( HAMMERS BANGING )
( POWER TOOLS WHIRRING )
( INDISTINCT CHATTER )
( HAMMERING CONTINUES )
( DRAMATIC MUSIC FADES UP )
That was fast. Hi.
Oh, so lovely to meet you.
Good to meet you, too. Hi!
Hi, Honey! This is my dog. I'll put her in the-- in the bedroom.
Come on in.
You know we're neighbors? I live just down the road.
Whoa. [MARTINELLI] Hey...
...I'm going to start with the cabinets.
That sounds great. It's chaos we're remodeling.
Make yourself at home. ( SPEAKING RUSSIAN )
Come on... come on, Jax!
( ELECTRICITY BUZZING )
( SPEAKING RUSSIAN )
Those are the... the notebooks?
Yes.
May I? Yeah... here.
Each exhibit gets its own-- Yes.
So tell me about tonight's opening? Congratulations.
Thank you.
You found a cell phone on the street.
You did not know who it belonged to.
I started interviewing people from the phone's address book...
about the man to whom it belonged, Arthur Anderton.
I looked at his GPS history...
the places he had been, visited those places...
photographed them... listened to his music.
I began to see the phone as a prism...
through which I might see the man.
Was there anything that you didn't look at?
I didn't look at his web history or read his emails.
I wanted the device to... offer up information...
that he might share with me himself...
under different circumstances, of course.
How does Arthur Anderton feel about this?
While developing the exhibit, his friends and family...
seemed to think that he would love it.
But he didn't?
No.
Um... you also do performance work?
What would you say is the unifying theme...
The unifying theme? ...behind your, um...
everything you do?
Chance.
I like to allow circumstances to present themself...
and then I rise up to meet them.
Circumstances are the... dictator's of my work.
Like a piece of string, I pick it up and follow it along...
and see where it takes me.
( SOFT MUSIC PLAYING )
( MUSIC CONTINUES )
Thank you, thank you again...
and, um, I hope our paths cross again.
Me, too. Thanks. Bye.
Has he been walked?
Not since like 11:00.
Okay, maybe I'll walk him. Come.
[KARIN] I won't be here when you get back...
I'm gonna go get ready.
Okay, see you tonight. Yeah.
How long have you been representing her?
Uh... how long have I been representing you?
Oh... a long time, we're old friends.
He is my mentor at art school.
Oh.
[PAUL] Scary.
Thank you so much. Thank you for coming.
I thought you named her. So original.
No, we're just meeting. This is Paul.
He's my uh... dealer, Paul.
Hi.
Arthur Anderton.
[MIRANDA] And now with this technology...
we all walk around with these phones...
kind of attached to ourselves.
[MIRANDA] We don't memorize anybody's phone numbers anymore.
[MAN] Not at all. Right?
[WOMAN] It's true! Everything is just built...
in these little boxes.
Arthur?
I'm very glad you could make it tonight.
Did my mother give you this photo?
Yes.
I'm glad that you're here.
You don't find it awkward to meet me?
A real human being.
It's very nice to meet you.
( CAMERA SHUTTER CLICKING )
This little domain, it's... mine.
This body, these arms, these legs, mine.
You've done a bad thing.
Well, I thought it went good tonight...
very, very good.
They're gonna put your interview on the cover, you know?
( SOFT MOANING )
Yeah, well I thought the show was very good tonight.
How do you feel about the shoot tomorrow?
Huh?
Can you just give me a minute?
Yeah.
Um, you know, Arthur is gonna sue?
[MIRANDA] What?
Yeah, I had a little talk with him.
Where are you going?
To get water. You want some?
No.
[MIRANDA] Ow! Ow! Fuck, who moved this thing?
You know... if he sues, it's all a good thing.
( DOOR SLAMS CLOSED )
( SCOFFS ) ( PHONE RINGS )
( RINGING CONTINUES )
Hello?
No, there's no one here by that name.
( TOILET FLUSHING )
[PAUL] Oh!
( BANGING ) [MIRANDA] Paul?
[PAUL] Hey! Hey! Hey! [MIRANDA] Paul?
Hey! Stop that! Stop!
What is it? What's going on?
There was this woman, and he was--
Where? What happened? On the ground.
But what happened?
He had her head down and he was bashing her.
He looked right up at me.
Fuck! God damn it!
Let's call the police.
And tell them what?
And tell them!
I can't. I-- it wouldn't be fair.
It wouldn't be fair.
I'll call from my cell phone anonymously, an anonymous tip.
That's not anonymous, Miranda!
Is she okay? Do you think he's still following her?
[PAUL] What are you gonna say to them?
What did he look like?
He was a white guy. He had dark hair.
Jesus!
Paper? Paper? Paper? Paper?
She had a coat.
Did you see his face?
He was looking right up at me.
OPERATOR (OVER PHONE) You've reached 911.
You're call is important to us. Please hold.
What's happening?
I've been put on hold. Hold?
Hello? Yes, I'd like to report an attack...
that took place on the corner of Revery and 4th.
No, it's not going on now.
About 5 minutes.
What the hell?
I think it's weird that you answered my phone.
What made you do that?
It was ringing.
Who was it? Wrong number.
So what made you answer it?
Hello. Yes, I can.
Caucasian man, tan coat, dark hair.
Yes, that's correct. That's me.
Yes. Miranda F-A-L-L, Fall.
Thank you. Thank you so much.
They are sending someone over tomorrow.
Oh, great.
Shoot.
Can you tell me anything else about what he looked like?
Square-cut jaw. Dark hair.
Widows peak, maybe not.
Maybe not.
I just want to understand it a little bit better...
so you be me, and I'll be you.
I'm sitting here.
The phone rings.
I go to answer it.
And I believe that I see an attack happening below.
Now he was about right here.
And... um.
He had his right arm in this position here...
and... and hurled my arms um, behind her back all twisted up.
And he was-- he was sort of bashing...
bashing her into the pavement.
And I made a noise up there and he looked right up at me.
( SOFT MUSIC PLAYING )
[MIRANDA] Um... I like the one on the left, I think.
Okay. We'll get going on that right away.
( KNOCK ON DOOR )
Thank You.
[MARTINELLI] No worries, boss, start from downstairs.
Hello.
No way!
You called the police.
Um... first of all, don't get excited.
This is not a coincidence.
Are you gonna let us in? Come in! Come in! Come in!
Hi.
I heard you called in.
You heard? Yeah.
You're a bit of a cult figure down at the precinct, so--
What?
In a former life, I went to college with this young lady.
[MISS SNOW] Really?
I'm sorry. Miranda, this is Miss Snow. She's the sketch artist.
Hi. Hi.
Would it be okay if I--
Yes. ...set my things...
This is great.
Thanks.
I'm sorry, can I get you some tea?
[MISS SNOW] No thanks, I'm fine.
Yeah, you have quite the reputation with the police.
That thing you did with the, um... surveillance camera.
[MIRANDA] Cameras! Yeah.
That got you some friends.
That's really weird.
He had his right arm like this, kind of holding her.
And her right arm was twisted back behind her back.
And he was bashing, bashing her into the pavement.
I made some noise and he looked right up at me.
[MISS SNOW] Let's begin with the eyes.
The eyes?
Yes, always the eyes first.
Okay.
Dark eyes.
Yes, I remember now, big, dark eyes.
[MIRANDA] Square-cut jaw.
Dark hair.
Widow's peek, maybe not.
Maybe not.
( DOG WHINES )
[MARTINELLI] Shut up.
Is their anyway I can keep this, over night possibly?
So, it's okay with me.
Thank you. I appreciate it.
I'll call you tomorrow morning with any possible changes.
Congrats on the uh... the reviews this morning.
Yeah.
What, you don't like great reviews?
The guy I did the exhibit about isn't happy.
I wouldn't think that would bother you.
No, I...
[ANDY] Regret. I had to do it.
But uh...
Question. This series here?
Uh... it's called bag.
Do you wanna sit for it?
Uh...
What would I have to do?
I would take your photo and then you would give me...
everything in your bag.
Um... when would I get it back?
When the show is done.
And when is that? 12 weeks.
You would keep your credit cards, ID, cell phone, keys...
but you have to give me everything else.
So all this crap was in what? Someone's purse?
Look at the photo.
It's your crap.
All right.
[MIRANDA] Yes?
Where do I put this?
Great!
Okay, so I'm just gonna take everything out...
and then you're gonna arrange it?
No, you're going to arrange it on here.
And I'm going to put this glass case over it.
Reviews.
Whoa! I get your official weapon?
I like my fucking job, I'm not gonna give up my weapon.
No, that stays here.
This is a collector's item.
It's my baby.
I just happen to have it on me today.
No bullets.
Would you like to hold it?
Oh God, no.
Uh... Goji berries!
Good for the prostate.
My life is laughable.
Did she do this when you pulled out your stuff?
No.
Just you. Just me?
She was really serious? Did you snort?
PAUL (OVER SPEAKER) Square cut jaw. Dark hair.
Widow's peak. Maybe Not.
Maybe Not.
MIRANDA (OVER SPEAKER) Square cut jaw.
Dark hair.
Widow's peak. Maybe not.
Maybe not.
MIRANDA & PAUL (OVER SPEAKER) Square cut jaw.
PAUL (OVER SPEAKER) Dark hair.
MIRANDA (OVER SPEAKER) Dark hair.
PAUL (OVER SPEAKER) Widow's peak.
MIRANDA (OVER SPEAKER) Widow's peak.
PAUL (OVER SPEAKER) Maybe not.
MIRANDA (OVER SPEAKER) Maybe not.
PAUL (OVER SPEAKER) Square cut jaw.
MIRANDA (OVER SPEAKER) Square cut jaw.
PAUL (OVER SPEAKER) Widow's peak.
MIRANDA (OVER SPEAKER) Dark hair.
PAUL (OVER SPEAKER) Maybe not.
MIRANDA (OVER SPEAKER) Widow's peak.
Maybe not. Maybe not.
Hey. Hello.
Sorry I didn't make it to the opening.
Please don't worry about it.
Paul said it was smashing.
Hello. Hi.
[JAMES] I feel sick. Ms. Fall.
Nice to see you again. Hello.
[JAMES] Your usual? Yes, please.
[JAMES] Let me get you another bottle.
This one's almost out.
It's that big?
Well, this is gonna be an exercise in futility.
Thank you for doing this.
How are you?
Hold on one sec. Let me get some better ice here.
You see, I think-- I think the nose should be more elongated...
and the face more oval.
But you said square cut jaw?
Yeah, I know.
But I think... now I think the face should be more oval.
More feminine somehow.
That's all folks.
Bye, cookie. Bye.
[JAMES] Bye.
Poor guy, huh? Mm.
Now listen, this-- you really need to stick to installations.
No, seriously.
You want me to help you with this?
No! No, come here, no, no, no.
No! We're gonna give him--
How about a butt chin? James!
No, no, wait, look. Who am I? Who am I?
( CAMERA SHUTTER CLICKING )
ARTHUR (V.O.) You've done a bad thing.
Fetch, Jax!
( SPEAKING RUSSIAN )
Looking good.
Hello?
I'm here for a lineup.
[DETECTIVE] Thanks for coming in, ma'am.
Standard procedure. Don't worry about it.
They can't see you, but you can see them.
Is Ms. Lockwood already processed?
Do you mean Margeret Lockwood? The woman in the hall?
[DETECTIVE] The victim of the assault you witnessed? Yeah.
What?
[DETECTIVE] Do you know the victim?
How badly was she hurt?
But you didn't recognize her?
During the attack?
No.
But you did see the perpetrator?
He looked right up at me.
Will she be doing the lineup, as well?
Uh... the victim didn't see the attacker, ma'am.
My God, she interviewed me that morning.
Get the lights.
[DETECTIVE] Man number one, step forward.
Man number two, step forward.
Man number three, step forward.
[DETECTIVE] Man number four, please step forward.
Man number five...
please... step forward.
Hey.
Hi. How'd it go?
Uh...
Were you able to ID anyone?
Uh... no.
No, definitely not.
Were you at least gonna say hi?
Who were the men in the lineup?
Um...
Who was man number five?
Who?
Who-- who is he?
Weird? I know him.
And not from the attack.
But I know him. I know I know him...
he's so familiar.
( LOUD CLANK )
MAN #1 (OVER TV) I suppose you couldn't put it...
...to her in someway? MAN #2 (OVER TV) What?
MAN #1 (OVER TV) Well... people just don't vanish and so forth.
MAN #2 (OVER TV) She has.
MAN #1 (OVER TV) What?
Vanished. Who?
[MAN #2] The old dame.
MAN #1 (OVER TV) Yes.
MAN #2 (OVER TV) Well? Well, how could she?
What? Vanish.
Vanish?
I don't know.
Well, that just explains my point.
People don't just disappear into thin air.
( PHONE RINGING )
( CAMERA SHUTTER CLICKS )
( DOOR OPENS, STEPS APPROACHING )
( PHONE RINGING )
[KARIN] I like her in that close.
[ASSISTANT] Yeah.
[KARIN] That one's amazing. Oh my God, look at her eyes.
Miranda, that is amazing.
( PHONE RINGING )
Who keeps calling me?
[KARIN] What's crazy is that... Excuse me a second.
...in this one her face looks blue.
Right? It's like transferring from her hand to her face.
( EERIE MUSIC FADES UP )
Hi. Yes. Um....
Oh, no.
[CLEO] Look at this disaster.
Nothing got stolen except for the baby pictures.
[CLEO] He's a fucking lunatic!
Projectors aren't broken...
at least he was nice enough to leave those alone.
Did Arthur do this?
I guess.
We get the surveillance tapes in an hour to confirm.
It's very timely. He was talking about suing?
I can have his ass in jail for this shit!
Excuse me.
Hey, are we supposed to be open?
Allison, do you have fucking eyes in your head?
Get them out of here!
I want to let them in.
Would you prefer we didn't?
Don't touch anything else. We should just leave it how it is.
I had a feeling she'd say something like this.
It's so much better this way, Cleo.
There is so much more of him here. It's better.
Could you stop, please? Just leave everything how it is.
Thank you.
We'll create perimeters... around each of his sculptures.
It's better.
You've just-- we're just going to leave it?
( SOFT MUSIC PLAYING )
[CLEO] Paul, are you okay to just leave it?
It's to just leave it coincidentally.
And there she goes.
( SOFT MUSIC CONTINUES )
Mommy!
MIRANDA (V.O.) October 28th. 6:00pm.
I have found you, man number five.
And a new project begins.
PAUL (OVER PHONE) Hello? It's me. Hello? It's me.
( SOFT MUSIC PLAYING )
MIRANDA (V.O.) First floor.
Third floor.
October 28th. 8:30pm.
I am in number five's hallway.
Right now the man is walking around behind...
...this door.
The guy from the lineup showed up at the gallery?
And the victim was in my house just days ago.
PAUL (OVER SPEAKER) Wow.
Yeah.
And it's not just that.
First time I saw him--
He probably followed you from the police station.
The point of a line up, Paul, is that they can't see you.
You know some of these guys are real criminals.
It could have been the guy that assaulted her.
What-- what is this piece you are doing anyway?
What exactly are you trying to do?
I don't know.
[PAUL'S WIFE] Paul?
Coming, darling... to be continued.
Hi.
You wanted something?
No? Water? You sure?
MIRANDA (V.O.) October 31st... you were never here.
Last night a man walked into myself.
Let me take that again.
Last night, a man walked into my life.
Hi, sorry, I'm a little late.
[MIRANDA] Hi.
Good to see you.
Have you been here long?
I can amuse myself.
Happy Halloween.
Would you like something to drink?
Happy Halloween!
Come on!
Takes one to know one.
There you are.
Can I get you something?
Yeah... um... oh... hey!
Where's James tonight?
Excuse me?
Oh... I don't know, I'm new here.
Well, you still serve scotch, right?
[NEW BARTENDER] Always! Yeah.
Well, I'll have a Macallan on the rocks.
Sure thing, beautiful.
So?
Ignocio, where is James?
I have no idea.
Never showed up to work Monday. We left a couple of messages.
So that's that. This guy here, very nice.
That's that?
What can I say, I'm running a business.
He's been here since I moved here.
Years.
Well, do you have anyway of getting in touch with him?
No, this way my way.
How is your family?
Happens all the time in my business.
People getting fired?
No, people suddenly not showing up anymore.
Ah... you'd be surprised.
Talking about the people that just vanish.
Family files a report.
They think they're dead.
And then five years later, they turn up...
somewhere across the country.
They don't take money or clothes?
Sometimes... sometimes they just--
That really happens?
That really happens.
Taxi! Airport, please.
( INDISTINCT )
Taxi! Airport, please! Airport, please!
Taxi! Airport, please.
How's it going? How's the case?
It's over and done with.
[MIRANDA] What?
That's my news...
What happened? They got their man.
Colleague of mine obtained a confession...
to a bunch of different assaults...
and your case was one of them.
One of the men in the lineup?
Yes. When, when did this happen?
Uh... yesterday.
They incarcerated him yesterday?
Yes, they incarcerated him yesterday.
That's good news. That's good news.
That's really wonderful. It is.
What about the other men in the lineup?
Who were they?
What do you mean, who were they?
Were they all violent criminals?
Ah... no, they were not violent criminals.
No? Just a couple of cops.
A couple of petty thieves.
Thank you.
There is nobody violent, dangerous?
Nobodies.
Incognito.
That was fun.
It was.
Um....
Goodnight.
Get home safe.
MIRANDA (V.O.) November 4th. 4:00pm.
From here on in, let us call the man "S".
I follow S to a fairly busy shopping district.
And I watch him buy a wrinkled green and pink polka dot scarf.
Which the sales girl, in red, is about to give him.
In a white bag.
I wonder, who is the woman, that S is buying the scarf for?
[MIRANDA] Jax!
Hello?
Jax?
Jax!
Come here, boy.
Jax!
[MIRANDA] Hi, baby.
Hey.
Don't you feel well?
What the hell, Jax?
[MIRANDA] What the hell?
You peed?
Jax, what the hell?
[MIRANDA] Get the ball, boy.
Don't you wanna play more? Come on, baby.
Fetch the ball!
Come on, Jax.
Here we go. One more time.
Oh, there you are.
Here I am?
I've been here for the last 3 hours. Speaking of which...
Well, I was looking for you ten minutes ago.
You weren't here.
Yes, I was. Must of been in the bathroom.
I haven't left my chair for literally three hours.
Whatever. I, um, I just wanted to let you know...
that my nephews are here.
Oh... Nino and Sammy.
And... Detective Andy called on the office line.
I know.
It was the same in college. Trust me.
Oh, my goodness.
Did you guys have a thing?
Oh, come on, just tell me.
That's not going to work...
because I'm actually not going to be here.
[KARIN] Yeah, we leave... Come on, soccer! Yeah!
...on Thursday night and get in Friday morning.
[MIRANDA] Get the ball!
[KARIN] Wednesday, we're coming back. Uh-huh.
So we're gonna get in Friday morning.
So it's just a little tight.
Hey, Jax! Where are you, honey?
Come here, sweetheart.
Bang!
Jax is acting strangely, huh?
Uh, yeah...
it's like somebody's replaced my dog with another dog.
Bang!
This looks yummy.
I'm making them dinner. Do you want some?
Yes, please. Mm-hm.
What's wrong?
No, I'm stressed about my trip.
Honey, your trip is going to be wonderful.
I told you my cousin is gonna be here.
She said she'd be happy to help with anything.
No strangers in the house.
What's with that self portrait?
What self portrait?
That's the assailant! That's the police sketch.
Oh, I thought it was you.
[BOY] That's not a real gun.
Because it was Halloween...
and they wanted the full like haunted house experience.
And then all of a sudden, I just feel myself grabbed...
and pulled up, and I can't even breathe.
And I'm snorting out of my nose...
to wake up the people in the room.
Thank God they saw me.
I'm like at 45 degrees.
They spring up.
And they're shaking me, and my eyes are open.
And I'm going.
Like trying to get to them.
And then finally whatever it was was released.
Instead of me getting out of bed or anything you'd imagine.
I just curled up into this fetal position.
Felt so violated and I was like no.
Oh, no.
That's terrifying.
It was terrifying, and then I stayed awake.
I would not... Of course, you did.
And waited until--
Oh wow, waited for her to come back.
That was it, I was done.
I haven't had anybody this nice to me in a long time.
Did you know that heart cells...
want to beat at the same time.
So, like if you put a cell from my heart...
and a cell from yours...
in a dish together, within however many, I don't know...
hours they would be pulsing at the same time.
They like reach towards each other to try to sync up.
It's true.
I'm waiting to see if they start to sync up.
[MIRANDA] Jax?
Hello?
Yeah, yeah.
Well, he wouldn't be putting the painting up...
if he wasn't trying to sell the fucking thing.
Tell him he's a surrealist.
I think Arthur may have been in my apartment.
What?
Twice now I've come home...
and the big Chaise lounge was in a different place.
Well, you had painters in there all week.
Well, they finished last week.
And Karin left for Paris on Thursday.
Okay.
Did one of them have a key?
No.
But the lock on my building door is broken.
Was your sibling in the building?
I have to ask him. I don't think so.
Although I wonder.
Is it fair of me to deny Arthur access to my apartment?
What?
Well, there can't be one set of rules for me...
and another for everyone else.
Audrey, give me Stearns on the phone, okay?
Arthur? Arthur?
How would he have gotten in?
I keep a key under my doormat.
And you-- you think Arthur came into your apartment...
and moved your Chaise lounge around?
Oh, Jesus.
Are those real?
MIRANDA (V.O.) November 12th. 9:00 PM.
I am absolutely freezing.
Watch here as I try to warm my frozen feet.
I follow S down a street not far from where I live myself.
I'm just a few paces behind...
though he does not acknowledge me.
He must know I am here, by now.
Earlier today, S took me to the west side of the city.
Where he allowed me to get very close.
Before disappearing from my sights all together.
And then--
[MIRANDA] Oh, my God.
MIRANDA (V.O.) Like he walked right into me again.
Right into... this very room.
Hello. Hello.
Uh... Mr. Martinelli?
Did you move a chair in my apartment?
Move your chair?
Yes, the Chaise lounge in my apartment.
Would you like some help with something, Ms. Fall?
No, don't worry about it. Thank you.
( HEART BEATING )
PAUL (OVER SPEAKER) Square cut jaw.
Dark hair. Widow's peak.
Maybe not. Maybe not.
Square cut jaw.
Dark hair. Widow's peak.
Maybe not. Maybe not.
PAUL (OVER SPEAKER) Square cut jaw.
Dark hair. Widow's Peak.
Maybe not. Maybe not.
Square cut jaw.
Dark hair. Widow's Peak.
Maybe not. Maybe not.
( KNOCKING ON DOOR )
Hello. I'm sorry to disturb you so late.
Hi!
Uh... the door down stairs was open.
Oh, yes, I know.
I've just made some tea. Would you like some.
Scene of the crime.
How are you feeling?
I've been such a fan of yours all these years.
I don't know.
I'm not the same as I was the last time I was here.
My DNA is different. Thank you.
Why is it that when you got to the police station...
you couldn't identify anyone?
I'm sorry, it's so crazy.
Because I was here, and then it was you who witnessed it.
What's your new project about?
They did find him.
I know. I know. I just--
I just-- I need to know what happened?
I heard a man's voice at the window.
And I know I did.
I need to know what your new project is about.
Paul Stark saw you get attacked, not me.
Oh my God.
What if they hadn't caught him?
What if they hadn't caught him.
Did you know that Arthur Anderton was in the hospital?
Tried to kill himself.
Is he going to be okay?
They don't know. He shot himself.
What's going on, Miranda?
( EERIE MUSIC PLAYING )
( CAMERA SHUTTER CLICKS )
ARTHUR (V.O.) You've done a bad thing.
( SHOWER RUNNING )
( SOFT MUSIC PLAYING )
MIRANDA (V.O.) November 16th. 10:00PM.
S.
S... all along.
November 17th. 5:00PM.
Grey skies.
I wait outside of S' apartment.
I know what I must do.
I must rise and meet the circumstance.
I must follow the stream.
[MIRANDA] Shit. Fuck.
( FAUCET RUNNING )
( CLINKING )
( EERIE MUSIC PLAYING )
Love this photo.
[MIRANDA] Which one?
The one of little you, and your mom and your dad.
Oh yeah... that's a nice one.
I've been looking and looking at it a lot recently.
Hey.
The morning my parents died, my mom called...
to see if there was anything that I wanted from home?
And I said, my white shirt.
I don't know how long she spent looking for the white shirt...
but I know she spent sometime looking for the white shirt.
And I know that in a car crash where a matter of moments...
or a moment is the difference between life and death.
That if I hadn't of asked for the white shirt...
they would still be alive.
I am disappearing, Andy.
You are right here.
Hi. Hi.
Is that really what I look like?
It was so real for me when we were at school.
Did you feel it, too? I always wanted to ask you.
I was just a boy.
By the way, you should be glad you weren't able to ID anyone.
Because they put me back on the case.
Apparently someone went missing from your spot.
The Nightingale.
What?
A young woman went missing the other night.
But they found the guy?
Cops can be assholes.
But he confessed?
A coerced confession.
How? What?
How could you not have told me this?
I just did.
Don't worry. You're not involved any more.
But I am involved, though. I am involved.
Do you have any idea who it is?
No.
And what about this woman at The Nightingale.
We think that your case might be connected...
to this girl who's gone missing.
She's gone missing?
Yes, Friday.
[MIRANDA] Friday? This last Friday?
What the hell?
This last Friday?
Yes.
( KNOCKING )
Ssh, she's asleep.
She hasn't been able to get to sleep.
Mr. Stark, I'm going to head home.
I will see you first thing in the morning.
Thank you, Imelda, thank you very much.
I don't know how to thank you enough.
Okay, yeah.
1:00 AM is early to start drinking.
You look awful. Uh-huh.
Paul?
Hm?
Oh, God, let me guess where this is going.
I need to know if this is the same man...
you saw attack Margeret?
I thought they nailed this guy?
No.
I don't know... it's hard to say.
I can't see him properly.
Can you please try to guess?
I don't know what to tell you.
Tomorrow morning, I want you to come with me...
and I'll take you to him.
And you'll tell me if it's the same man...
you saw outside of my apartment, okay?
Tomorrow morning I have an appointment at the hospital.
Do you have eyes?
A woman disappeared from The Nightingale...
the night I followed this man there.
People might get hurt, Paul.
( DEVICE BEEPING )
She's awake.
He put something in my closet.
He put a scarf in my closet.
All right, look.
I'll meet you tomorrow morning at 10:30 at the gallery.
After I drop her off.
Are you okay?
Do you wanna sleep here over night?
You know when you said, "He looked right up at me,"?
Does that mean that he saw you?
I'm scared for you, Paul.
What if he's dangerous and you can ID him?
You know this thing with Arthur?
I mean... he was unstable from the very beginning...
there is no way you could have known that, cookie.
I think it's time to go to the police.
You know what this is for me?
( WEEPING )
I love her. I know.
I really... I know, Paul.
[PAUL] I can't handle it. It's too much.
[PAUL] It's too much.
Hey, Paul, it's me, it's ten to 11:00.
I hope everything went well at the hospital.
I'm at the gallery, give me a call. Bye.
What time did he bring her to the hospital?
And when did Mr. Stark leave?
Can I talk to the caregiver, Imelda, is she there?
MIRANDA (V.O.) November 18th, 3:00PM.
Because I do not know what else to do...
I wait outside for S.
And follow him down the street.
[MIRANDA] What do you mean he wasn't there?
He would never not be there to drop her off at the hospital.
That would never happen.
MIRANDA (V.O.) I tell myself it is only in my imagination.
But I fear S.
I fear S.
( SOFT MUSIC PLAYING )
( HEART BEATING )
( PHONE RINGING )
[MIRANDA] Hello?
ANDY (OVER PHONE) Miranda, it's Andy.
Hi.
[ANDY] Listen, I have some news.
Paul Stark's wife reported him missing this morning.
Oh no, Andy.
[ANDY] Okay, just-- I thought it was in my head.
ARTHUR (V.O.) You've done a bad thing.
[MIRANDA] Andy, I have to tell you something.
I have to come to the police station...
and make a statement... okay?
ARTHUR (V.O.) You've done a bad thing.
ANDY (OVER PHONE) He was supposed to pick her up...
[MIRANDA] I'm coming in now.
morning, but he never did, and he wasn't in the apartment...
when the nurse showed up yesterday morning.
The Nurse at the Stark residence...
says you were there the night before last.
Which means you were the last person...
to actually see Paul Stark.
She says you were very upset.
What were you doing there at 2:00 in the morning?
I just told you.
What is your relationship to Paul Stark?
He's my friend.
And he's my dealer.
You are also having a sexual relationship?
Yes.
Why didn't you tell us...
that you were having a sexual relationship with Mr. Stark?
I didn't think of it.
You didn't think it would matter...
that you're having an affair with him?
No, it's not an affair. It's-- it's an arrangement.
What kind of arrangement?
He loves his wife very much.
Did that make you jealous?
No.
Please, is anybody even looking into the man...
that I followed to The Nightingale on Friday?
So you went to visit your lover... in a very upset state.
In the middle of the night.
Because you were having anxiety over an art project.
What were you doing at The Nightingale last Friday night?
I was following that man there.
This man in your photos? Yes.
Because we have a witness...
that can put you near the bar that night.
You have a witness that can put me?
I came here and I told you that I was there!
Why are you getting so agitated?
Hey.
You don't actually think that I--
No, no, no, of course not, don't even worry about that.
Listen, short of any DNA evidence or a murder weapon...
turning up at your apartment or something like that.
No, no one really believes that.
I'm guessing your guy will turn up in a couple days.
Probably just took a little va-- needed a little time away.
What were you thinking?
I'm a cop.
And I take what I do seriously, too. Ya know?
You kind of got inside me there for a little while.
But... at the end of the day...
we don't really know each other that well.
( FAUCET RUNNING )
( FAINT SCREAMING )
Ugh!
( GASPING )
( DRAMATIC MUSIC PLAYING )
[MIRANDA] Andy. Something's happened.
Your gun has been fired.
I'm afraid that I just found the murder weapon...
just like you said.
Andy, please call me back!
( LOUD KNOCKING ON DOOR )
What the fuck.
( KNOCKING CONTINUES )
[MARGERET] You know I can hear you, right?
Go away.
[MARGERET] I'm going to keep banging on this door...
all night if I have to.
What do you want?
( LOUD BANGING )
[MARGERET] Uh, we're going to the police right now.
He's still out there, it was a coerced confession.
Why do you have that?
What are you doing with a gun?
( OMINOUS MUSIC PLAYING )
( OMINOUS MUSIC CONTINUES )
( MUSIC STOPS )
( DRAMATIC MUSIC PLAYING )
[MARGERET] Miranda!
Oh! Hey! Hey!
Stop that! Stop that!
Hey, stop that! Stop that!
Oh, fuck!
Call the--!
Call the police!
Margeret?
Call the police!
[MIRANDA] Chain.
Please. Please. Please.
( DOOR RATTLING )
Get your hands up!
Put the phone down!
Okay.
You have right to remain silent.
Anything you do or say can and will be held against you...
in a court of law.
You have the right for an attorney.
If you can't afford an attorney, you'll be provided with one.
Do you understand these rights that I am reading to you?
Who-- who are you?
What's your name?
This is Officer 626.
Requesting a backup on 65th and Puget.
Yeah.
( HANGING UP PHONE )
How did you get in?
Where's my friend?
( PHONE VIBRATES ) Hello, it's me. Hello, it's me.
[S] Hey! Put the phone down.
Put your phone down!
Where's my friend?
Your fucking friend who attacked me? How am I supposed to know?
( PHONE VIBRATES ) [PAUL] Hello, it's me.
You were in the lineup?
Which lineup did you see me in?
( CABINET DOOR OPENS )
( CUFFS JINGLING )
I'm sorry. I'm so sorry.
Turn around.
( CUFFS JINGLING )
( LOUD THUD )
( EERIE MUSIC PLAYING )
( TAPERED BREATHING )
( INDISTINCT WHISPERING )
( CONTROLLED BREATHING )
( EERIE MUSIC CONTINUES )
( HEAVY BREATHING )
( OMINOUS MUSIC PLAYING )
( DISTANT SIRENS WAILING )
What the hell?
Let me in! Hey!
Hey! Let me in!
Ms. Hall... calm down.
We replaced the locks.
Sent out a memo.
Here. Take it.
Take it.
( MUTTERING IN RUSSIAN )
( LOCK CLICKS )
Taxi!
Airport, please.
I don't know, is that more interesting than just--
Maybe just something's fine. All right, then let's see.
( INDISTINCT CHATTER )