56,907 --> 00:20:59,780
I thought he was just wonderful, wonderful kid.

418
00:21:01,260 --> 00:21:03,436
[light music]

419
00:21:05,394 --> 00:21:08,049
Go on, Ted.
I mean, you can't stop!

420
00:21:08,136 --> 00:21:09,224
[Anthony grunts]

421
00:21:09,311 --> 00:21:11,008
Ted, I gotta know what happened!

422
00:21:14,098 --> 00:21:15,709
I never ever saw...

423
00:21:15,796 --> 00:21:17,841
a girl as special
as Carol Gerber.

424
00:21:19,060 --> 00:21:20,540
There's millions.

425
00:21:20,627 --> 00:21:21,628
Oh, yeah?

426
00:21:23,238 --> 00:21:24,413
Have you kissed her yet?

427
00:21:25,153 --> 00:21:26,372
Yuck!

428
00:21:26,459 --> 00:21:28,025
Well, you will. I promise you.

429
00:21:28,678 --> 00:21:30,071
Stay away.

430
00:21:30,158 --> 00:21:32,378
[chuckles]
You will.

431
00:21:32,465 --> 00:21:33,944
And it will be the kiss

432
00:21:34,031 --> 00:21:36,338
by which all others in your life
will be judged.

433
00:21:37,339 --> 00:21:39,559
[calm music]

434
00:21:42,170 --> 00:21:43,476
[Nicholas] Dear Journal.

435
00:21:43,563 --> 00:21:45,652
Today I have my first kiss.

436
00:21:45,739 --> 00:21:48,045
This was my first kiss
with Mika.

437
00:21:48,132 --> 00:21:50,309
It was okay, I kinda liked it.

438
00:21:50,396 --> 00:21:51,527
It was very nice.

439
00:21:51,614 --> 00:21:53,312
And I did it twice.

440
00:21:53,399 --> 00:21:55,314
I hope it happens
many more times.

441
00:22:02,146 --> 00:22:05,193
[Richard] I said, "Anton,
what you got to do is

442
00:22:05,280 --> 00:22:07,021
wait for the good scripts,"

443
00:22:07,108 --> 00:22:08,544
you know, the thing

444
00:22:08,631 --> 00:22:10,416
that's gonna launch you
to the next step."

445
00:22:10,503 --> 00:22:12,026
And he said to me,

446
00:22:12,113 --> 00:22:15,116
"No, I want to do everything."

447
00:22:15,203 --> 00:22:18,032
[Richard] I said, "No, no, no,
you can't do everything,

448
00:22:18,119 --> 00:22:19,642
because there's a lot of...

449
00:22:19,729 --> 00:22:21,252
junk out there
you don't want to be a part of."

450
00:22:21,340 --> 00:22:23,603
"No, no, I wanna do everything.

451
00:22:23,690 --> 00:22:26,040
I don't care, I want to act."

452
00:22:35,789 --> 00:22:37,443
[Victor]

453
00:22:51,892 --> 00:22:54,460
-[Irina] Raging Bull. -[Viktor] Then wasRaging Bull.

454
00:22:58,246 --> 00:23:00,422
[calm music]

455
00:23:03,251 --> 00:23:05,819
[Anton] Fight. Win, win, win.

456
00:23:05,906 --> 00:23:07,690
[grunting]

457
00:23:07,777 --> 00:23:09,649
[panting]

458
00:23:10,563 --> 00:23:12,347
Kill, kill, kill.

459
00:23:12,434 --> 00:23:14,958
Kill, kill. Put them up.

460
00:23:15,045 --> 00:23:16,264
Kill, kill, kill.

461
00:23:16,351 --> 00:23:18,440
[Victor]

462
00:23:27,536 --> 00:23:28,624
[Irina] Studying it.

463
00:23:28,711 --> 00:23:30,844
He was going back to Internet,

464
00:23:30,931 --> 00:23:32,715
read everything,
what was connected

465
00:23:32,802 --> 00:23:35,849
with this particular movie.

466
00:23:35,936 --> 00:23:38,678
[Nicholas] Influence
on Taxi Driver for Scorsese.

467
00:23:38,765 --> 00:23:42,029
Notes from the Underground,
Merchant of Four Seasons,

468
00:23:42,116 --> 00:23:43,117
Fassbinder.

469
00:23:44,553 --> 00:23:46,337
Travis Bickle is a reflection

470
00:23:46,425 --> 00:23:48,209
of the history of masculinity
in film.

471
00:23:52,474 --> 00:23:54,911
[Ryan] We would sit for hours.

472
00:23:54,998 --> 00:23:57,523
And he would show me
old movies, you know.

473
00:23:57,610 --> 00:23:59,699
Old film noirs, and...

474
00:23:59,786 --> 00:24:03,529
old French movies
and old Japanese movies, and...

475
00:24:03,616 --> 00:24:05,139
You know, he was a...

476
00:24:05,226 --> 00:24:07,924
a true student of film.

477
00:24:08,011 --> 00:24:11,232
[Nicholas] Double Indemnity,
1944, Billy Wilder.

478
00:24:11,319 --> 00:24:13,713
A great, nasty picture.

479
00:24:13,800 --> 00:24:16,716
Uses the self-conscious device
of voiceover and flashback.

480
00:24:16,803 --> 00:24:19,370
Straight Shooting,
1917, John Ford.

481
00:24:19,458 --> 00:24:21,416
A great moving picture.

482
00:24:21,503 --> 00:24:23,200
Even though
it's Ford's first feature,

483
00:24:23,287 --> 00:24:25,159
already displays his themes

484
00:24:25,246 --> 00:24:27,291
in much of this spectacular use of mise-en-scéne.

485
00:24:27,378 --> 00:24:29,729
[Victor]

486
00:24:50,532 --> 00:24:52,491
-[Victor]
-[Irina] Bohemians.

487
00:24:53,013 --> 00:24:54,623
[Victor]

488
00:25:04,546 --> 00:25:08,681
[John] I remember once,
he invited me to a movie.

489
00:25:09,551 --> 00:25:11,292
It was The Big Heat...

490
00:25:12,206 --> 00:25:13,816
with Lee Marvin.

491
00:25:13,903 --> 00:25:15,601
After the movie, I was like,
"That was amazing!

492
00:25:15,688 --> 00:25:17,124
That was amazing!"

493
00:25:17,211 --> 00:25:18,604
And he was like,
"I'm glad you enjoyed it."

494
00:25:18,691 --> 00:25:20,606
[chuckles]
Uh, he...

495
00:25:20,693 --> 00:25:22,564
He had, of course,
seen it multiple times.

496
00:25:25,001 --> 00:25:26,437
[Anton] I mean,
I always loved movies.

497
00:25:26,525 --> 00:25:28,788
I loved being on set.

498
00:25:28,875 --> 00:25:29,702
I love meeting people.
I love working on the scenes,

499
00:25:29,789 --> 00:25:31,486
but...

500
00:25:31,573 --> 00:25:33,619
the level of work
that I've put in

501
00:25:33,706 --> 00:25:35,229
and the appreciation I had
for the craft of filmmaking

502
00:25:35,316 --> 00:25:36,796
is completely different now.

503
00:25:45,631 --> 00:25:47,807
["Frolic" by Luciano Michelini
playing]

504
00:25:49,025 --> 00:25:50,505
[Anton] I would like you
to shuffle this, please.

505
00:25:50,592 --> 00:25:51,637
All right.

506
00:25:51,724 --> 00:25:53,987
[Anton] And efficiently, and...

507
00:25:54,074 --> 00:25:55,554
-[Larry] Yeah. Okay, fine.
-Anyway possible.

508
00:25:55,641 --> 00:25:56,990
-[Cheryl] Okay.
-[Larry] So, I'll shuffle.

509
00:25:58,731 --> 00:26:00,080
-[cards rustling]
-[Anton inhales deeply]

510
00:26:00,167 --> 00:26:02,343
Okay, and...

511
00:26:02,430 --> 00:26:03,910
This is your card.

512
00:26:06,477 --> 00:26:08,001
Wow!

513
00:26:08,088 --> 00:26:09,393
Yeah.

514
00:26:09,480 --> 00:26:10,699
How'd you do that?

515
00:26:11,918 --> 00:26:13,572
I'm sorry, I can't tell you.

516
00:26:14,094 --> 00:26:15,791
Sorry.

517
00:26:15,878 --> 00:26:17,706
Come on, just do it.
How you did you do the trick?

518
00:26:17,793 --> 00:26:20,230
No, no, no. Magicians don't tell
people how they do their tricks.

519
00:26:20,317 --> 00:26:22,493
Yeah, well,
you're not really a magician.

520
00:26:22,581 --> 00:26:24,408
Oh, yeah, I am.

521
00:26:24,495 --> 00:26:25,540
What, 'cause you do one trick,
that makes you a magician?

522
00:26:25,627 --> 00:26:26,976
Did I trick you?

523
00:26:28,978 --> 00:26:30,893
[Anton] Curb is such a different kind of experience.

524
00:26:30,980 --> 00:26:33,592
I mean, Curb, you go
on the audition, and...

525
00:26:33,679 --> 00:26:36,246
you pick a scenario
out of a hat.

526
00:26:36,333 --> 00:26:38,161
And then you go into the room,

527
00:26:38,248 --> 00:26:40,424
and there's like ten execs there
and Larry David,

528
00:26:40,511 --> 00:26:41,643
and you just improvise a scene
with Larry David.

529
00:26:41,730 --> 00:26:43,384
And I basically did it.

530
00:26:43,471 --> 00:26:44,603
And then when I got it,
they were like,

531
00:26:44,690 --> 00:26:46,039
"What you said in the audition,

532
00:26:46,126 --> 00:26:47,997
what you did in the audition,

533
00:26:48,084 --> 00:26:49,433
that's what
the scene's gonna be."

534
00:26:49,520 --> 00:26:49,956
Are you gonna
tell me this trick?

535
00:26:49,956 --> 00:26:50,696
No.

536
00:26:52,393 --> 00:26:53,394
[Cheryl] Magicians
don't reveal their secrets.

537
00:26:53,481 --> 00:26:54,830
[Larry] Fine. I got to go.

538
00:26:58,965 --> 00:27:00,488
You guys are a lot alike.

539
00:27:00,575 --> 00:27:02,621
Yeah,
except he's not a magician.

540
00:27:03,839 --> 00:27:06,059
[indistinct chatter]

541
00:27:11,847 --> 00:27:14,458
[Avy] It was 2004

542
00:27:14,545 --> 00:27:17,157
when I first met Anton.

543
00:27:18,375 --> 00:27:20,073
I had seen a lot of kids

544
00:27:20,160 --> 00:27:22,423
for something I had done
right before that.

545
00:27:22,510 --> 00:27:24,512
So when David Duchovny
was looking,

546
00:27:24,599 --> 00:27:26,253
and he had someone in mind.

547
00:27:26,340 --> 00:27:29,735
And it was like, "You just have
to meet this child."

548
00:27:30,779 --> 00:27:32,999
And he met Anton.

549
00:27:33,086 --> 00:27:35,262
I think it's the only kid
I brought to him.

550
00:27:38,047 --> 00:27:40,049
[somber music]

551
00:27:44,140 --> 00:27:45,446
[Anton as Tommy]
I don't want you to take

552
00:27:45,533 --> 00:27:48,144
any shit off your dad, okay?

553
00:27:48,231 --> 00:27:49,276
Okay.

554
00:27:49,363 --> 00:27:50,712
And listen, if Simone--

555
00:27:50,799 --> 00:27:52,366
[Robin Williams]
Do good things, Tommy.

556
00:28:00,374 --> 00:28:01,810
Promise me.

557
00:28:03,551 --> 00:28:05,074
You do good things.

558
00:28:07,381 --> 00:28:08,991
[sobbing]
I promise.

559
00:28:11,124 --> 00:28:13,474
[Anton] The thrill
of making movies

560
00:28:13,561 --> 00:28:15,345
and being able to make movies

561
00:28:15,432 --> 00:28:17,783
and studying characters,
and you know,

562
00:28:17,870 --> 00:28:19,654
getting to work with people
that you respect and admire,

563
00:28:19,741 --> 00:28:22,265
is, is so far superior
to everything else.

564
00:28:22,352 --> 00:28:25,616
That... and it's kind of
an easy choice.

565
00:28:25,704 --> 00:28:27,053
At least for me, you know,

566
00:28:27,140 --> 00:28:28,794
it's how I think about things.

567
00:28:30,317 --> 00:28:32,798
[Frank] He was
an absolute one of a kind.

568
00:28:32,885 --> 00:28:35,801
With Anton, you just know
they broke the mold.

569
00:28:35,888 --> 00:28:38,499
There was nothing about him
that wasn't wonderful.

570
00:28:39,761 --> 00:28:41,807
I remember he was always...

571
00:28:41,894 --> 00:28:44,897
always there, always on the set,

572
00:28:44,984 --> 00:28:46,812
watching me,
and then after his take,

573
00:28:46,899 --> 00:28:48,901
he would come over
and ask me questions about it.

574
00:28:48,988 --> 00:28:52,643
Or when we did a scene,
afterward, he didn't go...

575
00:28:52,731 --> 00:28:54,210
rolling off into his trailer.

576
00:28:54,297 --> 00:28:56,865
He wanted it always
to be of a piece.

577
00:28:56,952 --> 00:28:59,085
[Eddie] Presenting the Breakthrough Award tonight,

578
00:28:59,172 --> 00:29:00,869
is his House of D director.

579
00:29:00,956 --> 00:29:02,871
Give it up for David Duchovny.

580
00:29:02,958 --> 00:29:04,568
[audience applauds]

581
00:29:04,655 --> 00:29:06,570
I learned about integrity,
artistic integrity,

582
00:29:06,657 --> 00:29:11,227
about, uh, artistic morality,
if that, if that can be said.

583
00:29:11,314 --> 00:29:13,534
About, uh, honesty.

584
00:29:13,621 --> 00:29:16,319
And the only thing that I can
fault him for, is that...

585
00:29:16,406 --> 00:29:18,234
You know, when he worked, uh,
with Robin Williams,

586
00:29:18,321 --> 00:29:20,628
he would always call him,
"Mr. Williams."

587
00:29:20,715 --> 00:29:22,499
And he called me "David."

588
00:29:22,586 --> 00:29:23,544
[audience laughs]

589
00:29:23,631 --> 00:29:25,285
But, Anton,

590
00:29:25,372 --> 00:29:26,199
the luckiest thing
and the best thing I ever did

591
00:29:26,286 --> 00:29:27,766
was put you on my movie.

592
00:29:27,853 --> 00:29:29,419
-Come here and get this.
-[audience applauds]

593
00:29:29,506 --> 00:29:31,117
-Thank you, Mr. Duchovny.
-[audience laughs]

594
00:29:31,639 --> 00:29:33,119
Um...

595
00:29:33,206 --> 00:29:35,077
It's, uh, it's, uh, really great
to be here.

596
00:29:35,164 --> 00:29:38,733
I'm not really good
at taking compliments, so...

597
00:29:38,820 --> 00:29:41,083
I'll try to make this
as quick as possible.

598
00:29:41,170 --> 00:29:44,957
More than anything, um,
my parents who are always like,

599
00:29:45,044 --> 00:29:47,829
you know,
symbols of strength, and...

600
00:29:47,916 --> 00:29:49,396
for me,
and have always showed me

601
00:29:49,483 --> 00:29:50,919
a lot of love and kindness

602
00:29:51,006 --> 00:29:52,921
since I was tiny, you know?
Thank you.

603
00:29:53,879 --> 00:29:56,969
[instructor] C. A.

604
00:29:57,839 --> 00:29:59,145
A.

605
00:30:00,494 --> 00:30:02,801
[plays guitar]

606
00:30:09,155 --> 00:30:10,896
[Nicholas] Dear Mamoola.

607
00:30:10,983 --> 00:30:12,767
You are my best friend,

608
00:30:12,854 --> 00:30:14,813
the closest person to me
in the world,

609
00:30:14,900 --> 00:30:17,990
and the most amazing woman
that I know.

610
00:30:18,077 --> 00:30:21,341
Your soul, through
your beautiful eyes, shines.

611
00:30:21,428 --> 00:30:23,996
It does not matter whether
you are laughing, or yelling,

612
00:30:24,083 --> 00:30:26,259
regardless of whether
I am smart enough to show it,

613
00:30:26,346 --> 00:30:31,612
I always, always, always have so much respect for who you are,

614
00:30:31,699 --> 00:30:35,137
for how strong, smart,
wonderful, talented,

615
00:30:35,224 --> 00:30:37,966
interesting, intelligent,
and just how...

616
00:30:38,053 --> 00:30:39,750
your least favorite word,

617
00:30:39,838 --> 00:30:42,275
cool you are.

618
00:30:42,362 --> 00:30:46,801
Thank you for every hug, kiss,
smile, and every bowl of soup.

619
00:30:46,888 --> 00:30:49,586
You are an extraordinary,
charming woman,

620
00:30:49,673 --> 00:30:52,546
and you have an equally
extraordinary husband,

621
00:30:52,633 --> 00:30:54,548
and a son that is your baby

622
00:30:55,505 --> 00:30:57,159
as long as he lives.

623
00:30:58,726 --> 00:31:00,902
Love, Antosha.

624
00:31:02,991 --> 00:31:04,775
[Paul] I remember, like, I was,

625
00:31:04,863 --> 00:31:07,169
I was a little intimidated
by Irina, just a little bit.

626
00:31:07,256 --> 00:31:08,997
We were maybe, like 11 or 12,

627
00:31:09,084 --> 00:31:11,739
and would be looking
at something on the Internet,

628
00:31:11,826 --> 00:31:14,307
something inappropriate,
or whatever, and then...

629
00:31:14,394 --> 00:31:17,179
you know, we would hear
from downstairs like, "Antosha!"

630
00:31:18,528 --> 00:31:19,878
And he would yell back, "Shtoh?"

631
00:31:19,965 --> 00:31:22,184
You know, like,
just like, "What?"

632
00:31:22,271 --> 00:31:23,751
[Paul] You know,
that's when our hormones

633
00:31:23,838 --> 00:31:25,318
just started kicking in.

634
00:31:25,405 --> 00:31:27,102
So, we were just
totally girl-crazy, and like...

635
00:31:27,189 --> 00:31:29,844
The Internet
was in its adolescence too.

636
00:31:29,931 --> 00:31:32,891
So it's just
like girl-crazy, Internet...

637
00:31:33,892 --> 00:31:35,676
bad combo, you know?
[laughs]

638
00:31:36,459 --> 00:31:37,634
Good!

639
00:31:37,721 --> 00:31:39,288
[man whistles, cheers]

640
00:31:42,857 --> 00:31:46,078
[Kristen] I was 14
when I worked with him,

641
00:31:46,165 --> 00:31:48,515
but then, yeah, he and I were...

642
00:31:48,602 --> 00:31:51,822
really good friends
for like two years.

643
00:31:51,910 --> 00:31:54,390
Um, and then he kind of,
like, broke my heart.

644
00:31:55,609 --> 00:31:58,264
[somber music]

645
00:31:58,351 --> 00:32:00,875
[Kristen] I was so kind of
baffled by how good he was

646
00:32:00,962 --> 00:32:02,529
in working with him.

647
00:32:02,616 --> 00:32:03,791
Uh, and then, subsequently,

648
00:32:03,878 --> 00:32:05,575
just, I couldn't be around him,

649
00:32:05,662 --> 00:32:06,968
um, because he was, just like,
made me like so nervous.

650
00:32:07,055 --> 00:32:09,231
But I literally think about,
like,

651
00:32:09,318 --> 00:32:12,104
why I like
some of the shit that I like.

652
00:32:12,191 --> 00:32:14,497
In that very brief
period of time,

653
00:32:14,584 --> 00:32:16,238
at like 14, 15, 16,

654
00:32:16,325 --> 00:32:19,024
he kind of like shaped me
in this way, and so...

655
00:32:19,111 --> 00:32:20,895
So, yeah,
in full disclosure, fully,

656
00:32:20,982 --> 00:32:22,810
it was just like, weird
to talk about with...

657
00:32:22,897 --> 00:32:24,377
anyone,
because it was like this,

658
00:32:24,464 --> 00:32:27,249
kind of, like insulated,
little thing and, uh...

659
00:32:27,336 --> 00:32:30,339
Yeah. Yeah, whatever, but...

660
00:32:30,426 --> 00:32:34,300
[Kristen as Maya]
I missed you so much.

661
00:32:37,085 --> 00:32:39,131
Watch it, my ribs still hurt.

662
00:32:40,001 --> 00:32:41,785
Does it hurt to kiss me?

663
00:32:41,872 --> 00:32:43,657
No, of course not.

664
00:32:43,744 --> 00:32:47,922
[Kristen] He intimidated me
because he's so voracious,

665
00:32:48,009 --> 00:32:50,229
and I like, wanted to keep up
with that.

666
00:32:50,316 --> 00:32:51,970
And wanted to listen
to all the music

667
00:32:52,057 --> 00:32:53,841
that he fucking listened to,
and I, like, wanted to,

668
00:32:53,928 --> 00:32:56,061
kind of absorb all of his
interests, and all of his stuff.

669
00:32:56,148 --> 00:32:57,801
And by the way, when you're 14,

670
00:32:57,888 --> 00:32:59,368
and someone's like a year
or two older than you,

671
00:32:59,455 --> 00:33:00,979
and you're like,
"He's like a lot older than me!"

672
00:33:01,066 --> 00:33:03,155
Um, so, yeah,
there was like that, and...

673
00:33:04,199 --> 00:33:07,246
he asked me once
what my favorite book was,

674
00:33:07,333 --> 00:33:09,770
and I didn't really have one
at the time.

675
00:33:09,857 --> 00:33:11,554
I was so horrified,

676
00:33:11,641 --> 00:33:13,904
I think it probably kick-started
my own, like, self...

677
00:33:13,992 --> 00:33:15,732
I wanted to be better,
smarter, cooler.

678
00:33:15,819 --> 00:33:18,083
I was just always like...
But couldn't even hang with him.

679
00:33:18,953 --> 00:33:21,042
[Nicholas] I think On the Road

680
00:33:21,129 --> 00:33:23,610
is really a novel about
the savage passage of time,

681
00:33:23,697 --> 00:33:25,699
and how to approach that passage

682
00:33:25,786 --> 00:33:27,440
and the ultimately sad way
it keeps going

683
00:33:27,527 --> 00:33:29,659
and leaves us all behind
in its wake.

684
00:33:29,746 --> 00:33:31,444
Even Dean Moriarty,

685
00:33:31,531 --> 00:33:32,662
who always exists
in the present.

686
00:33:32,749 --> 00:33:33,968
Gone, Dean Moriarty,

687
00:33:34,055 --> 00:33:36,057
who digs the world continually

688
00:33:36,144 --> 00:33:37,754
and loves every bit of it
and moves on.

689
00:33:41,889 --> 00:33:43,760
[Irina]

690
00:33:46,676 --> 00:33:48,722
...you know,
I'm worried about this thing."

691
00:33:49,070 --> 00:33:50,202
[Irina]

692
00:33:56,556 --> 00:33:58,688
And I said,
"Well, you know, baby, we...

693
00:34:00,212 --> 00:34:02,997
so you have to go
and kill somebody else?"

694
00:34:03,084 --> 00:34:04,607
[Irina] So he said, "Okay."

695
00:34:11,397 --> 00:34:13,138
"I wanna show you something."

696
00:34:13,225 --> 00:34:15,575
And I said, "What?"
"Just don't freak out."

697
00:34:17,838 --> 00:34:19,274
[gulps]

698
00:34:20,014 --> 00:34:21,233
Ah.

699
00:34:22,538 --> 00:34:24,758
[Irina]

700
00:34:25,846 --> 00:34:27,108
[Anton coughs]

701
00:34:30,546 --> 00:34:32,374
[Irina]

702
00:34:34,855 --> 00:34:36,465
...telling what he feels.

703
00:34:51,480 --> 00:34:52,742
[groans]

704
00:34:56,268 --> 00:35:00,185
[Ben] His associations
were very well-tuned.

705
00:35:00,272 --> 00:35:02,709
He'd go farther
than most people.

706
00:35:02,796 --> 00:35:04,841
He had this childlike...

707
00:35:06,147 --> 00:35:10,891
surprise and appetite
for experience.

708
00:35:10,978 --> 00:35:12,327
He was always looking for...

709
00:35:12,414 --> 00:35:13,894
He was always looking
under the hood.

710
00:35:15,983 --> 00:35:17,332
And numb...

711
00:35:27,864 --> 00:35:30,345
[Anton as Zach] Do you know that
we have a homework parties?

712
00:35:30,432 --> 00:35:31,694
What?

713
00:35:31,781 --> 00:35:33,392
Homework parties
with little hats.

714
00:35:33,479 --> 00:35:34,871
No.

715
00:35:34,958 --> 00:35:36,438
-Yeah.
-Like...

716
00:35:36,525 --> 00:35:37,657
[laughs]

717
00:35:37,744 --> 00:35:39,180
-Yeah.
-...for birthdays?

718
00:35:39,267 --> 00:35:41,574
Yeah! Yeah!

719
00:35:41,661 --> 00:35:42,749
Another thing...

720
00:35:45,055 --> 00:35:46,666
I'll be sleeping, right?

721
00:35:48,450 --> 00:35:51,410
And she will wake me up
by looking at me.

722
00:35:51,497 --> 00:35:53,673
[Anton as Zach]
Like, I'll open my eyes,

723
00:35:53,760 --> 00:35:56,197
and she'll be right there
looking at me, like...

724
00:35:57,503 --> 00:35:59,287
[Ben as Jake] You're lucky,
you know that?

725
00:36:00,375 --> 00:36:01,681
[Anton as Zach] Yeah, I know.

726
00:36:04,423 --> 00:36:05,815
[Irina]

727
00:36:20,743 --> 00:36:21,744
...what he had.

728
00:36:24,094 --> 00:36:27,663
[Nicholas] My brain is now
distinctly fucking jumbled,

729
00:36:27,750 --> 00:36:29,187
or not so much.

730
00:36:29,274 --> 00:36:30,971
Actually, not really.

731
00:36:31,058 --> 00:36:32,320
Not at all.

732
00:36:32,407 --> 00:36:33,887
The sun is still shining.

733
00:36:34,844 --> 00:36:36,672
[pencil rasping]

734
00:36:38,326 --> 00:36:39,849
[Mary] He was a list man.

735
00:36:39,936 --> 00:36:41,373
He always had a list on him.

736
00:36:41,460 --> 00:36:43,984
He's like,
"Mary! I'm so glad you're here.

737
00:36:44,071 --> 00:36:47,205
I have so many things
I want to talk to you about."

738
00:36:47,292 --> 00:36:48,554
So we would just like get into

739
00:36:48,641 --> 00:36:50,817
these great conversations
about...

740
00:36:50,904 --> 00:36:53,907
You know, how he could do things
and still live his life.

741
00:36:55,604 --> 00:36:57,693
[Victor]

742
00:37:15,363 --> 00:37:17,017
[Ian] Numerous times a day,

743
00:37:17,104 --> 00:37:19,324
he'd have to be hooked up
to a breathing machine

744
00:37:19,411 --> 00:37:21,500
that he'd, you know,
would have to literally just,

745
00:37:21,587 --> 00:37:24,503
just pounce against his lungs
and cough up mucus,

746
00:37:24,590 --> 00:37:27,332
and then have to go outside,
and put on a smile,

747
00:37:27,419 --> 00:37:31,379
and through that, also wanted
to keep that inside

748
00:37:31,466 --> 00:37:32,728
and not tell anyone.

749
00:37:34,513 --> 00:37:36,689
[Luke] A call time is usually...

750
00:37:36,776 --> 00:37:38,125
bright and early.

751
00:37:38,212 --> 00:37:39,082
He had to do
his breathing exercise

752
00:37:39,169 --> 00:37:40,780
like two hours before,

753
00:37:40,867 --> 00:37:42,738
just to get himself prepared
to start the day.

754
00:37:44,436 --> 00:37:46,351
Nobody knew that but Anton.

755
00:37:46,438 --> 00:37:48,353
Nobody knew that.

756
00:37:48,440 --> 00:37:50,398
People are finding out
right now, actually.

757
00:37:50,485 --> 00:37:52,313
You know? This is insane.

758
00:37:53,575 --> 00:37:54,750
[coughs]

759
00:37:58,319 --> 00:38:00,539
Fatty, why are you doing this?

760
00:38:01,931 --> 00:38:04,238
Well, go on. Go on, tell us.

761
00:38:04,325 --> 00:38:06,719
Well, the Captain
wants to know why.

762
00:38:06,806 --> 00:38:07,807
Well?

763
00:38:09,461 --> 00:38:11,811
Fatty, don't be such a pussy.

764
00:38:11,898 --> 00:38:14,379
[Poll] I had arranged
to meet with Anton.

765
00:38:14,466 --> 00:38:16,903
Or I think Irina drove him over
and dropped him off

766
00:38:16,990 --> 00:38:18,774
and we sat down.

767
00:38:18,861 --> 00:38:21,864
And I said,
"So, you know, what...

768
00:38:21,951 --> 00:38:23,736
Why do you wanna play
Charlie Bartlett?

769
00:38:23,823 --> 00:38:27,087
What is it you like about
the character or the movie?"

770
00:38:27,174 --> 00:38:28,523
And the first thing he said is,

771
00:38:28,610 --> 00:38:30,917
"I like how honest he is,

772
00:38:31,004 --> 00:38:32,440
and...

773
00:38:32,527 --> 00:38:36,009
how he wants to do things
for his friends.

774
00:38:36,096 --> 00:38:37,837
He wants
to take care of people."

775
00:38:37,924 --> 00:38:41,014
[in Russian accent] Great
fucking time on my birthday.

776
00:38:41,101 --> 00:38:42,711
It is going to be a great...

777
00:38:42,798 --> 00:38:44,974
I can't even fucking see
behind your fucking head,

778
00:38:45,061 --> 00:38:46,367
you fucking hippie.

779
00:38:47,325 --> 00:38:49,849
Marlon, I love you, dude.

780
00:38:49,936 --> 00:38:51,067
[Anton] Guys, give me it.

781
00:38:51,154 --> 00:38:52,417
[Marlon]
You motherfucking fucks.

782
00:38:52,504 --> 00:38:54,593
[Marlon] I have a small growth

783
00:38:54,680 --> 00:38:56,159
on one of the ventricles
of my brain.

784
00:38:56,246 --> 00:38:59,424
To date,
I've had four brain surgeries.

785
00:38:59,511 --> 00:39:02,122
Anton was one of the very,
very few people

786
00:39:02,209 --> 00:39:03,645
that knew that about me.

787
00:39:03,732 --> 00:39:05,734
He would always be
very concerned.

788
00:39:05,821 --> 00:39:08,433
He knew instantly
when things weren't right.

789
00:39:08,520 --> 00:39:11,610
Because of him,
and because of our friendship

790
00:39:11,697 --> 00:39:14,830
that I was able to be a bit more

791
00:39:14,917 --> 00:39:17,920
accepting of the circumstances
I was in.

792
00:39:18,007 --> 00:39:20,706
If you can explain
what you're doing.

793
00:39:20,793 --> 00:39:22,185
Or better yet,
why you're doing it,

794
00:39:22,272 --> 00:39:24,231
that would be a good start.

795
00:39:24,318 --> 00:39:26,494
Look, I'm helping
these kids, okay?

796
00:39:26,581 --> 00:39:28,844
Nobody else
is listening to them.

797
00:39:28,931 --> 00:39:31,064
[Nicholas] Charlie could be
the loneliest of people,

798
00:39:31,151 --> 00:39:33,153
but he chooses not to be.

799
00:39:33,240 --> 00:39:34,981
It's the intelligence
of his decisions,

800
00:39:35,068 --> 00:39:36,591
and as a result,
his responsibilities

801
00:39:36,678 --> 00:39:38,419
and the consequence of these

802
00:39:38,506 --> 00:39:40,465
that shape his character.

803
00:39:40,552 --> 00:39:43,076
[Ian] He was always kind of
observing people

804
00:39:43,163 --> 00:39:44,469
and their behavior,

805
00:39:44,556 --> 00:39:46,471
and he took that
into his work a lot too,

806
00:39:46,558 --> 00:39:48,951
as he would be able
to take different characters.

807
00:39:49,038 --> 00:39:50,562
And he loved stories.

808
00:39:50,649 --> 00:39:52,651
He loved human stories.

809
00:39:52,738 --> 00:39:54,479
[Nicholas]
Charlie is an optimist.

810
00:39:54,566 --> 00:39:56,829
People are depending on him.

811
00:39:56,916 --> 00:39:59,005
[Ryan]
He had so much love for...

812
00:39:59,092 --> 00:40:01,747
the people that were close
to him in his life.

813
00:40:01,834 --> 00:40:04,663
I lost my dad when I was 13,
and, you know...

814
00:40:04,750 --> 00:40:06,316
He always reminded me that

815
00:40:06,404 --> 00:40:08,318
he was like, there for me,
you know?

816
00:40:08,406 --> 00:40:11,496
[Nick] He opened up to me
about his CF,

817
00:40:11,583 --> 00:40:14,455
and he had known that I had
an autoimmune disease

818
00:40:14,542 --> 00:40:16,457
and that, you know,
it had been, you know,

819
00:40:16,544 --> 00:40:19,504
pretty significant and caused
a lot of problems in my life.

820
00:40:19,591 --> 00:40:22,811
The funny thing is, like,
I would use my disease to like,

821
00:40:22,898 --> 00:40:24,683
you know, to help me out,
occasionally,

822
00:40:24,770 --> 00:40:26,815
like to bail me out of things.
[chuckles]

823
00:40:26,902 --> 00:40:31,516
[Nick] And this guy
was so selfless, that he like...

824
00:40:31,603 --> 00:40:35,868
You know, was able to keep
such a serious thing secret.

825
00:40:35,955 --> 00:40:37,783
[Ryan] Anton was great
at what he did,

826
00:40:37,870 --> 00:40:41,221
but he was kind of worried
that because of his condition,

827
00:40:41,308 --> 00:40:43,441
he maybe,
wouldn't be able to work.

828
00:40:47,923 --> 00:40:50,491
And now, you're not gonna
get away from this interview

829
00:40:50,578 --> 00:40:52,362
without my asking you
about Star Trek.

830
00:40:52,450 --> 00:40:53,668
-And I'm sorry.
-Right.

831
00:40:53,755 --> 00:40:55,409
-I apologize right now.
-Right.

832
00:40:55,496 --> 00:40:57,411
-It's part of the deal.
-Of course.

833
00:40:57,498 --> 00:40:58,760
You're in
the new Star Trek movie.

834
00:40:58,847 --> 00:41:00,153
-Right.
-Directed by J.J. Abrams.

835
00:41:00,240 --> 00:41:01,546
The whole world
is curious about it,

836
00:41:01,633 --> 00:41:02,895
-Right.
-and that includes me.

837
00:41:02,982 --> 00:41:04,026
-Right.
-So...

838
00:41:04,113 --> 00:41:05,158
You're playing the young Chekov?

839
00:41:05,245 --> 00:41:07,029
Right, Pavel Chekov, right.

840
00:41:09,815 --> 00:41:12,426
[John] On the, uh,
first Star Trek,

841
00:41:12,513 --> 00:41:14,733
we said we wanted
to clone little Antons

842
00:41:14,820 --> 00:41:16,561
and give them away
as wrap gifts.

843
00:41:16,648 --> 00:41:20,565
Just tiny pet Antons
that every...

844
00:41:20,652 --> 00:41:22,567
I think it was
just the kind of joy

845
00:41:22,654 --> 00:41:24,569
and the kind of happiness
and optimism

846
00:41:24,656 --> 00:41:26,571
he sort of encapsulates, and...

847
00:41:26,658 --> 00:41:28,355
Of course, you know,
the fun of playing around

848
00:41:28,442 --> 00:41:30,096
with that great accent.

849
00:41:30,183 --> 00:41:34,274
[Abrams] The character of Chekov
in Star Trek

850
00:41:34,361 --> 00:41:36,494
speaks a kind of Russian...

851
00:41:37,190 --> 00:41:38,844
that doesn't really exist.

852
00:41:38,931 --> 00:41:41,499
[Anton as Chekov]
They're creating a singularity

853
00:41:41,586 --> 00:41:43,588
that will consume the planet.

854
00:41:43,675 --> 00:41:45,503
[Abrams] And, uh...

855
00:41:45,590 --> 00:41:47,766
It was actually really hard
for Anton

856
00:41:47,853 --> 00:41:51,291
at the beginning
to speak Russian badly.

857
00:41:52,118 --> 00:41:53,815
[Irina]

858
00:41:56,514 --> 00:41:57,645
He couldn't.

859
00:41:57,732 --> 00:41:59,908
[Irina]

860
00:42:05,044 --> 00:42:06,828
When he was business,
he would say, "Mom.

861
00:42:06,915 --> 00:42:08,482
Mom, your accent
is not good for this.

862
00:42:08,569 --> 00:42:10,049
I need Grandpa's accent."

863
00:42:10,136 --> 00:42:11,790
-Excuse me, Captain Kirk.
-[Chris] Yes.

864
00:42:11,877 --> 00:42:13,705
-Sorry, sir.
-[Chris] Mr. Chekov, what is it?

865
00:42:13,792 --> 00:42:15,837
Based on the Narada's course
from Vulcan...

866
00:42:15,924 --> 00:42:17,404
[Chris laughs]

867
00:42:17,491 --> 00:42:19,145
[Simon] I remember
being with him on set

868
00:42:19,232 --> 00:42:22,540
and doing a classic J.J. Abrams
sort of 19-hour day,

869
00:42:22,627 --> 00:42:24,280
and, um...

870
00:42:24,367 --> 00:42:25,673
He looked so tired.

871
00:42:25,760 --> 00:42:27,719
I remember he was trying
to say this, uh,

872
00:42:27,806 --> 00:42:29,547
very complicated speech

873
00:42:29,634 --> 00:42:32,593
about dropping out of warp
and hiding behind Saturn,

874
00:42:32,680 --> 00:42:34,639
and his little eyes
were so sort of red.

875
00:42:34,726 --> 00:42:38,338
He never looked younger to me
than on that day.

876
00:42:38,425 --> 00:42:39,687
If we adjust
our shield frequencies,

877
00:42:39,774 --> 00:42:41,080
we should not be detected.

878
00:42:41,167 --> 00:42:42,603
Wait a minute, kid,
how old are you?

879
00:42:42,690 --> 00:42:43,778
Seventeen, sir!

880
00:42:43,865 --> 00:42:45,475
[Abrams] I can certainly say,

881
00:42:45,563 --> 00:42:47,652
for the group of people
that got to work with him,

882
00:42:47,739 --> 00:42:50,219
he might have been
the youngest person on camera,

883
00:42:50,306 --> 00:42:54,006
but he was, I think,
the person that sort of quietly,

884
00:42:54,093 --> 00:42:56,051
without even realizing it,
I think,

885
00:42:56,138 --> 00:42:59,664
you know, challenging all of us
to be as good as he was.

886
00:43:00,839 --> 00:43:02,754
[Anton]It's an interesting line to follow,

887
00:43:02,841 --> 00:43:04,799
because you pick and choose,

888
00:43:04,886 --> 00:43:07,149
and you see what you can bring
that's your own.

889
00:43:07,236 --> 00:43:09,282
And then I met
with Walter Koenig,

890
00:43:09,369 --> 00:43:11,371
and we had this talk.
And he said, you know,

891
00:43:11,458 --> 00:43:13,329
"Looks like you guys

892
00:43:13,416 --> 00:43:14,896
are being really smart
about this,

893
00:43:14,983 --> 00:43:16,681
and doing your own thing
and yet,

894
00:43:16,681 --> 00:43:18,160
you know, I see traces of myself in what you're doing."

895
00:43:18,247 --> 00:43:20,249
And it was really...

896
00:43:20,336 --> 00:43:22,164
It was really great
for me to hear that,

897
00:43:22,251 --> 00:43:24,689
because I was so nervous
about meeting him.

898
00:43:24,776 --> 00:43:26,952
And, and he seemed so pleased.

899
00:43:29,302 --> 00:43:32,697
[Zoe] Here we are,
we're all coming together

900
00:43:32,784 --> 00:43:35,047
to revamp this old franchise

901
00:43:35,134 --> 00:43:38,528
that had moved people
for so long.

902
00:43:38,616 --> 00:43:40,443
And Anton was the youngest one
in the cast.

903
00:43:40,530 --> 00:43:43,403
And his angle about like,
"Oh, we have to do this right,

904
00:43:43,490 --> 00:43:45,231
and if not,
people will be unhappy.

905
00:43:45,318 --> 00:43:47,886
We're talking about peace,
it was about friendship,

906
00:43:47,973 --> 00:43:49,583
it was about ending war."

907
00:43:49,670 --> 00:43:51,150
And I remember thinking,

908
00:43:51,237 --> 00:43:53,979
"My god, this kid is so deep.
[chuckles]

909
00:43:54,066 --> 00:43:57,243
I got to get...
I got to get myself in shape."

910
00:43:59,375 --> 00:44:02,465
[Chris] I play guitar and Anton
played incredible guitar.

911
00:44:02,552 --> 00:44:03,945
And so...

912
00:44:04,032 --> 00:44:05,120
You know,
we had inevitably kind of

913
00:44:05,207 --> 00:44:06,426
bring our guitars to the set,

914
00:44:06,513 --> 00:44:08,036
tool around, and,

915
00:44:08,123 --> 00:44:10,952
Anton, in all of his
frustrating humility.

916
00:44:11,039 --> 00:44:14,303
He never wanted to pat himself
on the back, it seemed like...

917
00:44:15,870 --> 00:44:17,219
He would say,
"Well, I don't really know,

918
00:44:17,306 --> 00:44:18,786
you know, I don't play
all that much."

919
00:44:18,873 --> 00:44:20,266
And then he would like
whip out some like

920
00:44:20,353 --> 00:44:22,268
Mississippi John Hurt
or something,

921
00:44:22,355 --> 00:44:24,009
that was just like,

922
00:44:24,096 --> 00:44:24,836
"Oh, I've just been
playing this for a little bit."

923
00:44:27,316 --> 00:44:29,362
[Zachary] I remember getting
into this very heated debate

924
00:44:29,449 --> 00:44:32,757
about the merits of Bob Dylan
versus Simon & Garfunkel.

925
00:44:32,844 --> 00:44:35,281
And he couldn't believe...

926
00:44:35,368 --> 00:44:38,501
that I preferred
Simon & Garfunkel to Bob Dylan.

927
00:44:38,588 --> 00:44:39,894
And I just remember being like,

928
00:44:39,981 --> 00:44:40,852
"I can't believe
I'm having this argument

929
00:44:40,939 --> 00:44:41,940
with a 17-year-old kid."

930
00:44:42,027 --> 00:44:43,768
You know what I mean? Like...

931
00:44:43,855 --> 00:44:45,247
I've been around
the block, kid, like,

932
00:44:45,334 --> 00:44:46,858
I love Simon & Garfunkel,
you know.

933
00:44:46,945 --> 00:44:49,077
But he really made me question
my relationship

934
00:44:49,164 --> 00:44:52,777
to these musicians
who I've loved all my life.

935
00:44:52,864 --> 00:44:54,953
He really knew
what he was talking about,

936
00:44:55,040 --> 00:44:56,737
no matter what it was, you know?

937
00:44:56,824 --> 00:44:58,304
And, uh...

938
00:44:58,391 --> 00:45:00,393
And there was
some real beauty in that.

939
00:45:01,873 --> 00:45:03,831
[Chris] We went back to, uh...

940
00:45:03,918 --> 00:45:06,094
We had some, you know,
uh, shooting on set,

941
00:45:06,181 --> 00:45:08,140
and then going back
to the trailers.

942
00:45:08,227 --> 00:45:10,011
And I said,
"You want to come and jam?"

943
00:45:10,098 --> 00:45:12,927
He's like,
"No, I got to go back to, uh..."

944
00:45:13,014 --> 00:45:15,495
It turns out, he's translating
this Russian novel.

945
00:45:15,582 --> 00:45:16,801
That's like this big,

946
00:45:16,888 --> 00:45:19,151
a Russian philosophy tract.

947
00:45:19,238 --> 00:45:22,502
[Chris] And he's like
making notes on this thing

948
00:45:22,589 --> 00:45:24,591
and translating it
at the same time.

949
00:45:24,678 --> 00:45:27,246
He's, mind you, 17 years old.

950
00:45:31,598 --> 00:45:33,034
[Dave] It was so funny.

951
00:45:33,121 --> 00:45:34,644
He didn't consider himself
a musician,

952
00:45:34,732 --> 00:45:36,646
and he didn't consider himself
a singer,

953
00:45:36,734 --> 00:45:39,171
and he was
a damn great musician.

954
00:45:39,258 --> 00:45:41,782
But he was a little bit,
I think, self-conscious.

955
00:45:41,869 --> 00:45:45,177
He always wanted to be
the best at what he did.

956
00:45:45,264 --> 00:45:46,308
Look, um, this is Ryan.

957
00:45:46,395 --> 00:45:47,788
This is Dave, I'm Anton.

958
00:45:51,531 --> 00:45:52,967
We're the Hammerheads.

959
00:45:53,054 --> 00:45:56,101
-[audience applauds, cheers]
-[woman 1] Whoo!

960
00:45:57,363 --> 00:45:58,538
I love your face!

961
00:45:58,625 --> 00:45:59,800
Yeah!

962
00:46:01,497 --> 00:46:02,760
All right.

963
00:46:06,241 --> 00:46:08,504
[upbeat music]

964
00:46:13,292 --> 00:46:18,166
♪ I got a woman
With a golden touch ♪

965
00:46:18,253 --> 00:46:19,733
♪ Sittin' on a couch ♪

966
00:46:19,820 --> 00:46:23,737
♪ She don't talk too much ♪

967
00:46:23,824 --> 00:46:26,174
-♪ Does she love me? ♪
-♪ Does she love me? ♪

968
00:46:26,261 --> 00:46:27,219
-♪ No, she loves me ♪
-♪ No, she loves me ♪

969
00:46:29,743 --> 00:46:32,093
-♪ Does she love me? ♪
-♪ Does she love me? ♪

970
00:46:32,180 --> 00:46:32,528
-♪ No, she loves me ♪
-♪ No, she loves me ♪

971
00:46:34,748 --> 00:46:36,532
♪ I got a woman... ♪

972
00:46:36,619 --> 00:46:40,101
[Bryce] Who he was as an artist
was so far beyond acting.

973
00:46:40,188 --> 00:46:42,887
Because he could,
like, do everything.

974
00:46:42,974 --> 00:46:44,845
If he didn't have
the countenance that he did,

975
00:46:44,932 --> 00:46:46,412
he would have been intimidating.

976
00:46:46,499 --> 00:46:49,502
But he didn't wield his power
that way.

977
00:46:49,589 --> 00:46:51,112
He brought everyone in

978
00:46:51,199 --> 00:46:53,898
and shared everything
that he learned,

979
00:46:53,985 --> 00:46:55,508
and that he was interested in.

980
00:46:55,595 --> 00:46:58,859
♪ I got a woman... ♪

981
00:46:58,946 --> 00:47:00,687
[Anton] You know, big movies,

982
00:47:00,774 --> 00:47:02,471
they're just
a very different beast.

983
00:47:02,558 --> 00:47:04,343
There's... It's like, it's very different.

984
00:47:04,430 --> 00:47:06,475
I think for me, your job, at least the way I approach it,

985
00:47:06,562 --> 00:47:07,737
is essentially the same.

986
00:47:07,825 --> 00:47:09,609
Like you try to find...

987
00:47:09,696 --> 00:47:11,393
whatever you want to create

988
00:47:11,480 --> 00:47:13,178
and how to be creative

989
00:47:13,265 --> 00:47:15,441
with this much honesty,
as you can

990
00:47:15,528 --> 00:47:17,225
because there will be,
you know, self-aware films

991
00:47:17,312 --> 00:47:18,879
that maybe call for a different form of performance.

992
00:47:20,228 --> 00:47:21,882
[explosion]

993
00:47:21,969 --> 00:47:24,798
[Ryan] Aside from all the things
he was reading for work,

994
00:47:24,885 --> 00:47:26,931
to studying old movies,

995
00:47:27,018 --> 00:47:29,629
he started playing
with us regularly,

996
00:47:29,716 --> 00:47:31,892
whenever he was in town.

997
00:47:31,979 --> 00:47:35,026
I mean the guy,
he loved expressing himself,

998
00:47:35,113 --> 00:47:37,593
but he always felt like
he needed to work harder.

999
00:47:39,204 --> 00:47:43,599
We would play a midnight show
at The Viper Room on Sundays.

1000
00:47:43,686 --> 00:47:46,254
And it would be from, like,
11:00 p.m. to 1:00 a.m.

1001
00:47:46,341 --> 00:47:48,474
And we wouldn't necessarily
invite anybody,

1002
00:47:48,561 --> 00:47:49,562
we just did it.

1003
00:47:50,955 --> 00:47:51,956
It was just
another creative outlet

1004
00:47:52,043 --> 00:47:54,175
that he could do.

1005
00:47:54,262 --> 00:47:56,917
[Nicholas] First time
with insomnia and jet lag.

1006
00:47:57,004 --> 00:47:58,614
Probably jerking off too much.

1007
00:47:59,659 --> 00:48:01,530
I'm gonna have to jump up

1008
00:48:01,617 --> 00:48:02,967
and perform some tricks
in a couple hours,

1009
00:48:03,054 --> 00:48:05,099
but can barely keep my head on,

1010
00:48:05,186 --> 00:48:07,841
my legs from twitching,
and my head from cramping.

1011
00:48:07,928 --> 00:48:09,756
[Dr. Adupa] It always amazed me

1012
00:48:09,843 --> 00:48:12,237
how he was able to find time
to take care of his own health.

1013
00:48:13,586 --> 00:48:14,587
He would say,

1014
00:48:14,674 --> 00:48:16,023
"It's what I love,

1015
00:48:16,110 --> 00:48:17,982
and I'm not going to
let CF stop me

1016
00:48:18,069 --> 00:48:19,548
from doing what I love."

1017
00:48:21,333 --> 00:48:23,988
[Irina]

1018
00:48:25,424 --> 00:48:28,949
...build muscles
and be stronger than he was.

1019
00:48:29,036 --> 00:48:31,560
[John] I mean, his abs,
they almost clanked.

1020
00:48:31,647 --> 00:48:33,867
it was like a conquistador's...

1021
00:48:33,954 --> 00:48:35,956
suit of armor under there.

1022
00:48:36,043 --> 00:48:37,349
And then he'd
take his shirt off,

1023
00:48:37,436 --> 00:48:38,916
and he was like,
this jacked little dude.

1024
00:48:39,003 --> 00:48:40,526
And you're like,
"What? Where has that been?"

1025
00:48:40,613 --> 00:48:42,832
And he's like,
"Just from coughing so much."

1026
00:48:42,920 --> 00:48:44,182
I was like, "Oh, probably."

1027
00:48:49,361 --> 00:48:51,015
Have you
completely lost your mind?

1028
00:48:51,102 --> 00:48:52,190
Well, I know
it seems a bit crazy, but...

1029
00:48:52,277 --> 00:48:53,756
I'm not talking to you, nutjob,

1030
00:48:53,843 --> 00:48:56,020
I'm talking to Mom.

1031
00:48:56,107 --> 00:48:58,500
It takes you years
to get him out of here,

1032
00:48:58,587 --> 00:49:00,502
and you let him come back
the next night

1033
00:49:00,589 --> 00:49:02,113
with a talking hamster?

1034
00:49:03,810 --> 00:49:05,551
[scoffs]

1035
00:49:05,638 --> 00:49:07,335
[Jodie] He did a lot of thinking
and a lot of writing.

1036
00:49:07,422 --> 00:49:09,076
And sometimes,
his thinking got in his way,

1037
00:49:09,163 --> 00:49:10,643
you know? He was...

1038
00:49:10,730 --> 00:49:12,166
It was almost like his brain
was too big,

1039
00:49:12,253 --> 00:49:14,299
and he couldn't contain
all of his ideas.

1040
00:49:18,129 --> 00:49:20,305
[light music]

1041
00:49:22,002 --> 00:49:23,699
[Jodie] That excitement,
that kind of youth,

1042
00:49:23,786 --> 00:49:26,050
and, and all of that was really
what led me to believe

1043
00:49:26,137 --> 00:49:28,008
that someday, he would...

1044
00:49:28,095 --> 00:49:29,923
he would have to express it
some other way besides acting,

1045
00:49:30,010 --> 00:49:32,143
because he really was...

1046
00:49:32,230 --> 00:49:34,580
I wouldn't... I don't know if
I'd say he was an intellectual,

1047
00:49:34,667 --> 00:49:37,583
but I think that he really loved
the play of the mind.

1048
00:49:37,670 --> 00:49:39,019
And...

1049
00:49:39,106 --> 00:49:41,021
he had to put
some of that to bed

1050
00:49:41,108 --> 00:49:42,718
in order to be an actor.

1051
00:49:42,805 --> 00:49:44,459
Don't... don't go too far
to the left of the box,

1052
00:49:44,546 --> 00:49:46,026
-like this way?
-Right.

1053
00:49:46,113 --> 00:49:47,941
-And go right.
-So stay where the box...

1054
00:49:48,028 --> 00:49:49,899
[Anton] I tend
to be interested by...

1055
00:49:49,987 --> 00:49:51,945
either the philosophy
behind the filmmaking,

1056
00:49:52,032 --> 00:49:54,208
the philosophy
of the film itself,

1057
00:49:54,295 --> 00:49:55,993
who the director is.

1058
00:49:56,080 --> 00:49:58,430
We was afraid we was gonna have
to start without you.

1059
00:49:58,517 --> 00:50:00,432
[Anton] But also, sometimes,
you read something, you go,

1060
00:50:00,519 --> 00:50:01,781
"Well, I don't know how
I feel about this as a whole,

1061
00:50:01,868 --> 00:50:03,696
but I love this character.

1062
00:50:03,783 --> 00:50:05,785
I think this might make
something interesting."

1063
00:50:07,352 --> 00:50:09,397
[Jodie] I got to know Anton
where he was...

1064
00:50:10,833 --> 00:50:13,053
he was kind of on his own
for the first time.

1065
00:50:13,140 --> 00:50:15,621
But he was still really attached
to his parents,

1066
00:50:15,708 --> 00:50:17,144
really attached to his mother.

1067
00:50:17,971 --> 00:50:20,756
[light music]

1068
00:50:20,843 --> 00:50:22,193
[Jennifer] I used to be...

1069
00:50:22,280 --> 00:50:24,021
so kind of jealous of that.

1070
00:50:24,108 --> 00:50:25,979
We just hadn't talked about...

1071
00:50:26,066 --> 00:50:27,546
parents, because
we were just teenagers.

1072
00:50:27,633 --> 00:50:28,938
We were just hanging out,

1073
00:50:29,026 --> 00:50:30,331
we didn't talk about
our parents.

1074
00:50:30,418 --> 00:50:31,767
And then his mom
was coming into town

1075
00:50:31,854 --> 00:50:33,247
and he was so excited.
And I was like,

1076
00:50:33,334 --> 00:50:34,944
"Are you seriously excited
your mom is coming?"

1077
00:50:35,032 --> 00:50:36,511
[chuckles]

1078
00:50:36,598 --> 00:50:39,079
I start getting like,
a pre-migraine...

1079
00:50:39,166 --> 00:50:40,559
when my mother
is coming into town.

1080
00:50:40,646 --> 00:50:41,951
I love her, but...

1081
00:50:42,039 --> 00:50:43,344
I need you
to write me something.

1082
00:50:43,431 --> 00:50:44,824
[scoffs]

1083
00:50:44,911 --> 00:50:46,521
[Jennifer]
We were in the gymnasium,

1084
00:50:46,608 --> 00:50:48,262
and I was like,
yelling at him about

1085
00:50:48,349 --> 00:50:49,872
trying to get him to,
you know, do something.

1086
00:50:49,959 --> 00:50:51,657
And, um, he was like,

1087
00:50:51,744 --> 00:50:52,962
"I kept trying to find
different ways to say that line.

1088
00:50:53,050 --> 00:50:54,399
I just feel like
I didn't find it."

1089
00:50:54,486 --> 00:50:56,140
And I was like,

1090
00:50:56,227 --> 00:50:57,489
"Really? I just find like,
one way of saying it,

1091
00:50:57,576 --> 00:50:58,925
and that's
just what I stick to."

1092
00:50:59,012 --> 00:51:00,013
And he was like,
"Yeah, I noticed that."

1093
00:51:00,100 --> 00:51:01,623
[laughs]

1094
00:51:01,710 --> 00:51:03,408
-[Jennifer] Yeah, exactly!
-[Anton] Holla!

1095
00:51:03,495 --> 00:51:05,105
[Jennifer] He did make me start
thinking about that,

1096
00:51:05,192 --> 00:51:06,889
because I didn't really know
how to act.

1097
00:51:06,976 --> 00:51:08,978
So, I guess I'll just keep doing
the same exact thing.

1098
00:51:09,066 --> 00:51:10,154
And it wasn't until
we had that conversation

1099
00:51:10,241 --> 00:51:11,894
that I was like,

1100
00:51:11,981 --> 00:51:13,157
"Are you supposed
to find different ways of..."

1101
00:51:13,244 --> 00:51:15,507
it just seemed so basic.

1102
00:51:15,594 --> 00:51:19,554
And then that opened me up
to a whole new world of pleasure

1103
00:51:19,641 --> 00:51:21,121
in, uh, in my work.

1104
00:51:23,254 --> 00:51:24,516
[interviewer]
You're actually 22?

1105
00:51:24,603 --> 00:51:26,039
I am. I am, yeah.

1106
00:51:26,126 --> 00:51:27,388
So, that's actually
kind of shocking.

1107
00:51:27,475 --> 00:51:28,911
You know,
because you've done so--

1108
00:51:28,998 --> 00:51:30,261
I mean, we're talking about
this year,

1109
00:51:30,348 --> 00:51:31,784
but really,
the last number of years...

1110
00:51:31,871 --> 00:51:33,612
-Yeah.
-You've done so much.

1111
00:51:33,699 --> 00:51:34,961
Yeah.

1112
00:51:35,048 --> 00:51:38,051
♪ My girl, my girl ♪

1113
00:51:38,138 --> 00:51:41,359
♪ Don't lie to me ♪

1114
00:51:41,446 --> 00:51:44,579
♪ Tell me where did you sleep ♪

1115
00:51:44,666 --> 00:51:46,712
♪ Last night ♪

1116
00:51:46,799 --> 00:51:49,541
[Gena] He started doing
these photoshoots in The Valley.

1117
00:51:49,628 --> 00:51:51,673
And the first time
I saw his photography,

1118
00:51:51,760 --> 00:51:53,632
I knew that
he was shooting on the side.

1119
00:51:53,719 --> 00:51:56,069
I mean, he was the kind of guy
that did everything on the side.

1120
00:51:56,156 --> 00:51:58,376
And, um,
they were something special.

1121
00:51:58,463 --> 00:51:59,855
[chuckles]

1122
00:51:59,942 --> 00:52:03,207
♪ My girl, my girl ♪

1123
00:52:03,294 --> 00:52:04,991
[Gena] Donald
was one of his main, like,

1124
00:52:05,078 --> 00:52:06,688
characters
that he used to shoot.

1125
00:52:06,775 --> 00:52:08,125
This guy...

1126
00:52:08,212 --> 00:52:09,865
I think he found him
on Craigslist.

1127
00:52:09,952 --> 00:52:11,476
I think he found most of
these people on Craigslist,

1128
00:52:11,563 --> 00:52:12,564
that he shot.

1129
00:52:13,913 --> 00:52:15,262
[Simon] He had started to live

1130
00:52:15,349 --> 00:52:17,177
a sort of adult life
when he was...

1131
00:52:17,264 --> 00:52:18,961
he was into his, sort of,
photography, and his lurking.

1132
00:52:19,048 --> 00:52:20,876
He used to call it "lurking."

1133
00:52:20,963 --> 00:52:22,443
I used to love listening to...
He told me these stories.

1134
00:52:22,530 --> 00:52:24,576
You know, I was so...
his senior,

1135
00:52:24,663 --> 00:52:26,055
and yet, I would be
listening to him

1136
00:52:26,143 --> 00:52:27,666
like a little kid
wrapped up in his

1137
00:52:27,753 --> 00:52:30,843
sordid tales of the dark side
of LA, you know?

1138
00:52:32,975 --> 00:52:35,021
[Ian] We were known
as The Lurkers,

1139
00:52:35,108 --> 00:52:36,675
because we would always be
in these places

1140
00:52:36,762 --> 00:52:38,807
that we really
shouldn't have been, you know?

1141
00:52:38,894 --> 00:52:43,899
He was generally interested
in all types of people,

1142
00:52:43,986 --> 00:52:45,684
and wanted to know
their stories.

1143
00:52:47,033 --> 00:52:50,123
[Chris] There's the Anton
that looks like a little kid

1144
00:52:50,210 --> 00:52:52,430
and was perpetually baby-faced.

1145
00:52:52,517 --> 00:52:54,954
And then there's a guy
going to a fucking sex club

1146
00:52:55,041 --> 00:52:56,521
in Van Nuys,

1147
00:52:56,608 --> 00:52:59,088
and doing
these really weird photoshoots

1148
00:52:59,176 --> 00:53:00,699
all the time

1149
00:53:00,786 --> 00:53:02,266
with the weird...

1150
00:53:02,353 --> 00:53:05,269
alter ego named Luis Carneros.

1151
00:53:05,356 --> 00:53:07,967
And if you want to see
some weird shit...

1152
00:53:09,534 --> 00:53:10,665
I mean...

1153
00:53:12,232 --> 00:53:14,191
certain images,
I can't get out of my mind.

1154
00:53:18,238 --> 00:53:21,415
[Abrams] Chris Pine
would show up and say,

1155
00:53:21,502 --> 00:53:24,070
you know, "Do you know
what Anton did this weekend?"

1156
00:53:24,157 --> 00:53:25,811
And he would,
like, tell me some story.

1157
00:53:25,898 --> 00:53:28,248
And for Chris Pine to be
freaked out about what Anton did

1158
00:53:28,335 --> 00:53:29,554
means it was out there.

1159
00:53:31,686 --> 00:53:33,384
[Chris] The elegant,
and the crude,

1160
00:53:33,471 --> 00:53:35,560
and the carnal,
and the intellectual,

1161
00:53:35,647 --> 00:53:38,127
all just kind of folded
into the beauty.

1162
00:53:38,215 --> 00:53:39,694
He didn't ever separate it.

1163
00:53:39,781 --> 00:53:41,827
It was art. Art was life.
Life was art.

1164
00:53:43,481 --> 00:53:46,005
And that's the thing too,
girls loved Anton.

1165
00:53:46,092 --> 00:53:48,312
Women loved Anton.

1166
00:53:48,399 --> 00:53:51,315
I mean, and Anton loved women,
but, uh...

1167
00:53:51,402 --> 00:53:53,317
Maybe it's that close connection
with Irina.

1168
00:53:53,404 --> 00:53:56,015
["Nail Me Down"
by Anton Yelchin playing]

1169
00:53:56,102 --> 00:53:58,409
♪ I knock a little harder ♪

1170
00:53:58,496 --> 00:54:02,326
♪ Till my face starts looking
Like it might as ♪

1171
00:54:02,413 --> 00:54:04,676
♪ What the heck... ♪

1172
00:54:04,763 --> 00:54:06,417
[Irina]

1173
00:54:07,418 --> 00:54:09,333
I found two things there.

1174
00:54:09,420 --> 00:54:10,943
A parking ticket...

1175
00:54:12,379 --> 00:54:13,641
and condoms.

1176
00:54:13,728 --> 00:54:15,382
[chuckles]

1177
00:54:15,469 --> 00:54:16,949
And I keep it there.

1178
00:54:20,082 --> 00:54:23,042
[Jennifer] There was the time
he was sitting next to, um,

1179
00:54:23,129 --> 00:54:24,696
Cindy Crawford on a plane.

1180
00:54:24,783 --> 00:54:26,263
And she was sitting
in the window,

1181
00:54:26,350 --> 00:54:28,221
and he was sitting in the aisle,

1182
00:54:28,308 --> 00:54:29,657
and he was like,
"Just so you know,

1183
00:54:29,744 --> 00:54:31,050
I'm gonna go to sleep."
And she said,

1184
00:54:31,137 --> 00:54:32,617
"It's okay,
I have really long legs,

1185
00:54:32,704 --> 00:54:35,228
so I can just step over you."
[chuckles]

1186
00:54:35,315 --> 00:54:36,969
He said he jerked off to it
for a week.

1187
00:54:40,146 --> 00:54:42,279
[Simon]
Anton was a little dirtbird.

1188
00:54:42,366 --> 00:54:45,064
You know? He was a naughty boy.

1189
00:54:45,151 --> 00:54:48,154
And there was no reason why
he shouldn't be a naughty boy.

1190
00:54:48,241 --> 00:54:50,287
I envied his naughtiness,
in a way.

1191
00:55:02,734 --> 00:55:04,170
[Ben] That was him,
all the time being,

1192
00:55:04,257 --> 00:55:05,563
"Look at this, look at here.

1193
00:55:05,650 --> 00:55:06,520
Did you see her?
What are they doing?

1194
00:55:06,607 --> 00:55:08,043
Deep in The Valley.

1195
00:55:08,130 --> 00:55:09,175
You wouldn't believe
what I was doing.

1196
00:55:09,262 --> 00:55:10,785
Deep in The Valley last night!"

1197
00:55:10,872 --> 00:55:11,873
[snickers]

1198
00:55:12,396 --> 00:55:13,788
And like...

1199
00:55:13,875 --> 00:55:16,574
Tell me, man,
show me the pictures!

1200
00:55:16,661 --> 00:55:18,010
[Ben] Show me the pictures.

1201
00:55:19,490 --> 00:55:21,318
[Luke] It was very difficult

1202
00:55:21,405 --> 00:55:22,754
to even be with him

1203
00:55:22,841 --> 00:55:24,451
when you were trying
to get girls,

1204
00:55:24,538 --> 00:55:27,454
because the second they saw him,
it was game over.

1205
00:55:27,541 --> 00:55:29,587
My girl was gone instantly.

1206
00:55:29,674 --> 00:55:31,197
And he was a nice guy, though,
you know.

1207
00:55:31,284 --> 00:55:32,894
He was always the guy
that would be like,

1208
00:55:32,981 --> 00:55:34,548
"Oh, no, no." Like...

1209
00:55:34,635 --> 00:55:37,334
"Luke, no, come."
Like, "Join with us!" You know?

1210
00:55:37,421 --> 00:55:38,944
Like, you know?
I was like, "No, no, it's cool."

1211
00:55:39,031 --> 00:55:41,773
Like, "I lost out again,
it's cool." You know?

1212
00:55:43,688 --> 00:55:45,211
[Sophie] We met at Subway.

1213
00:55:45,298 --> 00:55:48,606
And we sat for like three hours,
just talking.

1214
00:55:48,693 --> 00:55:50,303
It kind of went
from zero to a hundred,

1215
00:55:50,390 --> 00:55:53,001
and stayed there
for a long time.

1216
00:55:54,220 --> 00:55:57,092
[Irina]

1217
00:56:06,580 --> 00:56:08,582
[Sophie] Very serious
for both of us,

1218
00:56:08,669 --> 00:56:10,367
and pretty much broke up,

1219
00:56:10,454 --> 00:56:13,413
because we were just too young,
unfortunately.

1220
00:56:14,545 --> 00:56:16,416
[Kirsten] He hit me up
after he had

1221
00:56:16,503 --> 00:56:17,983
had his heart broken.
And was like,

1222
00:56:18,070 --> 00:56:19,419
"Hey, can we like talk? I just,

1223
00:56:19,506 --> 00:56:21,203
I just kind of figured out

1224
00:56:21,290 --> 00:56:23,118
like what that actually
feels like, and I'm so sorry."

1225
00:56:23,205 --> 00:56:25,164
And I was like, "Dude, I'm...
It's fine, like, whatever.

1226
00:56:25,251 --> 00:56:26,992
Like, literally,
we were tiny children."

1227
00:56:27,079 --> 00:56:28,559
But, um...

1228
00:56:28,646 --> 00:56:29,995
for someone to call someone
and be like,

1229
00:56:30,082 --> 00:56:31,562
"Hey, that thing
that you went through,

1230
00:56:31,649 --> 00:56:34,913
I had no idea, but now I do,
and I'm so sorry."

1231
00:56:35,000 --> 00:56:36,784
I was like,
"Dude, it's fine, like..."

1232
00:56:38,264 --> 00:56:40,222
[Zachary] I don't think
you can step into the light

1233
00:56:40,309 --> 00:56:42,137
unless you fully explore
your own shadow

1234
00:56:42,224 --> 00:56:44,313
and it was such a part of him.

1235
00:56:44,401 --> 00:56:47,534
You know, that willingness,
that courage...

1236
00:56:47,621 --> 00:56:50,407
to go into
the darker parts of himself

1237
00:56:50,494 --> 00:56:52,017
and shine light on it,

1238
00:56:52,104 --> 00:56:53,366
not only for himself
but for other people.

1239
00:56:53,453 --> 00:56:56,021
He knew himself so well, and,

1240
00:56:56,108 --> 00:56:57,805
there was always, um...

1241
00:56:59,720 --> 00:57:01,722
There was always
just a recognition

1242
00:57:01,809 --> 00:57:04,725
of his own vulnerability
and his own fragility.

1243
00:57:05,813 --> 00:57:08,381
[Nicholas]
I am furious with myself.

1244
00:57:08,468 --> 00:57:10,731
And it could have been so good.

1245
00:57:10,818 --> 00:57:12,211
So sweet.

1246
00:57:12,298 --> 00:57:13,430
Fuck.

1247
00:57:14,953 --> 00:57:16,607
[Irina] The roles
were getting bigger.

1248
00:57:16,694 --> 00:57:18,652
He was leading
in a lot of films.

1249
00:57:18,739 --> 00:57:20,698
But he was not happy.

1250
00:57:20,785 --> 00:57:23,048
[interviewer] You've been
a rising star now

1251
00:57:23,135 --> 00:57:25,180
for the longest time.

1252
00:57:25,267 --> 00:57:27,313
How's that feel?

1253
00:57:27,400 --> 00:57:28,880
[Zachary] I remember
talking to Irina

1254
00:57:28,967 --> 00:57:31,535
about how frustrated he would be
with his career

1255
00:57:31,622 --> 00:57:33,232
and that was always
baffling to me

1256
00:57:33,319 --> 00:57:35,234
because of how respected he was.

1257
00:57:35,321 --> 00:57:39,586
And, you know, I don't know
that he ever knew that.

1258
00:57:39,673 --> 00:57:42,154
Honestly, I don't think
he ever let himself

1259
00:57:42,241 --> 00:57:43,764
know that or believe that.

1260
00:57:46,201 --> 00:57:48,073
[Anton] I want to make things,

1261
00:57:48,160 --> 00:57:50,075
and I want to express
a particular

1262
00:57:50,162 --> 00:57:52,294
point of view that I have,

1263
00:57:52,381 --> 00:57:54,558
and that is creatively,
emotionally, fulfilling to me.

1264
00:57:54,645 --> 00:57:56,342
And so, I spent time
thinking about that.

1265
00:57:56,429 --> 00:57:58,126
And I think about
how to do that,

1266
00:57:58,213 --> 00:57:59,911
how to accomplish that,
you know?

1267
00:57:59,998 --> 00:58:01,826
And these things
actually worry me.

1268
00:58:01,913 --> 00:58:04,045
Because you can hear a lot of great things about yourself,

1269
00:58:04,132 --> 00:58:05,873
and then you can get shit on
the next day,

1270
00:58:05,960 --> 00:58:09,094
and the institutional discourses of Hollywood

1271
00:58:09,181 --> 00:58:12,314
are a threat
to a human being's identity,

1272
00:58:12,401 --> 00:58:14,578
and to their sense of love

1273
00:58:14,665 --> 00:58:16,797
for their craft
and what they do.

1274
00:58:16,884 --> 00:58:18,625
[Anton] This is exciting, man.

1275
00:58:18,712 --> 00:58:20,105
-This is good footage.
-[paparazzo] It is what it is!

1276
00:58:20,192 --> 00:58:21,672
This is good footage, man.

1277
00:58:21,759 --> 00:58:23,456
[paparazzo]
It's better than no footage.

1278
00:58:23,543 --> 00:58:25,023
-[Anton] I bet it's good. Damn!
-[paparazzo laughing]

1279
00:58:25,110 --> 00:58:27,199
I wonder how many hits
this is gonna get.

1280
00:58:27,286 --> 00:58:28,592
Possibly, a thousand hits.

1281
00:58:28,679 --> 00:58:29,854
[paparazzo]
Oh, there you go.

1282
00:58:29,941 --> 00:58:31,725
Anton Yelchin...

1283
00:58:31,812 --> 00:58:33,161
-[paparazzo] I'll take it.
-...walking down the street.

1284
00:58:33,248 --> 00:58:34,902
-[paparazzo laughing]
-Very exciting.

1285
00:58:34,989 --> 00:58:36,600
[paparazzo]
Well, for certain people,

1286
00:58:36,687 --> 00:58:39,733
it's more exciting
than you'll ever know.

1287
00:58:39,820 --> 00:58:41,474
[Anton] It is such
a hyperreal world,

1288
00:58:41,561 --> 00:58:42,954
and it's so filled with

1289
00:58:43,041 --> 00:58:44,999
so many sort of distractions.

1290
00:58:45,086 --> 00:58:47,132
It's like the Roman Empire,
you know?

1291
00:58:47,219 --> 00:58:48,916
It's like, you can kind of have everything and do anything.

1292
00:58:49,003 --> 00:58:51,136
And, and I think, if you...

1293
00:58:51,223 --> 00:58:53,878
if you make that your life, it can be very easily confusing.

1294
00:58:54,835 --> 00:58:56,881
[Anton] I was raised in, uh...

1295
00:58:57,490 --> 00:58:59,100
To love cinema.

1296
00:59:00,580 --> 00:59:03,409
And I sort of...

1297
00:59:03,496 --> 00:59:05,454
never imagined
I would do anything

1298
00:59:05,542 --> 00:59:06,934
but make movies.

1299
00:59:11,373 --> 00:59:12,723
The tough thing is,

1300
00:59:12,810 --> 00:59:14,899
it's very difficult
in this world

1301
00:59:14,986 --> 00:59:18,772
to actually accomplish
the kind of cinema

1302
00:59:18,859 --> 00:59:20,818
that you'd wanna make.

1303
00:59:20,905 --> 00:59:24,125
It's very difficult
to actually make the cinema

1304
00:59:24,212 --> 00:59:25,649
that you want to make

1305
00:59:25,736 --> 00:59:27,651
and not compromise your vision.

1306
00:59:27,738 --> 00:59:29,174
-[photographer 1] Anton!
-[photographer 2] Anton!

1307
00:59:29,261 --> 00:59:31,176
[photographer 3]
Just straight ahead, sir.

1308
00:59:31,263 --> 00:59:33,004
[Anton] It's always good to have a movie that does well,

1309
00:59:33,091 --> 00:59:35,093
and people see.

1310
00:59:35,180 --> 00:59:36,964
But, when that's what
you're focused on,

1311
00:59:37,051 --> 00:59:38,335
and that's what you're
thinking about,

1312
00:59:38,335 --> 00:59:40,054
you're bound to have a lot of,

1313
00:59:40,141 --> 00:59:42,013
kind of, disappointment
and confusion.

1314
00:59:42,100 --> 00:59:43,971
That's why I think getting a small group of people

1315
00:59:44,058 --> 00:59:45,669
that really care together
to make movies

1316
00:59:45,756 --> 00:59:47,801
is really kind of the future for

1317
00:59:47,888 --> 00:59:48,933
-independent cinema.
-[interviewer] Mm-hmm.

1318
00:59:50,369 --> 00:59:52,371
[calm music]

1319
00:59:53,807 --> 00:59:56,375
[Drake] He was the first person
I cast, and, uh...

1320
00:59:56,462 --> 01:00:00,031
I mean, it was a very somewhat
autobiographical experience,

1321
01:00:00,118 --> 01:00:01,685
so there was a lot
of just trying

1322
01:00:01,772 --> 01:00:02,816
to find a kindred spirit.

1323
01:00:02,903 --> 01:00:04,383
Someone who had been through

1324
01:00:04,470 --> 01:00:05,340
some of the experiences
that I had been through

1325
01:00:05,427 --> 01:00:06,211
and understood that.

1326
01:00:08,474 --> 01:00:10,084
[interviewer] I had read
in another interview

1327
01:00:10,171 --> 01:00:12,609
that you've done, that you also, in some ways,

1328
01:00:12,696 --> 01:00:14,828
had gone through
a similar experience

1329
01:00:14,915 --> 01:00:16,830
in your own life
with the forced separation,

1330
01:00:16,917 --> 01:00:18,919
in a way. Is that true?

1331
01:00:19,006 --> 01:00:20,051
[Anton] I think, inevitably,
with my job,

1332
01:00:20,138 --> 01:00:22,096
every one of these relationships

1333
01:00:22,183 --> 01:00:24,055
-[interviewer] Mm.
- becomes long distance,

1334
01:00:24,142 --> 01:00:26,013
because you leave
for four months at a time.

1335
01:00:26,100 --> 01:00:28,102
[Anton] So, certain things
you can really

1336
01:00:28,189 --> 01:00:29,234
- relate to and understand...
-[interviewer] Mm-hm.

1337
01:00:29,321 --> 01:00:31,671
like that "last night" feeling,

1338
01:00:31,758 --> 01:00:33,151
The "I'm-not-going-to-see-you
for-four-months" feeling,

1339
01:00:33,238 --> 01:00:35,066
the "I-haven't-seen-you
in-a-long-time,

1340
01:00:35,153 --> 01:00:37,808
how-do-I-take-this-moment"
feeling.

1341
01:00:39,026 --> 01:00:40,637
[Jennifer] It was really like
just a bunch of friends

1342
01:00:40,724 --> 01:00:42,160
kind of coming together.

1343
01:00:42,247 --> 01:00:43,901
And that was where
you can really see,

1344
01:00:43,988 --> 01:00:47,165
really understand his talent
on a deeper level,

1345
01:00:47,252 --> 01:00:48,688
because he led that movie.

1346
01:00:48,775 --> 01:00:51,430
And it was all complete improv.

1347
01:00:51,517 --> 01:00:53,693
Did you sleep with him?

1348
01:00:53,780 --> 01:00:55,086
-Did you? Tell me, yes...
-Don't touch me.

1349
01:00:55,173 --> 01:00:56,435
-Yes or no?
-Jacob, don't touch me!

1350
01:00:56,522 --> 01:00:57,958
Did you sleep with him,
yes or no?

1351
01:00:58,045 --> 01:00:59,656
-Did you?
-Jacob, don't.

1352
01:00:59,743 --> 01:01:01,179
"Jacob, don't" what?

1353
01:01:01,266 --> 01:01:02,789
Did you, yes or no!
It's very simple.

1354
01:01:02,876 --> 01:01:04,661
Very simple question.

1355
01:01:04,748 --> 01:01:06,924
[Drake] They were doing such
a heavy piece of material,

1356
01:01:07,011 --> 01:01:08,577
but when the camera
stopped rolling,

1357
01:01:08,665 --> 01:01:11,189
it was just voices and dialects

1358
01:01:11,276 --> 01:01:13,278
-and goofy characters.
-[indistinct chatter]

1359
01:01:15,280 --> 01:01:18,283
-Living the dream!
-No, it's Johnny, it's okay!

1360
01:01:18,370 --> 01:01:19,937
It's okay!

1361
01:01:20,024 --> 01:01:23,854
My name is Fionner.
Fionner James.

1362
01:01:24,550 --> 01:01:26,857
She's fucking hot!

1363
01:01:26,944 --> 01:01:28,859
[Drake] They both went in
a hundred percent together,

1364
01:01:28,946 --> 01:01:30,469
and they were such an incredible partnership in that,

1365
01:01:30,556 --> 01:01:32,340
because there were no boundaries

1366
01:01:32,427 --> 01:01:34,038
to how we could explore
that dynamic.

1367
01:01:34,560 --> 01:01:36,736
[harmonizing]

1368
01:01:36,823 --> 01:01:39,043
[Anton] People,
when they watch the film

1369
01:01:39,130 --> 01:01:41,959
really remember those moments
that we pick up on.

1370
01:01:42,046 --> 01:01:43,874
Like the first look,

1371
01:01:43,961 --> 01:01:45,876
the first time
you really realize

1372
01:01:45,963 --> 01:01:47,616
you're falling in love
with somebody.

1373
01:01:47,704 --> 01:01:50,010
And it doesn't
oversimplify things.

1374
01:01:50,097 --> 01:01:51,533
I mean, it's really about
not heightening the emotions

1375
01:01:51,620 --> 01:01:53,710
but picking the smaller moments.

1376
01:01:53,797 --> 01:01:55,712
And I think people
can really relate to that.

1377
01:02:00,064 --> 01:02:01,152
A mark.

1378
01:02:01,500 --> 01:02:03,328
[clacks]

1379
01:02:03,415 --> 01:02:06,331
I mean, do they have, like,
a dolly there for it or me?

1380
01:02:06,418 --> 01:02:08,072
[Anton] I was nervous
after Like Crazy

1381
01:02:08,159 --> 01:02:09,987
because that's... It's such
a liberating experience

1382
01:02:10,074 --> 01:02:12,163
to then go on to a studio film,

1383
01:02:12,250 --> 01:02:13,686
but Craig Gillespie
on Fright Night

1384
01:02:13,773 --> 01:02:16,167
is also a director
that loves improv.

1385
01:02:16,254 --> 01:02:18,691
And the idea
of someone suffering

1386
01:02:18,778 --> 01:02:20,475
-doing something that is...
-[interviewer] Mm.

1387
01:02:20,562 --> 01:02:22,216
...is unfair to people
that they really care about,

1388
01:02:22,303 --> 01:02:24,349
is something that sort
of transcends that format

1389
01:02:24,436 --> 01:02:26,307
as a kind of human experience.

1390
01:02:34,620 --> 01:02:36,753
[Irina]

1391
01:02:51,506 --> 01:02:53,770
...which he shouldn't.

1392
01:02:53,857 --> 01:02:55,162
[Craig] We're doing
this nine-day sequence

1393
01:02:55,249 --> 01:02:57,730
of vampires on fire.
He's like...

1394
01:02:57,817 --> 01:02:59,253
"Can I be on fire?"

1395
01:03:01,255 --> 01:03:03,867
[Craig] And I'm like, um,
"Let me ask the stunt guys."

1396
01:03:03,954 --> 01:03:06,260
And I'm like, "Is it safe
for Anton to be on fire?"

1397
01:03:06,347 --> 01:03:07,871
And they're like,
"Yeah, it's safe."

1398
01:03:07,958 --> 01:03:09,524
And I'm like, "Okay."

1399
01:03:10,830 --> 01:03:12,179
Suddenly, the studio calls,

1400
01:03:12,266 --> 01:03:14,138
"What the hell
are you guys doing?

1401
01:03:15,008 --> 01:03:17,141
Burning our lead actor?"
[chuckles]

1402
01:03:18,925 --> 01:03:21,928
[Ryan] Because of what
he went through his whole life,

1403
01:03:22,624 --> 01:03:24,061
with his disease,

1404
01:03:24,148 --> 01:03:26,324
it's why he wanted
to get a lot done.

1405
01:03:27,847 --> 01:03:31,024
He didn't want to let it
take him down, you know?

1406
01:03:31,111 --> 01:03:32,896
Like, he would talk about it
with me.

1407
01:03:32,983 --> 01:03:34,985
Like, there was this beast
inside of him, you know?

1408
01:03:36,247 --> 01:03:37,988
[Anton coughs]
Excuse me.

1409
01:03:38,075 --> 01:03:40,077
I finished two films
over the summer.

1410
01:03:40,164 --> 01:03:42,079
[coughs]

1411
01:03:42,166 --> 01:03:44,342
[Anton] And I'm starting
to work on another film,

1412
01:03:44,429 --> 01:03:47,084
and there might be another,
an improvised film.

1413
01:03:47,171 --> 01:03:48,433
[Ben]
He was always going further

1414
01:03:48,520 --> 01:03:50,174
than the rest of us.

1415
01:03:50,261 --> 01:03:52,002
What he was thinking about,
what he was looking at,

1416
01:03:52,089 --> 01:03:53,764
what he was interested in.
What was the next project?

1417
01:03:53,764 --> 01:03:55,788
He had this immigrant mentality
to a point that I think

1418
01:03:55,875 --> 01:03:59,531
that he needed
to work rather than sit still

1419
01:03:59,618 --> 01:04:01,359
in the confidence of his talent.

1420
01:04:01,446 --> 01:04:04,014
I don't think he gave himself
much of a break.

1421
01:04:05,972 --> 01:04:08,932
[Willem] He'd go do
very risky projects,

1422
01:04:09,019 --> 01:04:10,716
and then he'd do something

1423
01:04:10,803 --> 01:04:13,284
that was more like a job.

1424
01:04:13,806 --> 01:04:15,242
[grunting]

1425
01:04:15,329 --> 01:04:19,246
[Willem] He was so intense
about his quest

1426
01:04:19,333 --> 01:04:23,947
to really find situations
that would challenge him.

1427
01:04:24,034 --> 01:04:25,557
He was very practical.

1428
01:04:25,644 --> 01:04:27,820
He was very pragmatic
about career stuff,

1429
01:04:27,907 --> 01:04:29,343
but at the same time,

1430
01:04:29,430 --> 01:04:32,956
he deeply felt a duty
to educate himself

1431
01:04:33,043 --> 01:04:34,522
and to challenge himself.

1432
01:04:36,176 --> 01:04:39,179
[Martin] Anton and I
became friends.

1433
01:04:39,266 --> 01:04:43,314
We would probably spend three,
four, five hours together,

1434
01:04:43,401 --> 01:04:46,012
talking about life.

1435
01:04:46,099 --> 01:04:48,667
He was an old soul,

1436
01:04:48,754 --> 01:04:50,277
you know, and I...

1437
01:04:50,364 --> 01:04:53,498
you know, don't talk
in terms of old souls

1438
01:04:53,585 --> 01:04:55,456
and stuff like that.

1439
01:04:55,543 --> 01:04:59,983
But I found myself treating him
as a contemporary.

1440
01:05:00,070 --> 01:05:02,202
[Martin] I remember
he had no desire

1441
01:05:02,289 --> 01:05:04,378
to be like,
the flavor of the month.

1442
01:05:04,465 --> 01:05:07,033
He said, "I would rather work
with Jim Jarmusch."

1443
01:05:08,252 --> 01:05:10,689
[Anton] My vision of things
is somewhat,

1444
01:05:10,776 --> 01:05:13,170
I think, skewed sometimes
by like,

1445
01:05:13,257 --> 01:05:16,434
obsessive desire
and interest in critical theory.

1446
01:05:16,521 --> 01:05:18,827
So, I'm blinded.
I almost have like blinders,

1447
01:05:18,915 --> 01:05:20,351
because I look at it,
and I think,

1448
01:05:20,438 --> 01:05:21,961
"Oh! This film is about genre,"
you know?

1449
01:05:22,048 --> 01:05:23,876
"About whether
we live through genre,

1450
01:05:23,963 --> 01:05:25,443
or genre lives through us,

1451
01:05:25,530 --> 01:05:27,314
or whether it's just sort of
a vicious cycle

1452
01:05:27,401 --> 01:05:29,577
where we reenact
things we've seen."

1453
01:05:31,362 --> 01:05:33,059
[Joe] You don't often work
with an actor

1454
01:05:33,146 --> 01:05:34,974
who you so immediately take to.

1455
01:05:35,061 --> 01:05:37,194
The actor making the movie,
which is of, you know,

1456
01:05:37,281 --> 01:05:38,935
a pretty minor movie
in his canon.

1457
01:05:39,022 --> 01:05:41,285
And Anton, if he wasn't working
he would come in anyway.

1458
01:05:41,372 --> 01:05:45,419
I mean, he was part of
the creative package.

1459
01:05:45,506 --> 01:05:46,899
So...

1460
01:05:46,986 --> 01:05:48,205
What happens now?

1461
01:05:50,294 --> 01:05:51,991
Room 2117.

1462
01:05:52,078 --> 01:05:53,427
Five o'clock.

1463
01:05:53,514 --> 01:05:55,168
[interviewer]
So, did you see yourself

1464
01:05:55,255 --> 01:05:58,041
as becoming the, uh,
thinking woman's sex symbol?

1465
01:05:58,128 --> 01:05:59,738
You know, it's funny

1466
01:05:59,825 --> 01:06:01,653
-that you should say that.
-[interviewer laughing]

1467
01:06:01,740 --> 01:06:06,614
[Anton] I'm constantly surprised
by how insane filmmaking is.

1468
01:06:06,701 --> 01:06:10,009
Like, a hundred-whatever people
have gotten together

1469
01:06:10,096 --> 01:06:12,925
to try to get one shot,
perfectly.

1470
01:06:13,012 --> 01:06:15,058
And there's a real madness

1471
01:06:15,145 --> 01:06:17,625
and beauty to that madness
that I love.

1472
01:06:17,712 --> 01:06:20,802
I find it completely
intoxicating, and I...

1473
01:06:20,889 --> 01:06:22,761
I truly enjoyed working
on this one.

1474
01:06:22,848 --> 01:06:24,632
"I truly enjoyed working

1475
01:06:24,719 --> 01:06:26,852
-on this film 5 to 7!"
-[interviewer laughing]

1476
01:06:26,939 --> 01:06:28,810
[Jon] It's startling in a way.

1477
01:06:28,897 --> 01:06:30,421
There's something angelic
about him

1478
01:06:30,508 --> 01:06:32,031
and pure about him,

1479
01:06:32,118 --> 01:06:34,947
and open,
and obviously intelligent,

1480
01:06:35,034 --> 01:06:36,470
but a little bit of a waif.

1481
01:06:36,557 --> 01:06:37,994
He looks like he just

1482
01:06:38,081 --> 01:06:39,517
put himself together quickly to,
[chuckles]

1483
01:06:40,648 --> 01:06:41,693
to walk out the door.

1484
01:06:41,780 --> 01:06:42,781
He didn't look like he put on...

1485
01:06:42,868 --> 01:06:44,609
everything on, you know?

1486
01:06:44,696 --> 01:06:48,091
Then we started working
and I realized he was...

1487
01:06:48,178 --> 01:06:50,136
he was the real thing, you know?

1488
01:06:50,223 --> 01:06:51,790
You're always grateful

1489
01:06:51,877 --> 01:06:53,966
when you see one
of these talents.

1490
01:06:54,053 --> 01:06:55,533
They're very...

1491
01:06:55,620 --> 01:06:58,014
rare, really.

1492
01:06:58,101 --> 01:07:00,364
[Anton] I think as an actor,

1493
01:07:00,451 --> 01:07:02,975
it's sort of a mixture
of the philosophical awareness

1494
01:07:03,062 --> 01:07:04,933
and the emotional, you know?

1495
01:07:05,021 --> 01:07:06,935
I think that those are the films I'm most drawn to.

1496
01:07:07,023 --> 01:07:08,937
Pull the trigger.

1497
01:07:09,025 --> 01:07:10,156
Do it!

1498
01:07:10,243 --> 01:07:12,202
What are you waiting for?

1499
01:07:12,898 --> 01:07:14,900
[coughs]

1500
01:07:14,987 --> 01:07:16,771
One more, right away.

1501
01:07:16,858 --> 01:07:19,165
[interviewer] Were you
always confident

1502
01:07:19,252 --> 01:07:21,080
that you were good enough
to make it in the industry?

1503
01:07:21,167 --> 01:07:22,212
[Anton] I mean, I'm still
not very confident

1504
01:07:22,299 --> 01:07:24,562
that I'm good enough, you know?

1505
01:07:24,649 --> 01:07:27,782
I, I don't know that I'll ever
be confident in that.

1506
01:07:27,869 --> 01:07:30,872
You're at the ground floor
of a growing business.

1507
01:07:30,959 --> 01:07:32,483
Your reward is a career.

1508
01:07:32,570 --> 01:07:34,615
Yeah, fuck that.

1509
01:07:34,702 --> 01:07:36,313
Fuck that.

1510
01:07:36,400 --> 01:07:38,837
[Willem] I remember
he was very troubled by...

1511
01:07:38,924 --> 01:07:41,100
his hairline was receding.

1512
01:07:41,187 --> 01:07:44,147
And he was a little obsessed
by that.

1513
01:07:44,234 --> 01:07:48,629
And that was that Hollywood part
that he did care about.

1514
01:07:48,716 --> 01:07:50,805
I could relate to that,
because someone assumes

1515
01:07:50,892 --> 01:07:53,156
that if you're interested
in the road less traveled,

1516
01:07:53,243 --> 01:07:56,072
you aren't interested
in the road traveled.

1517
01:07:56,159 --> 01:07:57,595
But the truth is,

1518
01:07:57,682 --> 01:07:59,423
you can hold both in your head.
[chuckles]

1519
01:08:00,554 --> 01:08:03,079
["Over Your Shoulder"
by Rudderless playing]

1520
01:08:12,131 --> 01:08:15,047
♪ The angel and the devil ♪

1521
01:08:15,134 --> 01:08:17,876
♪ Secretly, they get along ♪

1522
01:08:17,963 --> 01:08:21,445
♪ Sitting up there
With me in the middle ♪

1523
01:08:21,532 --> 01:08:23,795
♪ From the dust till dawn ♪

1524
01:08:25,231 --> 01:08:27,233
[Nicholas] Dear Mamoola
and Papoola.

1525
01:08:27,320 --> 01:08:29,235
Every day in Tokyo,

1526
01:08:29,322 --> 01:08:30,628
I think about
how terrifying it was

1527
01:08:30,715 --> 01:08:32,608
for you to come to a country

1528
01:08:32,608 --> 01:08:34,414
where you did not speak
a word of the language

1529
01:08:34,501 --> 01:08:36,503
with the intention
of starting a new life.

1530
01:08:36,590 --> 01:08:38,940
How frightening it was to leave a home with everything

1531
01:08:39,027 --> 01:08:41,552
and come to the United States
with nothing.

1532
01:08:41,639 --> 01:08:43,858
Not knowing
what tomorrow will bring,

1533
01:08:43,945 --> 01:08:46,209
how life will turn out.

1534
01:08:46,296 --> 01:08:48,211
I think about
the courage it took

1535
01:08:48,298 --> 01:08:50,865
to dedicate yourself to succeed in this new country,

1536
01:08:50,952 --> 01:08:54,391
in building a home
for yourselves and your child.

1537
01:08:54,478 --> 01:08:56,349
And I think about how you did it

1538
01:08:56,436 --> 01:08:58,525
so that I could have
a better life,

1539
01:08:58,612 --> 01:09:00,310
despite what the sacrifice
might mean to you.

1540
01:09:01,180 --> 01:09:03,313
[speaks Russian]

1541
01:09:03,400 --> 01:09:04,966
[Nicholas] I always worry
that I somehow,

1542
01:09:05,053 --> 01:09:06,838
can't express my appreciation,

1543
01:09:06,925 --> 01:09:09,754
so I try to write these notes expressing that I do think about

1544
01:09:09,841 --> 01:09:12,626
and appreciate and respect
and thank God for you,

1545
01:09:12,713 --> 01:09:14,846
and everything
that you have given me.

1546
01:09:16,326 --> 01:09:17,370
As I write this,

1547
01:09:17,457 --> 01:09:19,024
I see the trips to Toys "R" Us,

1548
01:09:19,111 --> 01:09:20,156
to the zoo.

1549
01:09:20,243 --> 01:09:22,114
I see the video cameras,

1550
01:09:22,201 --> 01:09:24,203
and all the attention
that I got.

1551
01:09:24,290 --> 01:09:26,205
I wish I could take
all of these things

1552
01:09:26,292 --> 01:09:28,207
and put them together
and give them back to you

1553
01:09:28,294 --> 01:09:29,382
with all the love
that you gave me.

1554
01:09:29,469 --> 01:09:31,515
I love you so much,

1555
01:09:31,602 --> 01:09:34,039
and I hope, even though
sometimes I'm too stupid,

1556
01:09:34,126 --> 01:09:36,128
selfish, or ignorant to show it,

1557
01:09:36,215 --> 01:09:38,174
you know this.

1558
01:09:38,261 --> 01:09:40,176
I wish for you to be happy
and healthy

1559
01:09:40,263 --> 01:09:42,439
for another million,
billion, trillion years.

1560
01:09:42,526 --> 01:09:44,789
I wish for us to be able
to celebrate all together

1561
01:09:44,876 --> 01:09:47,618
for all of those happy
and healthy years.

1562
01:09:47,705 --> 01:09:48,793
[Anton]

1563
01:09:48,880 --> 01:09:49,968
[in Russian]

1564
01:09:54,581 --> 01:09:56,192
[Victor laughs]

1565
01:09:57,497 --> 01:09:58,759
[Nicholas] I love you.

1566
01:09:59,412 --> 01:10:01,414
Love, Antosha.

1567
01:10:08,291 --> 01:10:09,988
Let's just say I came up short.

1568
01:10:10,075 --> 01:10:11,816
Would you log this?

1569
01:10:11,903 --> 01:10:13,557
[Chris] Really, that kind of,
first one and second one

1570
01:10:13,644 --> 01:10:15,385
are, kind of, all conflated
into one thing.

1571
01:10:15,472 --> 01:10:18,475
And then we had this glorious,
kind of, golden moment

1572
01:10:18,562 --> 01:10:21,826
of shooting in Vancouver
for the last film.

1573
01:10:21,913 --> 01:10:25,264
I'm so, so happy it turned out
that way, you know?

1574
01:10:25,351 --> 01:10:27,179
[motorcycle engine revving]

1575
01:10:27,266 --> 01:10:29,312
[Zoe] Everybody was away
from their families,

1576
01:10:29,399 --> 01:10:32,706
so something very beautiful
happened, where...

1577
01:10:32,793 --> 01:10:34,926
we all just sort of
just came together.

1578
01:10:36,188 --> 01:10:37,276
Look up!

1579
01:10:37,363 --> 01:10:38,495
Whoa, dude!

1580
01:10:38,582 --> 01:10:40,192
-Look down!
-Oh, shit.

1581
01:10:40,279 --> 01:10:41,498
Look down.

1582
01:10:43,151 --> 01:10:45,197
[Sofia] He surprised me
every time.

1583
01:10:45,284 --> 01:10:47,243
He spoke about something,
I thought, you know,

1584
01:10:47,330 --> 01:10:50,942
"What a bright,
intelligent human being."

1585
01:10:54,119 --> 01:10:56,469
[Chris]Anton and me and Sofia,

1586
01:10:56,556 --> 01:10:59,472
every weekend,
would be out on the sailboat

1587
01:10:59,559 --> 01:11:02,127
in the harbor in Vancouver.

1588
01:11:02,214 --> 01:11:04,782
[Sofia] Anton was the only one
with his hoodie and his,

1589
01:11:04,869 --> 01:11:06,697
sort of, moon boots,
wearing on the boat,

1590
01:11:06,784 --> 01:11:08,351
and there was no way
he would want...

1591
01:11:08,438 --> 01:11:10,440
the water would touch him.

1592
01:11:10,527 --> 01:11:13,443
He was so particular
and so interesting.

1593
01:11:15,445 --> 01:11:17,925
I have this great picture of...
[Chris chuckles]

1594
01:11:18,012 --> 01:11:19,275
Me on the boat,

1595
01:11:19,362 --> 01:11:21,755
I'm falling asleep
on Anton's lap.

1596
01:11:21,842 --> 01:11:23,757
And Anton
is with his, like, sweatshirt,

1597
01:11:23,844 --> 01:11:25,716
and I can tell he's like,
"Goddamn it."

1598
01:11:25,803 --> 01:11:27,370
I've probably had been asleep
for like an hour on his lap,

1599
01:11:27,457 --> 01:11:29,110
but he doesn't want to move me.

1600
01:11:29,197 --> 01:11:32,070
That's really cute,
I got that one.

1601
01:11:34,681 --> 01:11:36,379
[John] There is this thing,

1602
01:11:36,466 --> 01:11:38,729
you pretend to be...

1603
01:11:39,643 --> 01:11:42,254
a family over a number of years,

1604
01:11:42,341 --> 01:11:44,735
and at some point,
you kind of are.

1605
01:11:44,822 --> 01:11:46,867
[imitates gunshots]

1606
01:11:46,954 --> 01:11:49,130
[imitates buzzing]

1607
01:11:49,217 --> 01:11:51,307
[Chris] He was on a full...

1608
01:11:51,394 --> 01:11:53,178
explorer's bent,
that last summer.

1609
01:11:53,265 --> 01:11:55,049
It was like a lot of mushrooms.

1610
01:11:55,136 --> 01:11:57,138
He was definitely pushing
the boundaries of, you know,

1611
01:11:57,225 --> 01:12:00,403
reality, and going on
major long walks

1612
01:12:00,490 --> 01:12:02,970
and got a little intense
after a while.

1613
01:12:03,057 --> 01:12:05,843
But it all seemed like
it was in the spirit of...

1614
01:12:07,018 --> 01:12:08,498
I don't know, seeking.

1615
01:12:09,368 --> 01:12:11,327
[Nicholas] Who am I?

1616
01:12:11,414 --> 01:12:13,503
Let it holler from the throat
into the world.

1617
01:12:13,590 --> 01:12:15,418
The void from which like
a screaming contorted demon

1618
01:12:15,505 --> 01:12:19,247
you return empty-handed,
eyes pleading.

1619
01:12:19,335 --> 01:12:21,032
[Chris] We had had like, uh,

1620
01:12:21,119 --> 01:12:23,121
two and a half weeks off
before we had to go to Dubai.

1621
01:12:23,208 --> 01:12:24,427
And he just really did not...

1622
01:12:24,514 --> 01:12:26,342
He looked skinnier than usual.

1623
01:12:26,429 --> 01:12:28,213
And he was coughing a lot more.

1624
01:12:28,300 --> 01:12:30,346
Just, we were
all worried about him.

1625
01:12:32,260 --> 01:12:34,088
He was scared. I saw him scared.

1626
01:12:34,175 --> 01:12:35,351
I felt him scared.

1627
01:12:37,570 --> 01:12:39,311
[John] I remember he said,

1628
01:12:39,398 --> 01:12:40,704
"Oh, god, I got to start

1629
01:12:40,791 --> 01:12:42,880
taking better care
of my health."

1630
01:12:42,967 --> 01:12:44,925
He didn't want to worry
his mother, you know?

1631
01:12:46,710 --> 01:12:48,842
[Nicholas]Mamoola, how are you?

1632
01:12:48,929 --> 01:12:50,931
I miss you.

1633
01:12:51,018 --> 01:12:52,672
I've been going nonstop in a way since I left for Dubai,

1634
01:12:52,759 --> 01:12:54,805
so it's starting
to catch up with me.

1635
01:12:54,892 --> 01:12:57,851
Paris is beautiful as always,
but I miss LA.

1636
01:12:57,938 --> 01:13:00,376
Paris is pretty,
but it is not home.

1637
01:13:00,463 --> 01:13:02,639
Besides,
I should really learn French.

1638
01:13:02,726 --> 01:13:05,424
Miss you, love you, Antosha.

1639
01:13:06,599 --> 01:13:08,122
[Irina]

1640
01:13:15,478 --> 01:13:17,567
And ended up
being in a hospital.

1641
01:13:20,570 --> 01:13:22,354
That's when it really hit me,
and I was like,

1642
01:13:22,441 --> 01:13:25,792
my friend could... you know,
you know, uh...

1643
01:13:25,879 --> 01:13:28,186
you know, he's not meant
for this Earth,

1644
01:13:28,273 --> 01:13:30,144
as long as...

1645
01:13:30,231 --> 01:13:33,757
you know, than what they "deem"
the normal life expectancy is.

1646
01:13:34,410 --> 01:13:37,413
[somber music]

1647
01:13:37,500 --> 01:13:38,892
[Chris] I don't know.
I feel like sometimes,

1648
01:13:38,979 --> 01:13:41,460
I feel like he just...
maybe he knew.

1649
01:13:42,853 --> 01:13:44,811
He was just pushing,
pushing, pushing.

1650
01:13:44,898 --> 01:13:47,684
Finding, finding, finding,
exploring.

1651
01:13:47,771 --> 01:13:49,903
There was a lot of courage
and bravery, and...

1652
01:13:49,990 --> 01:13:53,211
which he didn't really see,
I don't think, in himself.

1653
01:13:53,298 --> 01:13:55,518
But from an outside perspective,

1654
01:13:55,605 --> 01:13:57,563
it was so clear
that he just, you know...

1655
01:14:00,479 --> 01:14:01,654
[smacks lips]

1656
01:14:03,134 --> 01:14:04,614
[Drake] It just occurred to me

1657
01:14:04,701 --> 01:14:06,050
there was this scene
that we shot in London,

1658
01:14:06,137 --> 01:14:07,617
was this kind of breakup scene

1659
01:14:07,704 --> 01:14:08,618
where he was
about to come back to the States

1660
01:14:08,705 --> 01:14:10,010
and she was staying there.

1661
01:14:10,097 --> 01:14:11,577
I wanted to set it
in a cemetery.

1662
01:14:11,664 --> 01:14:13,231
So, we were walking around
this cemetery,

1663
01:14:13,318 --> 01:14:14,493
they were having
this conversation,

1664
01:14:14,580 --> 01:14:15,886
we were doing this scene,

1665
01:14:15,973 --> 01:14:17,757
and then
in the middle of the scene,

1666
01:14:17,844 --> 01:14:20,194
Anton was just like, "I don't...
I don't want to be here."

1667
01:14:20,281 --> 01:14:21,805
I don't know.

1668
01:14:21,892 --> 01:14:23,328
I don't like walking
on people's graves.

1669
01:14:23,415 --> 01:14:24,372
We're not walking
on people's graves.

1670
01:14:24,460 --> 01:14:25,373
-We are.
-This is the bit

1671
01:14:25,461 --> 01:14:26,723
in between the graves.

1672
01:14:26,810 --> 01:14:28,159
No, I don't like this.
I don't like this.

1673
01:14:28,246 --> 01:14:29,595
And Felicity is trying
to do the scene

1674
01:14:29,682 --> 01:14:30,901
in the scene,
and we're shooting,

1675
01:14:30,901 --> 01:14:31,858
and she's like,
"Oh, no, let's stay,

1676
01:14:31,945 --> 01:14:33,469
let's talk, let's sit down."

1677
01:14:33,556 --> 01:14:34,557
And he's like,
"No. No, I gotta go. I gotta go"

1678
01:14:34,644 --> 01:14:36,123
[Anton] This is freaking me out.

1679
01:14:37,255 --> 01:14:38,648
Really? Why?

1680
01:14:38,735 --> 01:14:40,258
[Anton] I don't know.

1681
01:14:40,345 --> 01:14:41,825
[Drake] I forgot about it.

1682
01:14:41,912 --> 01:14:43,522
And then, after watching it,
I was like,

1683
01:14:43,609 --> 01:14:46,090
"Oh, my god!" He was so
in tune to this frequency.

1684
01:14:46,177 --> 01:14:48,179
He had this radar for energy,

1685
01:14:48,266 --> 01:14:49,963
and for feeling and stuff.

1686
01:14:50,050 --> 01:14:51,574
And he was just in touch
with that side

1687
01:14:51,661 --> 01:14:53,184
of the universe in a way.

1688
01:14:55,534 --> 01:14:57,667
[Irina]

1689
01:15:02,846 --> 01:15:05,718
He started reading
other people with CF

1690
01:15:05,805 --> 01:15:09,287
and felt very disturbed.

1691
01:15:09,374 --> 01:15:11,855
[Nicholas] Hi, Mary,
I've been feeling up and down.

1692
01:15:11,942 --> 01:15:14,858
Increased airway clearance
right now to four times a day.

1693
01:15:14,945 --> 01:15:16,947
My folks have been doing
the percussion on my side

1694
01:15:17,034 --> 01:15:19,253
and my back
one to two times a day.

1695
01:15:19,340 --> 01:15:21,995
I've been exercising
a minimum of 45 minutes a day.

1696
01:15:22,082 --> 01:15:24,128
Got to get it into
this idiot brain of mine

1697
01:15:24,215 --> 01:15:26,043
that I have to fight this thing.

1698
01:15:26,130 --> 01:15:27,958
Had a really heavy feeling night a few days back

1699
01:15:28,045 --> 01:15:30,134
where I looked up CF
on Instagram

1700
01:15:30,221 --> 01:15:32,353
and I saw the kids
that are fighting so hard

1701
01:15:32,440 --> 01:15:34,530
and proud to do it.

1702
01:15:34,617 --> 01:15:36,793
Calling themselves fighters,
and I was really moved.

1703
01:15:36,880 --> 01:15:38,621
I've always wanted to shy away
from feeling proud

1704
01:15:38,708 --> 01:15:40,013
that I fight this thing
all the time,

1705
01:15:40,100 --> 01:15:42,146
so I've avoided fighting it.

1706
01:15:42,233 --> 01:15:44,104
But I've got to be proud,
and I've got tell myself

1707
01:15:44,191 --> 01:15:46,150
that most people never have to deal with this sort of stuff.

1708
01:15:46,237 --> 01:15:48,152
And I should be proud of myself
that I man up and do,

1709
01:15:48,239 --> 01:15:50,154
as long as
I actually man up and do.

1710
01:15:50,241 --> 01:15:52,635
And if I don't, that's a crime
against the potentiality

1711
01:15:52,722 --> 01:15:54,462
and against all those that do.

1712
01:15:54,550 --> 01:15:56,813
Anyway, ranting.

1713
01:15:56,900 --> 01:15:58,728
Thank you again
for all your help.

1714
01:15:58,815 --> 01:16:00,904
Speak soon, Anton.

1715
01:16:01,557 --> 01:16:04,255
[Irina]

1716
01:16:18,791 --> 01:16:20,837
And then he would look at me,
and he'd say,

1717
01:16:20,924 --> 01:16:22,186
"Mamoola.

1718
01:16:22,273 --> 01:16:23,840
Please do not worry.

1719
01:16:23,927 --> 01:16:26,843
It's okay, I can handle it.
Trust me."

1720
01:16:29,497 --> 01:16:32,065
I am Gustav Klimt!

1721
01:16:32,152 --> 01:16:34,372
[Dr. Adupa] When Anton
was in the hospital, he said,

1722
01:16:34,459 --> 01:16:35,808
"We've got to do
something here."

1723
01:16:35,895 --> 01:16:38,724
And we sat down,
and we said, you know,

1724
01:16:38,811 --> 01:16:40,247
"These are the three things

1725
01:16:40,334 --> 01:16:42,075
that I want to concentrate
for this week."

1726
01:16:42,815 --> 01:16:44,861
And when I came back, he goes,

1727
01:16:44,948 --> 01:16:46,558
"I did one, two, and three,

1728
01:16:46,645 --> 01:16:48,125
and I thought
I would do number four

1729
01:16:48,212 --> 01:16:49,996
just because
I thought it would be good."

1730
01:16:50,083 --> 01:16:51,694
And you could see

1731
01:16:51,781 --> 01:16:54,000
his sense of pride
and his sense of,

1732
01:16:54,087 --> 01:16:56,220
"Oh, my gosh,
I've got this under control.

1733
01:16:56,307 --> 01:16:58,875
I can go back to work now."

1734
01:16:58,962 --> 01:17:00,790
[Mark] When we were filming,
I remember thinking to myself,

1735
01:17:00,877 --> 01:17:02,661
"Huh?

1736
01:17:02,748 --> 01:17:04,707
You know, this feels like
a slightly different Anton than,

1737
01:17:04,794 --> 01:17:06,447
than I've hung out with before."

1738
01:17:06,534 --> 01:17:09,494
You know,
the mind forgets things...

1739
01:17:09,581 --> 01:17:11,365
for a reason.

1740
01:17:11,452 --> 01:17:12,715
[Mark] I remember Dinklage
coming up to me and just going,

1741
01:17:12,802 --> 01:17:13,846
"Whoa." You know?

1742
01:17:13,933 --> 01:17:15,848
Just sitting opposite that,

1743
01:17:15,935 --> 01:17:18,938
and you can feel the intensity
off of Anton in those scenes.

1744
01:17:19,025 --> 01:17:20,723
But as soon as I yelled "cut,"

1745
01:17:20,810 --> 01:17:23,551
it was just like this cloak
lifted off of him,

1746
01:17:23,639 --> 01:17:26,250
and it was back
to "Laughing Anton."

1747
01:17:26,337 --> 01:17:28,818
How freaking cool is that?

1748
01:17:28,905 --> 01:17:30,123
[Toby as Charlie] Oh, my god!
Oh, my god! Oh, my god!

1749
01:17:30,210 --> 01:17:31,255
[Anton as Jim] Oh, dude!

1750
01:17:31,342 --> 01:17:32,691
You know what this means, right?

1751
01:17:32,778 --> 01:17:34,780
You have
a sacred responsibility here!

1752
01:17:34,867 --> 01:17:36,173
That's what they said!

1753
01:17:36,260 --> 01:17:38,088
You have to use
these new powers...

1754
01:17:38,175 --> 01:17:39,480
[Del Toro] The sense
that you got from Anton

1755
01:17:39,567 --> 01:17:42,048
was intensity, intelligence,

1756
01:17:42,135 --> 01:17:43,833
and at the same time,
you have the sense

1757
01:17:43,920 --> 01:17:45,835
that he was living.

1758
01:17:45,922 --> 01:17:47,837
You knew he was an artist,
you know?

1759
01:17:49,882 --> 01:17:52,102
[Anya] He was, he was
a wild one. I was a wild one.

1760
01:17:52,189 --> 01:17:54,757
We were both, kind of,
coming to a space of...

1761
01:17:54,844 --> 01:17:58,108
trying to connect the people
that we used to be,

1762
01:17:58,195 --> 01:17:59,762
with the people
that we were becoming.

1763
01:17:59,849 --> 01:18:02,547
And he was, he was
very interested in creating,

1764
01:18:02,634 --> 01:18:04,854
um, life movie moments.

1765
01:18:04,941 --> 01:18:06,290
What the fuck is wrong with you?

1766
01:18:06,377 --> 01:18:08,684
Yes, I have a gun.

1767
01:18:08,771 --> 01:18:09,815
-Multiple guns?
-"Multiple guns"?

1768
01:18:09,902 --> 01:18:11,774
No! One. One gun.

1769
01:18:11,861 --> 01:18:13,689
What am I, fucking Rambo?

1770
01:18:13,776 --> 01:18:17,127
[Zachary] I think we were
witnessing this shift in him.

1771
01:18:17,214 --> 01:18:20,565
He was right at that moment
of huge transition in his life.

1772
01:18:20,652 --> 01:18:22,262
You know, the way
he talked about things,

1773
01:18:22,349 --> 01:18:25,135
it was, it was different.
It was gaining momentum.

1774
01:18:25,222 --> 01:18:27,659
There were no boundaries
between his...

1775
01:18:27,746 --> 01:18:29,139
between his modes
of creative expression.

1776
01:18:29,226 --> 01:18:31,924
They just all folded
into one another.

1777
01:18:32,011 --> 01:18:33,883
[Anton] I play the bass player
in the band.

1778
01:18:33,970 --> 01:18:35,885
Uh, and so, Jeremy and I

1779
01:18:35,972 --> 01:18:38,452
always talked about
the fact that, someone,

1780
01:18:38,539 --> 01:18:40,890
and if there's one person
in a band that could die,

1781
01:18:40,977 --> 01:18:42,369
and you could still play
the show,

1782
01:18:42,456 --> 01:18:44,545
it would be the bass player.

1783
01:18:44,632 --> 01:18:46,634
You know? And that's kind of
how his personality is.

1784
01:18:46,722 --> 01:18:48,724
I mean he's just kind of the one that studies everything.

1785
01:18:48,811 --> 01:18:50,377
[interviewer] Do you like
watching yourself on screen?

1786
01:18:50,464 --> 01:18:52,379
[Anton]
I don't like watching myself

1787
01:18:52,466 --> 01:18:54,120
- on screen at all.
-[interviewer] Right.

1788
01:18:54,207 --> 01:18:56,122
[Anton] But I do like
watching the film.

1789
01:18:56,209 --> 01:18:58,168
-[interviewer] Yeah. -[Anton]I wish I was at a place

1790
01:18:58,255 --> 01:19:00,126
where I could be so enlightened
that I could just say,

1791
01:19:00,213 --> 01:19:00,953
"Well, the experience
was all that matters."

1792
01:19:02,650 --> 01:19:04,827
[calm music]

1793
01:19:07,177 --> 01:19:08,439
[Anton]

1794
01:19:24,890 --> 01:19:27,197
[Ian] He had been working
so much that last year

1795
01:19:27,284 --> 01:19:29,460
and been just battling
and just dealing

1796
01:19:29,547 --> 01:19:31,418
with so much stuff.

1797
01:19:31,505 --> 01:19:35,379
And so, Ryan, him, and myself
go on a trip together to London.

1798
01:19:35,466 --> 01:19:37,860
It was like the first time
in a really long time,

1799
01:19:37,947 --> 01:19:39,470
I felt like we were just kids.

1800
01:19:39,557 --> 01:19:42,560
Forget the Tate Modern
or the National Gallery,

1801
01:19:42,647 --> 01:19:46,259
I want shoes! I want glasses!

1802
01:19:46,346 --> 01:19:48,740
-[Ian] What else do you want?
-I want suits, suits, suits.

1803
01:19:48,827 --> 01:19:50,524
-[Ian] What else?
-Bags!

1804
01:19:50,611 --> 01:19:51,961
Lots of bags.

1805
01:19:52,048 --> 01:19:54,746
-[Ian] What about...
-Jewelry.

1806
01:19:54,833 --> 01:19:56,400
[Ryan] You know,
we "lurked" around London.

1807
01:19:56,487 --> 01:19:58,706
I just remember being
at the National Gallery,

1808
01:19:58,794 --> 01:20:00,796
and he stood
in front of this painting.

1809
01:20:00,883 --> 01:20:02,406
Anton wouldn't move.

1810
01:20:02,493 --> 01:20:05,539
Ian and I walked around
like three more rooms,

1811
01:20:06,976 --> 01:20:08,847
came back 20 minutes later,

1812
01:20:08,934 --> 01:20:11,415
and he's still staring
at this painting.

1813
01:20:14,635 --> 01:20:17,073
[Ian] We were having
these really heavy conversations

1814
01:20:17,160 --> 01:20:20,032
about Cystic Fibrosis
and his disease,

1815
01:20:20,119 --> 01:20:22,774
and he definitely was
at a point in his life

1816
01:20:22,861 --> 01:20:26,169
that he wanted to find a way
to talk about it.

1817
01:20:26,256 --> 01:20:28,432
This could inspire people
that are going through it

1818
01:20:28,519 --> 01:20:31,827
to know that, you know,
you're able to live a life,

1819
01:20:31,914 --> 01:20:33,959
and you deserve to be able to do
whatever you want to do,

1820
01:20:34,046 --> 01:20:36,179
and accomplish whatever goals
you want to accomplish.

1821
01:20:36,266 --> 01:20:38,007
-I'm Anton.
-I'm Julie.

1822
01:20:38,094 --> 01:20:39,399
-Nice to meet you officially.
-Thanks for coming in.

1823
01:20:39,486 --> 01:20:41,097
-Yeah, officially seeing...
-I know.

1824
01:20:41,184 --> 01:20:43,186
-Is it okay if I sit here?
-Yeah. Yeah, and...

1825
01:20:43,273 --> 01:20:46,102
[Ryan] He was getting ready
to make his first real film.

1826
01:20:46,189 --> 01:20:48,408
His real directorial debut.

1827
01:20:48,495 --> 01:20:52,369
He had every shot written out
and planned to a T.

1828
01:20:53,718 --> 01:20:54,806
[Mark] I went through
all the sort of,

1829
01:20:54,893 --> 01:20:56,764
behind-the-scenes pictures,

1830
01:20:56,852 --> 01:20:59,811
and so many of them are Anton
hovering over the DP's shoulder,

1831
01:20:59,898 --> 01:21:02,031
you know,
asking about the camera.

1832
01:21:02,118 --> 01:21:03,989
He was writing down
the model number.

1833
01:21:04,076 --> 01:21:05,556
And he would say, "That's what
I'm gonna shoot my film on!

1834
01:21:05,643 --> 01:21:06,209
"That's what I'm gonna shoot
my film on!"

1835
01:21:07,688 --> 01:21:11,257
[Victor]

1836
01:21:18,308 --> 01:21:20,223
[Irina]

1837
01:21:29,145 --> 01:21:31,016
...does everything.

1838
01:21:31,103 --> 01:21:32,583
[interviewer]You really are one of the few actors

1839
01:21:32,670 --> 01:21:33,976
who did the whole full range,

1840
01:21:34,063 --> 01:21:36,108
the logical consequence will be,

1841
01:21:36,195 --> 01:21:38,067
because I know you've been interested in that for a while,

1842
01:21:38,154 --> 01:21:40,373
will be directing
a film one day.

1843
01:21:40,460 --> 01:21:42,549
[Anton] Yes.

1844
01:21:42,636 --> 01:21:46,336
The cinema should be a tool in which we explore these ideas

1845
01:21:46,423 --> 01:21:50,079
of the existential nature
of our existence

1846
01:21:50,166 --> 01:21:52,516
as human beings on this Earth.

1847
01:21:52,603 --> 01:21:56,041
And it should provide
questions and speculation,

1848
01:21:56,128 --> 01:22:00,089
and never mythologize
and offer answers.

1849
01:22:00,176 --> 01:22:01,960
I feel like
if I'm gonna make movies,

1850
01:22:02,047 --> 01:22:04,180
I want them, at least right now,

1851
01:22:04,267 --> 01:22:06,617
I want them to be...
to move in that direction.

1852
01:22:08,053 --> 01:22:09,707
[Ryan] He got the call saying,

1853
01:22:09,794 --> 01:22:11,535
"We got the money,
we're gonna shoot this thing."

1854
01:22:11,622 --> 01:22:15,365
And, um, his dreams
were coming true, you know?

1855
01:22:21,588 --> 01:22:23,242
[newscaster] Next tonight here,
to the stunning death

1856
01:22:23,329 --> 01:22:25,941
in Hollywood, a young actor,
a rising star

1857
01:22:26,028 --> 01:22:27,899
known for his work onStar Trek.

1858
01:22:27,986 --> 01:22:30,554
He was killed,
trapped between his SUV

1859
01:22:30,641 --> 01:22:31,642
and his driveway gate.

1860
01:22:31,729 --> 01:22:33,426
And it turns out, his Jeep

1861
01:22:33,513 --> 01:22:36,560
is one of hundreds of thousands
included in a recall.

1862
01:22:38,954 --> 01:22:41,130
[somber music]

1863
01:22:46,265 --> 01:22:48,485
[news reporter] Police
are saying it appears to be

1864
01:22:48,572 --> 01:22:50,748
a freak accident that killed
the 27-year-old actor

1865
01:22:50,835 --> 01:22:52,576
after friends found him pinned

1866
01:22:52,663 --> 01:22:55,492
between his
2015 Jeep Grand Cherokee

1867
01:22:55,579 --> 01:22:57,407
and a fence at his home.

1868
01:23:04,153 --> 01:23:05,502
[Chris] Here's a guy
who struggled with his lungs

1869
01:23:05,589 --> 01:23:07,765
for as long as I knew him.

1870
01:23:07,852 --> 01:23:10,246
And he's pinned,
so he can't breathe.

1871
01:23:11,029 --> 01:23:12,813
Like, out of all...

1872
01:23:12,900 --> 01:23:14,859
all fucking things.

1873
01:23:14,946 --> 01:23:17,166
Out of all fucking things.

1874
01:23:17,862 --> 01:23:19,298
That's it?

1875
01:23:19,385 --> 01:23:21,126
And you go to the house,
and you look at the,

1876
01:23:21,213 --> 01:23:22,954
and you look at the gate,
and you're like,

1877
01:23:23,041 --> 01:23:25,130
"This little thing right here

1878
01:23:25,217 --> 01:23:26,958
caught the last moments
of my friend?

1879
01:23:27,045 --> 01:23:29,047
This little spot
in the universe?"

1880
01:23:36,141 --> 01:23:38,100
[Simon] Looking at the physics
of the whole thing,

1881
01:23:38,187 --> 01:23:41,103
it was so, it was so...

1882
01:23:41,190 --> 01:23:43,018
It was like something
out of a bad horror movie.

1883
01:23:43,105 --> 01:23:44,584
You know, the kind of,
the random events

1884
01:23:44,671 --> 01:23:46,630
that had to occur
for this to happen

1885
01:23:46,717 --> 01:23:48,980
were just, were just...

1886
01:23:49,067 --> 01:23:51,113
cataclysmically unfair,
you know?

1887
01:23:55,204 --> 01:23:56,814
[Marlon] I kept saying,

1888
01:23:56,901 --> 01:23:58,642
"This better be some kind of
sick fucking joke.

1889
01:23:58,729 --> 01:24:02,385
And I swear to god,
the person that is doing this,

1890
01:24:02,472 --> 01:24:04,300
I'm going to beat
the ever living shit out of them

1891
01:24:04,387 --> 01:24:07,172
because this is not funny.

1892
01:24:08,217 --> 01:24:10,654
You can't take away him from us.

1893
01:24:10,741 --> 01:24:12,612
You can't take him away from me.

1894
01:24:12,699 --> 01:24:15,050
And you can't fucking do this."

1895
01:24:17,617 --> 01:24:19,619
[somber music]

1896
01:24:21,143 --> 01:24:22,927
[Ian] He was taken way too soon,

1897
01:24:23,014 --> 01:24:24,189
there's no doubt about it.

1898
01:24:24,276 --> 01:24:26,539
It was a brutal way to go,

1899
01:24:26,626 --> 01:24:29,934
but in a weird way,
it's very Anton-esque.

1900
01:24:30,021 --> 01:24:32,980
That it's just,
he would show up at places,

1901
01:24:33,068 --> 01:24:34,417
and then he would look around,

1902
01:24:34,504 --> 01:24:35,505
-and he was just gone.
-[snaps fingers]

1903
01:24:38,508 --> 01:24:41,598
[Martin] I just think that
the human race has been cheated.

1904
01:24:43,252 --> 01:24:47,865
In a world
that moves on very quickly,

1905
01:24:47,952 --> 01:24:51,869
I don't want him ever
to be forgotten.

1906
01:24:53,871 --> 01:24:56,178
"Our dear, dear son,

1907
01:24:56,265 --> 01:24:59,224
We wish you
all the best life in this,

1908
01:24:59,311 --> 01:25:03,098
all your hopes, dreams, wishes,
prayers will come true.

1909
01:25:03,185 --> 01:25:05,056
Absolutely for sure,

1910
01:25:05,143 --> 01:25:06,840
because you deserve it."

1911
01:25:08,277 --> 01:25:09,539
[Jennifer] I never,
I've never...

1912
01:25:09,626 --> 01:25:11,193
I mean,
everybody loves their children,

1913
01:25:11,280 --> 01:25:13,891
but I don't think anybody
really loved their child

1914
01:25:13,978 --> 01:25:15,588
like they loved Anton.

1915
01:25:18,635 --> 01:25:20,637
[somber music]

1916
01:25:22,465 --> 01:25:23,596
[Victor]

1917
01:25:49,883 --> 01:25:50,928
[Irina]

1918
01:25:57,152 --> 01:25:58,283
[sniffles]

1919
01:25:58,370 --> 01:25:59,937
[Irina]

1920
01:26:12,341 --> 01:26:13,907
[clicks tongue, sighs deeply]

1921
01:26:18,869 --> 01:26:21,611
[In Russian]

1922
01:26:24,004 --> 01:26:26,616
♪ Well, Mom, Mommy ♪

1923
01:26:26,703 --> 01:26:29,706
♪ I play the blues for you ♪

1924
01:26:31,403 --> 01:26:37,496
♪ Mom, baby,
Just like I used to ♪

1925
01:26:37,583 --> 01:26:41,674
♪ Well, it's a long time comin' But it's finally here ♪

1926
01:26:41,761 --> 01:26:45,025
♪ Mom, baby, want you near ♪

1927
01:26:45,112 --> 01:26:49,769
♪ Mommy, Mommy
I'll play the blues for you ♪

1928
01:26:51,467 --> 01:26:53,512
♪ Well, Mom, Mommy ♪

1929
01:26:53,599 --> 01:26:56,341
♪ I play the blues for you ♪

1930
01:26:58,561 --> 01:27:03,696
♪ Well, Mama, baby,
Tell ya how much I love you ♪

1931
01:27:05,176 --> 01:27:09,398
♪ Well, it's a long time comin' But it's finally here ♪

1932
01:27:09,485 --> 01:27:12,662
♪ Mom, baby, want you near ♪

1933
01:27:12,749 --> 01:27:16,927
♪ Mommy, Mommy,
I'll sing the blues ♪

1934
01:27:19,234 --> 01:27:20,452
♪ For you ♪

1935
01:27:36,425 --> 01:27:40,255
♪ The sun ♪

1936
01:27:41,821 --> 01:27:45,564
♪ Shines ♪

1937
01:27:46,304 --> 01:27:48,654
♪ Below me ♪

1938
01:27:50,787 --> 01:27:52,789
♪ Below me ♪

1939
01:27:54,791 --> 01:27:58,360
♪ The sun ♪

1940
01:27:59,186 --> 01:28:02,625
♪ The sun, it shines ♪

1941
01:28:03,539 --> 01:28:06,585
♪ Shines below me ♪

1942
01:28:08,283 --> 01:28:10,328
♪ Below me ♪

1943
01:28:13,810 --> 01:28:17,727
♪ There's no use tellin' you ♪

1944
01:28:17,814 --> 01:28:20,904
♪ Just no use tellin' you ♪

1945
01:28:20,991 --> 01:28:23,863
♪ How I feel ♪

1946
01:28:25,343 --> 01:28:27,780
♪ How I feel ♪

1947
01:28:30,435 --> 01:28:33,873
♪ You're just gonna make up ♪

1948
01:28:33,960 --> 01:28:37,747
♪ Just gonna make
Your face up in ♪

1949
01:28:37,834 --> 01:28:40,793
♪ Tears ♪

1950
01:28:41,490 --> 01:28:43,056
♪ Tears ♪

1951
01:28:45,755 --> 01:28:49,411
♪ You're just gonna make up ♪

1952
01:28:49,498 --> 01:28:52,196
♪ Just gonna make
Your face up ♪

1953
01:28:52,283 --> 01:28:57,375
♪ In tears, whoa, whoa ♪

1954
01:28:59,682 --> 01:29:03,512
♪ Yes, I'm below, the sun ♪

1955
01:29:04,861 --> 01:29:07,516
♪ Shines ♪

1956
01:29:09,431 --> 01:29:11,694
♪ Below me ♪

1957
01:29:15,567 --> 01:29:17,700
♪ Below me ♪

1958
01:29:23,358 --> 01:29:25,055
♪ Below me ♪

1959
01:29:44,030 --> 01:29:46,032
[somber music]